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You won't be disappointed!

Thanks for the memories!

Good story, Not enough for a whole film

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

A Tale of Two Kitties (1942) *** (out of 4)Babbit and Catstello are two cats who are hungry and find their chance at food in the small bird Tweety. What they don't know is that Tweety is a rather smart fellow who has enough fight in him to defend himself.I must admit that I was a little shocked to see how much of a wink to Abbott and Costello this Warner short was. The fact that it was a homage wasn't too uncommon but it's rather strange that Warner would pay so much respect to a comedy group that wasn't with them. With that said, the introduction to Tweety was certainly a winner and it's easy to see why he'd eventually have his own series. The Catstello cat was actually a great copy of Costello and I especially loved that child-like nature that they gave him. I thought the studio did a terrific job at making this cat just like the real Lou Costello and it certainly added a lot of fun. There's even a very fun joke aimed at the Hayes Office.

The cats included instead are Babbit and Castello, spoofs on people called Bud Abbot and Lou Castello. Tweetie Pie is a lot different from the Tweetie Pie we know today, in this episode the bird has more of a mean streak and is not yellow. The two cats are very entertaining, Castello being a plump, cowardly cat who receives most of the action and Babbit is a braver, more grown-up cat. I quite like this Looney Tunes episode because it is funny and Tweetie Pie does a good job in his first appearance. The only things here that bothered me were the references to WWII at the time, Castello pretends to be a Spitfire (he has a large wooden plank around him that resemble wings) and he is shot at. The way he falls to the ground is surprisingly disturbing.The plot is similar to Tweetie Pie and Sylvester plots, Tweetie Pie sees a putty tat trying to eat him and he makes sure that he does not become breakfast, lunch or dinner. In this episode, Tweetie Pie is trying to make sure he is not eaten by Castello, who is hungry. Unfortunately, Castello is not finding his job easy at all...I recommend this is anyone who likes Tweetie Pie and to anyone who does not mind references to WWII in a cartoon. Enjoy "A Tale of Two Kitties"! :-)

This is one of the better Warner Bros. cartoons of the era ('42), with two cats patterned after Abbott and Costello (Babbitt and Catstello), with Abbott trying to get Costello to pry a teeny bird (who turns out to be Tweety Bird), out of his nest.The gimmicks Abbott uses to get Costello launched into space are hilarious, each one more clever than the one before. This leaves little time to devote to Tweety Bird, but this is Tweety's first film and he doesn't look quite like the finished product that he became several cartoons later.The usual high standard of animation is present, along with the character voices supplied by Mel Blanc (Catstello and Tweety) and Tedd Pierce (Babbit).

A takeoff on Bud Abbott and Lou Costello, famous comedians of the classic era, we have two cats: "Babbit" and "Catstello" just trying to survive and find food, like climbing a very tall tree for a bird snack, if they can get it. That little bird turns out to be "Tweety," the little yellow (later on) canary making his Looney Tunes debut.Actually, more than half of this cartoon features Tedd Pierce and Mel Blanc imitating the two comedians. They are far more scenes than the little bird but the best scenes are the ones with the little bird high up in his nest. Tweety is naked - no feathers. It's kind of weird, being skin color all over. It's like he's just a tiny baby that has been recently hatched. Anyway, he won't put up with a cat trying to get him - this is one strong little "boid.""Catstello" can get a little too loud and abrasive (Blan was never subtle with his voices!) but otherwise this was a fun cartoon and interesting Tweety's start in animated films.I thought the best thing about the cartoon was the direction by Bob Clampett. There are some great "camera" angles in here and it's drawn cleverly in many spots.