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The Second Civil War
When a planeload of Pakistani orphans are shipped to his state for permanent relocation, the governor of Idaho defies the president and closes the state's border. News Net Television, a cable news program that makes hay by reporting on political scandals, quickly spins the racist act into an overnight media sensation, creating a divide in national opinion over the issue.
Release : | 1997 |
Rating : | 6.6 |
Studio : | HBO, Baltimore Pictures, |
Crew : | Director of Photography, Stunts, |
Cast : | Beau Bridges Joanna Cassidy Phil Hartman James Earl Jones James Coburn |
Genre : | Drama Comedy TV Movie |
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Reviews
Yawn. Poorly Filmed Snooze Fest.
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
A clunky actioner with a handful of cool moments.
Idaho governor Jim Farley (a fine performance by Beau Bridges) closes the state's borders to a bunch of Pakistani child refugees. The idiotic president (a divinely dim-witted portrayal by Phil Hartman) decides to make a stand against Farley that only causes things to spiral out of control while News Net reports on the resultant pandemonium with an eye solely on keeping viewers glued to their TV screens.Director Joe Dante keeps the wickedly funny and entertaining story moving along at a swift pace as well as adroitly maintains a darkly humorous, yet still oddly humane tone throughout. Martyn Burke's barbed and scarily prophetic script predicts with uncanny accuracy the gross ineptitude of the Trump administration, with a doltish chief executive who's nothing more than a mindless puppet who's easily manipulated by shrewd and influential lobbyist Jack Buchan (James Coburn in peak smooth form); the chaos caused by Trump's Muslim ban, an America that's degenerated into angry warring factions, and an amoral media that cares more about ratings and sensationalism than covering world events in a thoughtful and intelligent manner.The bang-up cast of familiar faces keeps this picture humming: Joanna Cassidy as poised news anchor Helena Newman, James Earl Jones as dignified old school reporter Jim Kalla, Dan Hedaya as excitable TV producer Mel Burgess, Denis Leary as sarcastic field reporter Vinnie Franko, Elizabeth Pena as Farley's lusty paramour Christina, Ron Perlman as levelheaded director Alan Manieska, and Dick Miller as cynical cameraman Eddie O'Neill. Jerry Hardin and Brian Keith are hilarious as a couple of crusty bellicose generals with an old score to settle. Moreover, there are a wealth of terrific supporting contributions from such always welcome folks as Kevin McCarthy, William Schallert, Robert Picardo, Rance Howard, and even Roger Corman. Mac Alhberg's dynamic cinematography and Hummie Mann's catchy military score further enhance the overall sterling quality of this total doozy.
In a near future, after the nuclear explosion of a bomb dropped by India in Pakistan, an American non-governmental group decides to bring the Iranians orphans to Idaho. The silly governor of Idaho (Beau Bridges) is the political opponent of the American president (Phil Hartman) and decides to not permit the immigration of the children to his state. Indeed his greatest concern is relative to his sexual and affective life with the American-Mexican journalist Christina (Elizabeth Peña) and he does not give much importance to his statement. The stupid president decides to follow the advice of Jack Buchan (James Coburn) and his advisors, and sends the U. S. Army to the border of Idaho, which is protected by the National Guard troops. Due to the last chapter of a famous soap opera, the president gives sixty-seven and half hours to Idaho permit the ingress of the children. The greatest American network covers all of this confusion in a sensationalist way. All of these absurd misunderstandings together culminate in the American Second Civil War. This movie is a great dark and dramatic comedy, made before the tragedy of September 11th. In Brazil, it was not promoted and I found the VHS by chance on sale. When I saw the name of Joe Dante and the cast, I decided to buy and watch it. It was a worthwhile entertainment. It is a sort of `tribute' to the politicians, lobbyists and press in USA, and without the participation of Michael Moore. Martyn Burke and Joe Dante explore the warrior spirit and the racial segregation of the American people, the immigration problem, the lack of common sense and the search for votes of the politicians, the unreasonable advices of lobbyists and civilians and military advisors and the performance of the manipulative press in a funny (and even sad) story. My vote is seven.Title (Brazil): `A Segunda Guerra Civil' (`The Second Civil War')
While this TV-movie is by no means as good as Dante's later effort 'Small Soldiers', it is without question far superior to Barry Levinson's embarrasing (not to mention godawful and hamfisted) 'Wag the Dog'. It goes a bit over the top in preachiness at times, particularly in the James Earl Jones character's voice-over. This character's exchanges with techie Godfrey also tend towards the cloying. The good parts include Denis Leary's war-zone reporter, Ron Perlman's liberal arguing with a conservative colleague and Elizabet Peña's character's fight with the governor. As always with Dante, however, greatness is in the small things (Remember The cathedral of Saint Eva Marie?). The satire lies in the assumptions about the state of the world a few years from now. The scenes from LA, Rhode Island and the House of Representatives completely make up for any weaknesses in the film. Dig that meeting of the commanding officers of the opposing military forces! The supporting cast is littered with great names and great cameos, among them Dick Miller and Roger Corman.
If Joe Dante was Inferno's king, I'd like to go there seriously, this guy is a dangerous terrorist who can't help destroying from the inside every convention, every cliché in the book, like some offspring of Tom Robbins and Roger Corman meeting on Rabelais' grave.(See what he did with "Small Soldiers" : an anti-militarist toys movie made to sell militarist toys !) Here he destroys everything that propaganda movies like "Top Gun" has been doing for a while - and, like our Italian friend up there judiciously pointed out, this one is too close to the bone to be taken just as comedy - it might better be described as "satire". This one wasn't theatrically released in France, unlike in Italy, but played on a film festival called "Les inédits d'Amérique"