Watch Elvis Meets Nixon For Free

This is a must-see and one of the best documentaries - and films - of this year.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

This movie kicks butt! Believe it or not, it may be the closest thing to portraying a `real' Elvis than has ever been made. And while Peters doesn't strike one as particularly Elvis-ish at first glance, he certainly nails the mannerisms cold and even DOES look creepily like the King in several shots (just check out the sly grin he flashes after handing out Christmas gifts to the Memphis Mob boys).Let's face it. Elvis was one strange, eccentric dude.I guess that's what makes him so fascinating. To know that about him is to love him. And to be a fan means that you know how blown out of proportion his image has become. The closest representation we have of the actual man existing beneath the cape is the two painstakingly researched Gurlaick (yeah, I think I misspelled it) bios. But this movie, however, comes awfully close I think. And, as an added bonus, it's definitely light-hearted and fun, which was certainly a large part of Elvis' character.The main drawback is certainly not the MINOR liberties taken with the facts per se (again - unbelievable - this story seems to be mostly true!), but the inclusion of the hippy run-ins on Sunset in LA. The flower kids in the record/head shop are sooooo stereotypical, and the one who has the sit-down with E in coffee shop has nothing but afterschool-special-you're-my-inpiration-type pap to lay on us. The only consolation is that Our Man doesn't fulfill his request to show up at his love-in protest or whatever (my boy, my boy!) These scenes I believe were well intended in their function to demonstrate how out of touch Elvis was with the real world, and could've been a great comedic culture clash but they, alas, are full of corn.

It was perhaps THE most surreal and weird time of Elvis' life, a life marked by more than a few such times. How can an entire film revolve around the December 21, 1970 meeting of Elvis Presley with President Nixon? As it turns out, quite effectively. We're talking the moment in time when the path of history's most phenomenal entertainer intersected with that of the most notorious US President yet. Before Nixon's Vietnamization policy wound down a war that irrevocably fractured a nation. After a decade of civil-rights unrest influenced in no small way by the race-barrier bridge that was Elvis Presley. Before the revelations of Watergate and the end of Nixon's Imperial Presidency in August, 1974. Before Elvis' untimely death at 42, almost exactly three years later. The film raises an interesting point at its outset, in the parallels between the two men's lives and their professional fortunes. By late 1970, each was secure at the top after a stunning comeback, but neither was fulfilled or truly happy. Elvis, tired of being Elvis Presley and feeling as if he'd done it all, grew increasingly bored and restless. The triumphs and excitement of his first seasons in Vegas and his first touring schedules since 1957 gave way to interminable nights spent watching movies and breaking speed limits with his hangers-on, the Memphis Mafia. Nixon, despite working political wonders and demonstrating considerable prowess in foreign affairs, was the target of millions who protested the conflict in Vietnam and his growing personal paranoia did nothing to alleviate that weight.This is the backdrop against which this Showtime movie was set. It's an entertaining film - one I can watch repeatedly - though it has some factual flaws. Elvis did not hate the Beatles. He may have objected to their comments regarding drug use, but the bottom line is that Elvis went to DC primarily to secure a narcotics-agent badge and title. The key ingredient missing in this film is explicit portrayal of Elvis' almost obsessive interest in law enforcement - he'd always wanted to be a policeman but he ended up at Sun records in 1954 and the rest is history. One ingredient in that interest was collecting law-enforcement badges, preferably those with real (not honorary) credentials and powers attached. Yes, although apolitical, he considered himself a patriotic American. But what he really wanted was that badge. Elvis was like a little kid in some respects. And Elvis knew how to get what he wanted out of anybody. He got that badge, but he first had to get to the President.Yes, it was an argument over money with his father that precipitated his uncharacteristic flight from Graceland and, yes, he'd never traveled solo before. He really did have no idea how to buy things and no cash with which to do so. And, yes, he really did wear a caped purple velvet suit. Nobody knew where he'd gone to, and Graceland was in an uproar. For the only time in his adult life (such as it was), he'd broken free. He jetted to DC, then to LA, and then back to DC. Most of the script appears true to accounts from Jerry Schilling and Sonny West, the two real Memphis Mafians who were there, and from others to whom Elvis recounted the story. As unbelievable as it may seem, that includes the classic scene in the DC-ghetto doughnut shop as well as his trouble with carrying guns on to an airliner and his giving all his money to a soldier.Other inaccuracies add to the storyline. For one, I don't think he wandered along Sunset Boulevard while he was in LA. Also, though he did shoot out a TV screen at least once when the hated Robert Goulet was on it (and, yes, he uttered the same quip used in the film: "that'll be enough of that s***"), he didn't do it during this time period. The fact is that the King was fairly restrained in killing TVs and didn't make a particular habit of it.The film's very well done, with a lighthearted and ironic feel appropriate to the actual events. There're even two references that foreshadow Elvis' daughter's doomed marriage to Michael Jackson. The actors are all perfect in their roles. In particular, Rick Peters makes an excellent Elvis. He doesn't look entirely like him (well, in some shots he looks eerily like him) but he's closer than most and he's pulled off the best characterization since Kurt Russell's 1979 turn as Elvis. The voice, the mannerisms...it's all there. A little over-the-top and far more ‘oafish' and less cool than the real thing but, hey, there was only one Elvis. And this Elvis is basically likeable, too, even if he's not the self-aware revolutionary or rockin' rebel that some in the film (and some viewers) might wish him to be. There's innocence there, too. Bob Gunton also pulls off his role of Nixon with gusto, and he does a letter-perfect job. He has the mannerisms down, the voice, the look, and the paranoia. I was surprised to find that neither seems to have played their respective characters in any other properties - they're so good at it that it's hard to believe. Richard Beymer's also good as Haldeman, the foil to Nixon and the voice of relative sanity in the Oval Office. There's even a Forrest-Gumpish moment in which Nixon appears to get the idea of taping meetings from Elvis. Cutting back to contemporary interviews with people both real and imagined (though Wayne Newton was not, as he claimed, an exceptionally close friend to Elvis) is a nice touch and helps bridge scenes and put things in perspective.The random insanity of it all (at least, apparently so...remember, Elvis had a Plan) is compelling and the story flows like a rollercoaster. You never saw Elvis like this. And he never went out by himself again.And, no, I don't think Elvis ever really understood the extent of his impact on the world.

They should release this sucker on DVD, it's incredible. I showed it to my friend that doesn't even care for Elvis and he was rolling on the floor! Elvis and Nixon were both so huge in real life, that's it's incredible to see them interact. And all the people commenting on the King were awesome, like Wayne Newton.

Fact is always stranger than fiction. However, this is a comedy. As such, I can't fault the producers for creating fiction around a real event.The stereotypes serve well as background briefs to modern audiences who may not know squat about either the King or the President.Elvis wanders the night, shoots television sets out at will, dresses like. ..well. . .Elvis and maintains his good old boy composure. Likewise, Nixon broods, works on his enemies list, and rattles off every Nixon trademark statement from various years.There is a lot of humor in this film. Those who don't know the history of the times will probably be left dumbfounded.