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The Battle of the Century

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The Battle of the Century

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

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Release : 1927
Rating : 7.1
Studio : Metro-Goldwyn-Mayer,  Hal Roach Studios, 
Crew : Title Designer,  Director of Photography, 
Cast : Stan Laurel Oliver Hardy Dorothy Coburn Lou Costello Anita Garvin
Genre : Comedy

Cast List

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Reviews

GamerTab
2018/08/30

That was an excellent one.

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SnoReptilePlenty
2018/08/30

Memorable, crazy movie

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Ploydsge
2018/08/30

just watch it!

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Mandeep Tyson
2018/08/30

The acting in this movie is really good.

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TheLittleSongbird
2018/08/10

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.'The Battle of the Century' is nowhere near classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better. At this point, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'The Battle of the Century' is still worth watching and is an improvement on some of their previous short films, to me it's easily one of their best at this point of their careers and one of the first to feel like a Laurel and Hardy short rather than a short featuring them.Personally would have liked more sly wit that made their later entries better, though the slapstick does entertain and is timed well if a bit too far on the simplicity.The story is a bit busy at times and both slight and sadly incomplete-feeling and fragmented.Laurel however is very funny, and sometimes hilarious. Hardy is at least not wasted, and he does give one of his funniest and most interesting appearances of his pairings with Laurel up to this point and has much more to do in comparison to their previous outings. The chemistry is certainly much more here than in previous outings of theirs, namely because there's more of them together, if still evolving. Support is nice. 'The Battle of the Century' is well worth seeing for the funniest and one of the best pie fight scenes ever.A good deal of the humour is well timed, hugely energetic and very funny, with everything going at a lively pace, and there is a lot of charm and good nature to keep one going, as well as a surprising bizarre one that doesn't feel too much. 'The Battle of the Century' looks quite good still.To conclude, decent with a great scene. 7/10 Bethany Cox

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tavm
2009/09/24

This is the first comment of a series of films where I'm attempting to connect two legendary comedy teams: Laurel & Hardy and Abbott & Costello. For this initial one-The Battle of the Century-we're at a time when Hal Roach's duo of a thin Englishman and a heavyset Georgia man were just starting their creative chemistry to an adoring public while a young and thin man (at the time) in his twenties from Patterson, New Jersey, was just attempting to break out in Hollywood any way he can which includes stunt work and occasional extra parts. It's here that Lou Costello makes an appearance in the audience of a boxing match between Stan and Noah Young with Ollie being Stan's manager. Half the time watching I was a little distracted looking for Costello but I still managed to laugh at Stan's antics in the boxing ring. I especially loved his dance at the beginning. I half wondered if Lou thought of this sequence when he did his own comic fights in later A & C vehicles. It certainly was amusing enough for the first reel which for years afterward was considered lost until 1979 when Richard Feiner managed to find it. It's the second part with the legendary pie fight that this film's reputation rests. Good thing when compilation producer Robert Youngston was looking for clips to include in his first project on classic silent comedy-The Golden Age of Comedy-he found what was a decomposing second reel and managed to preserve the last 5 or so minutes of it. Among the classic supporting actors long associated with L & H that appeared in this sequence was Charlie Hall and, in perhaps the most iconic moment at the end, Anita Garvin. The Nostalgia Archive video tape that I watched this one on actually had two versions on it. The first presented the first reel intact before going to the pie sequence. The second had the first reel again before going to a surviving script that details another sequence with Eugene Palette in which he sells Ollie an insurance on Stan. From there, Ollie then tries to get Stan to slip on a banana peel to collect the money before a cop gets mixed up in it. With the script, some stills, and then the Youngston-edited sequence, we get an as complete as possible version of this long truncated short. In summary, The Battle of the Century is well worth viewing for L & H fans as well as Lou Costello completists. Update-9/24/11: I just watched this again at an outdoor screening at the Baton Rouge Gallery with musical accompaniment by The Incense Merchants, whose contemporary stylings add to the fun immensely, but with the stills and script pages representing the missing scenes deleted. At least one female member of the audience behind me laughed as loud as I did. She must have been as much of an L & H fan as me!

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MartinHafer
2008/08/31

This is one of the lost films of Laurel and Hardy--or at least partially lost. Today only about half of the film remains--all of the boxing sequence (which is pretty good) and bits and pieces of the giant pie fight. The rest, sadly, appears gone forever, though fans of the team hold out hope--after all, newly discovered bits and pieces have been found of many great supposedly missing or truncated films (such as the great recent find of a longer version of METROPOLIS). Because this film isn't totally intact, it's not fair that anyone should have to give it a numerical score, but IMDb forces this for all reviews. My score of 6 is because I really didn't think much of the pie fight and there just isn't enough of the original film left to get a better score.By the way, according to IMDb, Lou Costello is an extra at ring side. I looked but couldn't really tell he was there. Perhaps he was the guy who caught Hardy at the end of the fight. The problem is that Costello would have been a lot thinner and younger--as he had himself been an amateur boxer about this same time period.As far as pie fights go, this is probably the best and was the inspiration for the one in THE GREAT RACE many years later. Despite people thinking this is a slapstick cliché, there were actually very few pie fights ever shown on film and the few that did occur were rarely as big or crazy as this one--usually just a pie or two (like you'd see in a couple of The Three Stooges' films).Also, and this is an odd one, during the fight scene, you see a pretty lady walking by "The Pink Pup". This is the same place you see featured in THAT'S MY WIFE and THEIR PURPLE MOMENT--two other silent Laurel and Hardy shorts.If you do want to see this ten minute film, it's included in the huge UK DVD Laurel and Hardy collection.

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WCFIELDS
1998/10/01

I viewed a restored version of "The Battle of The Century", put out on video by Nostalgia Archives. Prior to this I had only seen a sequence of a few minutes from the Robert Youngson compilation, "When Comedy Was King". This is a truly funny film, for it shows Laurel and Hardy at their best. The pie in the face was kind of old hat even for 1928. But Hal Roach using Laurel and Hardy created the funniest pie fight of all time. All the different scenarios that were used to deliver the pies as well as a generous helping of laughs has an almost ballet rhythm to it. There was of course to help the madness along, both Charley Hall and Anita Garvin a couple of Hal Roach Regulars. As I said, this film was considered "lost" however the first reel was found and the film is complete except for a couple of minutes of film that are still missing from the start of the second reel. However this was compensated for by a combination of still photos that are intercut with the continuity script. I was very pleased with the film and I am sure any person interested in the silent comedy shorts would also enjoy this fine film that has been carefully reconstructed.

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