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Flowers and Trees

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Flowers and Trees

A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.

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Release : 1932
Rating : 7.3
Studio : Walt Disney Productions, 
Crew : Director,  Producer, 
Cast : Clarence Nash Pinto Colvig Walt Disney
Genre : Animation Music Romance

Cast List

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Reviews

Nayan Gough
2018/08/30

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Portia Hilton
2018/08/30

Blistering performances.

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Derrick Gibbons
2018/08/30

An old-fashioned movie made with new-fashioned finesse.

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Freeman
2018/08/30

This film is so real. It treats its characters with so much care and sensitivity.

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MisterWhiplash
2015/09/02

It can be said simply enough but should bare repeating that without a work like Flowers & Trees, Snow White would have been much harder to make. While that film doesn't take all its cues from this Silly Symphony about the good tree, his lovely lady tree, and the villainous tree coming between them, I think the music cues and how the creatures of the forest all come together is a major part of it. Disney's moves in this classical period - hell, up through the early 40's - had the hallmarks of being musical-filmed pieces, synchronized to sound with the tightest detail. But within these to-the-beat markers, there are the graceful nuances of visual poetry on screen: here are creatures and plant-life coming to life, acting as people do in such ways as to make them universal. You can watch this film anywhere over the world and people get what's going on; same was with Mickey Mouse, though here the aim is more to inspire some kind of awe over laughs.One can criticize this stuff - it's pretentious, it's full of itself, it thinks its so great. But what if it is just a splendid piece of artistic expression? There's a level of simplicity that I think found its way into a lot of those early Disney features, and the bedrock of that is here: no frills storytelling, clever visual flourishes, and here it borders on gags but one can take it a little more seriously. It's also the forerunner for Fantasia, of course; taking a piece (or in this case pieces) of classical music and finding a way to basically make the earliest films full of life and vitality - in brand-spankingly fresh Technicolor (and good lord does it look full of the synonyms you can think of for gorgeous).It's not simply one of the superlative shorts of all time but one of the great music 'videos', with a fleshed-out story, conflicts and danger with the fire that spreads (and the teamwork to put it out), and the sentimental side, but wholly and expressed with passionate audacity to go for it. There's not a trace of a modern smirk or wink to the audience, no one is being talked or looked down on, and that's part of the purity: here's the trees, here's the flowers, here's the birds, here are the things that make up this crazy little world that Disney's created. It's what it is: beauty realized in a new way that, for those that can take it in some context, heartfelt.

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Horst in Translation ([email protected])
2015/07/11

This is a Walt Disney Silly Symphony cartoon from almost 85 years ago and it was the one that won Disney his very first Academy Award. Funnily enough, one of the two people he beat was himself with another entry. Most have been a good year. anyway, in these 7 minutes we see flowers and trees as the title tells us, but a lot more than that, for example mushrooms, but mostly all kinds of animals. There are some fairly frequent motives in here. Good vs. evil, a love story between two trees and the fight for survival. For the latter, they used a massive fire here, but the plants are lucky that massive amounts of rain pour down right on time. This one is really delightful to watch. The characters were designed with so much heart and their interactions are witty and creative. In terms of the story, this is probably not one of Disney's greatest achievements, but it's still a thrilling watch at times. The music is pretty nice as well. I enjoyed watching this and recommend it.

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Shawn Watson
2013/09/03

A bunch of sentient trees, who you might sort of recognize from Toontown, and some flowers awaken on a sunny meadow and begin their daily ritual. As with most Silly Symphonies is all set to the timing of the music, but as an animation showcase it is still rather impressive by modern standards. The world the plants inhabit is very pretty and bright, and the characterization is amusing.I was hoping that the fire effects might lead to something like the Bald Mountain segment of Fantasia but it never really gets that far. Still one of the better Silly Symphonies and notable for a bizarre scene in which two trees get married (they fade out before the tree love-making).

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Ron Oliver
2000/10/17

A Walt Disney SILLY SYMPHONY Cartoon Short.One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.

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