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Bachelor in Paradise
A. J. Niles is the author of a series of 'Bachelor Books'. These books describe the romantic life of a bachelor in various cities of the world. But when he runs into trouble with the I.R.S. for back taxes, he needs to write another book fast, to pay them. His publisher decides a book about life in the American suburbs would be a hit and settles him into Paradise Village. One bachelor plus lonely housewives equals many angry husbands.
Release : | 1961 |
Rating : | 6.3 |
Studio : | Metro-Goldwyn-Mayer, |
Crew : | Art Direction, Art Direction, |
Cast : | Bob Hope Lana Turner Janis Paige Jim Hutton Paula Prentiss |
Genre : | Comedy Romance |
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Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Blistering performances.
The film never slows down or bores, plunging from one harrowing sequence to the next.
I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Bob Hope (and a stunt double used in kissing scenes !) is a writer of dirty books who is caught out by the IRS and goes to write a book about suburban America in a ticky tacky housing estate in California called Paradise Village.The normal pratfalls occur, including with a husband with a Morris Minor (?) and one of those drive in restaurants like in "American Graffitti".The stars drive around in swoopy convertibles provided by Chrysler, with the witless suburbanites driving around in podgy, old fashioned Chevrolets and sidevalve Fords. Product placement – TWA airlines.
Long time ago I was surprised when I realized that the director of "Bachelor in Paradise", was the same person who made the masterpiece "The Incredible Shrinking Man", and the one behind cult classics as "It Came from Outer Space", "Creature from the Black Lagoon", and "Tarantula"; not to mention fillers as "Monster on the Campus", and hundreds of TV episodes from all kind of series, from "Dr. Kildare" to "The Love Boat". Arnold was not new to comedy: there are indeed comic elements on all the horror movies mentioned above, but moreover, a year before he started shooting this MGM glossy adaptation of a story by Vera Caspary (the same lady who wrote both "Laura", and "Les Girls"), director Jack Arnold --who I guess Andrew Sarris must have classified very low in his Olympus of filmmakers-- had a hit with the British comedy "The Mouse That Roared", with Peter Sellers playing different roles, including the Duchess of Fenwick, the senile ruler of the littlest country in Europe. It is a story of little people and little minds, treated with affection and a kind of humor far from what audiences laugh about today. "Bachelor in Paradise" is somehow in the same vein: it is a funny and affectionate view of how little minds react when confronted with different attitudes about sex, which --up until the days of the reign of the Hays film code-- was treated rather hypocritically in American cinema. Everybody was doing all type of positions and gender combinations, with all kinds of adornments, except "Hollywood creatures". For the early 1960s, though not as radical as it may sound, "Bachelor in Paradise" suggested sex was more fun than accepted in regular films, and this was its main attraction, not Bob Hope, Lana Turner, or the new coupling of Paula Prentiss and Jim Hutton. Even I, who was 10 years old and lived in the city, far away from a suburb like Paradise, found it more daring than the comedies in which Doris Day played a virgin with tired facial tricks, as 1959's "Pillow Talk", which incredibly won the Best Screenplay Academy Award. I had not seen "Bachelor in Paradise" in decades... but when I did again I found it decidedly proto-Altmanesque, the kind of comedy that Robert Altman would have been doing in the early 1960s, probably with a more acerbic approach. Only the music industry had teased us with multiple releases of the music Henry Mancini composed for the movie. Now we can watch "Bachelor in Paradise" again, restored, in wide-screen and the flat color cinematography of those years (with few exceptions, everything was as bright and clear as the images in television sets). However it must be seen with a 1961 frame of mind. If you had not been born yet, do a little research. It does help a lot to appreciate a film about sexual life of the Americans without showing what they were doing in cars, bedrooms, and bushes, when the movie was made.
Playboy bachelor writer Bob Hope (as Adam J. Niles) owes back taxes, so he goes to live in "Paradise Village" as "Jack Adams" and work on a titillating new best-seller. The San Fernando Valley suburb turns out to be full of unfulfilled married women, several of whom fawn over Mr. Hope He has reluctantly agreed to refrain from sex, but how Hope quickly forgets. Helping out is beautiful blonde secretary Lana Turner (as Rosemary Howard), the utopian community's spokeswoman who eventually gets cozy with Hope. Not funny or original as a comedy, rather "Bachelor in Paradise" is a fair example of accidentally stylish sixties chic.**** Bachelor in Paradise (11/1/61) Jack Arnold ~ Bob Hope, Lana Turner, Jim Hutton, Paula Prentiss
This flick is sixties suburbia to pastel perfection - an "early Disneyland" middle-class wet dream.Frankly, I've never understood Bob Hope as a sex-comedy leading man, but his later films must have made money, or they wouldn't have kept churning them out. Lana Turner is coiffed to within an inch of her life, but she honestly looks OLDER than her forty years in 1961.Watch this for the "California coral" tract homes, the fab supermarket and the atomic drive-in we all wish still existed. However, don't expect anything more than the usual, lame Hope shtick.Of course, Agnes Moorehead is priceless in her cameo......if only she had played a larger role.