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So much average

hyped garbage

Pretty good movie overall. First half was nothing special but it got better as it went along.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

It is always interesting to see Warner Brothers cartoons featuring characters that are not the classic ones we know and love and are iconic in animation history.'Three Little Bops' is one of the finest examples of an animated masterpiece. It is so well made, so fun, so energetic and so cool with phenomenal music and impeccable timing that that the story is a slight one, and basically a gags matched to music experience, is completely forgotten while watching. Proof that when it comes to Warner Brothers animation, one does not need the likes of Bugs Bunny and Daffy Duck present to make it a good cartoon, with 'Three Little Bops' being on par with the best of their cartoons (high praise indeed and to me warranted).As to be expected, the animation is great with beautiful colours and meticulous detail. The characters are drawn well with smooth movement. The music is phenomenal (being a music/gag-oriented cartoon, this component being good was essential to as whether the cartoon would work), making one sing along, tap their feet and get up and dance and it is just so infectious as well.Furthermore, there is just so much energy and the gags are impeccably timed and often extremely funny and always clever.Here, the characters are a joy. Especially the wolf, the funniest and most interesting character. Stan Freberg does a wonderful job here, some of the best work he ever did.In conclusion, so much fun and so cool, a masterpiece (not a word often thrown around lately for me). 10/10 Bethany Cox

. . . for Best Animated Short of 1957, but voice artist Mel Blanc's contract with Warner Bros. stated that only cartoons giving Blanc a voice credit would be submitted for Academy Award consideration. (Since it was Warner's "turn" to win this category that year--under the genteel practice of the 1900s for the Hot Houses of Hollywood to rotate the Golden Statuettes according to the "Studio System"--the Oscar went to an inferior Warner effort called BIRDS ANONYMOUS, in which Mr. Blanc participated.) THREE LITTLE BOPS illustrates the Truism that Death (preferably by suicide) helps many artists to "hit their stride," (such as John Kennedy Toole, whose CONFEDERACY OF DUNCES was published by his Mom 11 years after he killed himself, or Vincent van Gogh, whose brother sold hundreds of his paintings after Vinnie failed to sell even one, and blew his brains out in that corn field). Often people who collected only rejection slips when they were alive enjoy their greatest success once they buy the farm, especially if they have Moms and Brothers like Toole and Van Gogh. But, because his medium is Jazz, the Big Bad Wolf of THREE LITTLE BOPS doesn't even require the services of such an immediate-family-member-turned-posthumous-business-manager to finally earn a coveted ensemble gig. As the Three Little Pigs observe, "You Gotta get Hot (in Hades) to play Real Cool."

Jazz, 1950s style, takes precedence in this cartoon of the "The Three Little Pigs" who are jazz musicians. They're good, too, on sax, drums, piano with a bass handy, if needed. The whole cartoon is told in song, with Stan Freberg doing his best to sound jazzy as he sings the story. It actually sounds more like very early rock 'n roll.The story is basically a hip-dressed wolf who enters the club, hears the pigs and wants to join in with his trumpet. The pigs are nice guys and can't say "no" but when the wolf starts blowing his horn, well, it ain't' good. As Fregerg sings, "The three little pigs were really gassed; they never heard such a corny blast."The pigs tell the wolf, "We've played in the West; we've played in the East, we've heard 'the most,' but you're 'the least!' They escort the wolf out. He winds up blowing the house of straw down!This happens in several places as the pigs entertain elsewhere, each time the wolf coming in and getting thrown out for his horrible playing until the pigs finally build a place made out of bricks ("made in 1776" - each line is rhyme in this cartoon.)It's this kind of dialog and singing (along with the dress-ware of the musicians) that makes this cartoon just a huge hoot to watch and hear. I loved it! It was different from anything else I've seen on these Looney Tunes collections. I felt like I was in a jazz club back in the '50s or at a Bill Haley rock 'n roll concert. This is one cartoon I will play over and over.

The pigs play better than the wolf, but no more hip. They're mostly just vamping on a simple boogie that sounds a lot like "Rock Around the Clock" (And Stan Freberg's inability to find the right pitch is downright painful--way worse than the wolf.)Considering this was made the year Miles released "Kind of Blue," (a year after Bird died.) and considering the really adventurous stuff Shorty Rogers was doing for Stan Kenton around this time, I have to think Warner Bros. dumbed it down musically to what they thought the Lawrence-Welk/Liberace-listening public would like.For a cartoon that really does something with music, how about "The Rabbit of Seville"? Glenn