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Very very predictable, including the post credit scene !!!

Thanks for the memories!

Easily the biggest piece of Right wing non sense propaganda I ever saw.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Fun Pepé Le Pew short from the great Chuck Jones. It takes place during the Paris Exposition of 1900, where a wildcat has escaped from a zoo exhibit. The cat paints herself to look like a skunk to avoid being captured. If you've ever seen a Pepé Le Pew cartoon before, you know where this is going. Pepé chases the cat and puts the moves on her. The twist this time is that the wildcat rejects Pepé violently, which only seems to turn the skunk on more. This Sadomasochistic angle has made the short more noteworthy for some than your average Pepé cartoon. As always, the incomparable Mel Blanc is terrific as Pepé. The animation is colorful with well-drawn characters and backgrounds. The gags are funny with the usual French puns we all love from these shorts. It's not the best Pepé cartoon but it is entertaining.

By 1953, the Pepe Le Pew formula is getting to be pretty set in stone--Pepe comes upon a cat that looks like a skunk and he spends the rest of the film ardently in pursuit. This time, it's a bit different due to the setting (the famous Paris Exposition) and because the cat is in this case an escaped wild cat from the zoo. The bottom line is that if you love Pepe Le Pew, you'll love this one as well. If not, then there are no major differences that will change your mind (though, if you DON'T like these cartoons, you are a real curmudgeon).One thing I particularly liked were all the terrible puns and plays on words when it comes to the French in the film. Again and again, terribly funny but bad puns abound when you see a sign in this short.

This is the kinkiest of all the Pepe Le Pew cartoons (and the series is pretty out there to begin with!). Pepe's quarry in this one is an escaped wild cat, disguised as a skunk to elude capture. When Pepe goes after her, she doesn't merely run away--she viciously mauls him in a hissing flurry of fur and claws. Rather than deter him, the violence seems to entice him all the more! At the end, he tells the audience, "If you have not tried it, do not knock it". Hard to believe that this cartoon was shown to 1950s theater audiences, or that it is still shown to children. It's twisted and subversive...and funny as all get out! It just goes to show what you can get away with in animation.

Before I start this review, I would like to point out two things:1) There are/could be spoilers in this review.2) This review is dedicated to the men behind Pepe Le Pew, Michael Maltese (who created Pepe's fractured French and died in 1981), Mel Blanc (who lent a very realistic Charles Boyer impression to Pepe and died in 1989), and the last of the great WB animators, Chuck Jones (who created the character and died this year). May God rest both of your souls, you oh-so-talented men. Okay, on to the review...To the eye of someone who still thinks that Looney Tunes are children's fare, this cartoon is nothing more than your typical Pepe cartoon (cat gets painted, Pepe mistakes the cat for a skunk, Pepe seduces cat, cat runs off, hilarity ensues until the end). To the eye of someone who knows that Looney Tunes cartoons are not kid-friendly, this cartoon has a twist from the usual Pepe routine. Instead of the cat running off, the cat (here shown as a wildcat from a French zoo) claws Pepe half to death whenever he's near her.This unabashed cartoon made my side hurt the first time I watched it (and proved that Looney Tunes is not for children). I was never this overcome with laughter since "Cow and Chicken" (and believe me, their innuendo could make a Le Pew cartoon AND a Simpsons episode blush). Cartoon Network does air this somewhat frequently. GRADE: A+