Watch The Tenth Man For Free

Highly Overrated But Still Good

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Derek Jacobi is always for me the Emperor Claudius. Every other character he has played leaves me cold. This is a very clever story about French people during and right after the Nazi occupation from 1940-44. But the people all speak good English and act nothing at all like the French. The Germans of course act like Germans, brutal, vicious, violent as we expect them to be.I guess one could sympathize with Clavel and his dilemma as the one who sent Therese's brother to his death. But Anthony Hopkins here is not the Hopkins we have come to appreciate and love. He seems very wooden to me. I saw this on MGM HD quite by accident and it seemed to have prospects but I have nothing really good to say about ti.

All films are inherently impossible, but this impossible story is so far-fetched and unconvincing it might work better if it were set in another universe. A totally unrealistic moral and intellectual conundrum involving sin, guilt, and atonement, as well as life and death, in many ways typical of Greene at his worst. The 5 stars are for the acting, which is competent, even skilled, but the writing is not good. Perhaps I should dock more stars, but I suppose the questions are mentally and philosophically engaging. The actors do their best with the story, which really is fantastic. Greene wrote it in 1944, and then forgot about it for 40 years, until the early 1980s. And I'm frankly not surprised. Its first appearance in book form seems to have been in 1985, and the TV film appeared in 1988.It gives an impression of being vaguely based on the crucifixion story, with Chavel, one man (of three) buying his life by giving another, named Mangeot, all his property and allowing him to take his place for execution, thereby incidentally redeeming the (non-existent) sins of the remaining Frenchmen, both in and out of prison. The Germans represent the Romans in this scenario. The imagery is picked up visually by having the three execution posts arranged to resemble crucifixion sites. You expect the three prisoners fated for death to arrive carrying their crosses. An additional philosophical implication is that since we are all going to die, does it matter when ? Or was the sacrificial lamb about to die soon anyway ? I thought he had a nasty cough.Most of the other reviewers seem quite willing to disregard the enormous plot holes, although at least one notices that the Germans were shooting prisoners after two days, but Hopkins/Chavel makes it through three years. Go figure. After that, every plot objection is covered by some convenient special circumstance. The mother of the sacrificed boy thinks he earned and has bought the property that she and her daughter Therese have been given, and is unaware of the way he died. There seem to be no photographs of Chavel in the house, beyond the age of about ten. Nobody anywhere recognises him behind his beard.In the end, the mother dies, and Chavel is pointlessly shot dead by a murdering impostor, thereby atoning for his shabby behaviour. I give up, but it is definitely hard on Therese, the sister, who has done nothing wrong at all. She is surrounded by her dead mother, her dead brother and her dead would-be lover. Still, she ends up with the château, the land and the cash. The Third Man is a long way better than this.

I found this one on Netflix streaming movies. I like all of the actors here, and found this to be a nice story.It is the 1940s and France is occupied by Nazi Germans. Anthony Hopkins, about 50 during filming, is French lawyer Jean Louis Chavel. He lives in a stately home outside the village of St Jean du Brinac, and has an office in town. He is known and respected by many townspeople. One day his fate turns as he walks back to his office after lunch. the Nazis are gathering up men, they need ten but only have nine, until they spot Chavel attempting to make himself invisible in a recessed doorway. They unceremoniously take him, in spite of his protestations, and throw all of them in prison, for no reason. But the shock really arrives when the guard tells the roughly 30 total men, they will shoot and kill one of every ten the next morning at 7AM, three total. And he further suggests that this time he will let them pick among themselves which 3.To quickly state the result, which gets us to the main of the story, Chavel by blind lottery is one of the 3 chosen to die the next morning, but he bargains with a sickly man, who has a sister and mother he wants to take care of. So the bargain is this, if Chavel will write a gift contract to give a sum of money plus his house and land to his sister and mother equally, and have it witnessed by two prisoners, he will die in the place of Chavel. The contract is given to a disinterested party to deliver. Kristin Scott Thomas, who was about 27 during filming, is the sister, Therese Mangeot . One day, three years later, he shows up at his former house, looking for a meal, but not identifying himself correctly. He correctly figured she would not be happy to meet him, responsible for her brother's death. So as a "friend" of her brother's he stays and agrees to do some work around the estate in exchange for food, lodging, and a small salary.All is running well, and the two are starting to take a fancy for each other, until another man shows up, claiming to be Chavel. Derek Jacobi is The Imposter . This upsets everything, and the real Chavel has several new challenges to figure out.All in all a very nice movie.SPOILERS: Eventually the real Chavel has to expose the imposter, but this leads to an altercation, the imposter has a small handgun, he shoots, and Chavel is mortally wounded. He bought a new life while in prison but his fate was only postponed for a short time.

In the late 1980s, I had just seen Anthony Hopkins in "The Bounty," which together with the earlier "Magic" convinced me he was an actor to watch for; and I had read Graham Greene's recently unearthed little novel "The Tenth Man," when I heard about this TV adaptation. My excited anticipation was not disappointed, and since then I have probably seen this little gem 25 times, often screening it for high school students, who watch in rapt fascination. The plot is amazing -- as only GG could concoct -- and I am still convinced this is Hopkins's best performance. Also superb are Kristin Scott Thomas, Derek Jacobi, Cyril Cusack and Brenda Bruce. Production values are strong if not stellar (after all, it's made for TV). Too bad this film is all but unavailable -- you'll have to buy a used VHS online if you want to see it; but you won't be sorry.