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Drop Squad
Controversial film about an underground organization that kidnaps and 'deprograms' African Americans who sell out or deny their cultural heritage. Spike Lee is the Executive Producer.
Release : | 1994 |
Rating : | 4.9 |
Studio : | Gramercy Pictures, 40 Acres and a Mule Filmworks, |
Crew : | Art Direction, Production Design, |
Cast : | Eriq La Salle Vondie Curtis-Hall Ving Rhames Kasi Lemmons Leonard L. Thomas |
Genre : | Drama Comedy |
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Reviews
It is both painfully honest and laugh-out-loud funny at the same time.
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
I only got this movie because I collect movies that are related to the beer and brewing business as part of my breweriana collection. The connection (involving the "Mumblin' Jack Malt Liquor) turned out to be very weak (although I would like one of the 64 oz bottles used as props for my collection).What I got instead was a picture that was a little too real to have you believe it was an attempt at fiction, but too "fake" to have you believe it was real. It was just out there in no man's land.Let's face it, whether it is alcohol and fast food or facial tissue, advertising transcends sex, religion and race and targets (exploits?) some group the product is aimed at. It is not the advertisers fault that certain groups tend to buy more of certain products. It's called exploiting a market and that's their job.Bottom line - this is a confusing movie and I would strongly recommend giving it a "pass." unless you are a huge fan of one of the actors.
Many top name actors appear in this film. A must see film for all people! Definitely makes one think about and analyze your own values. Race is a very strong determining factor in American society and this movie speaks to what it means to be true to yourself.
What's the lesson the film makers are trying to get across? 1. If a black man tries to succeed, he is betraying his roots. 2. All white people are bumbling dunderheads with no sense of rhythm or street savvy. 3. All white people are racist whether they realize it or not.This is the most thick headed racist film I've ever seen and the only reason it hasn't been labelled as racist by the press is that it's anti-white and many people are afraid to label that racist. Racist is racist, whether anti-black or anti-white and films like this only encourage ignorance.
In Lorraine Hansberry's "A Raisin In The Sun", the character of Beneatha describes so-called "assimilationist negroes", or black men that have immersed themselves in a dominant culture while neglecting their African roots. Suffice it to say that this description can be applied to Bruford Jamison, the lead character of David Clark Johnson's "DROP Squad". Here's a movie that takes a provocative, timely idea, and completely buries it with muddled execution.Eriq La Salle ("ER"'s Dr. Benton) plays Bruford, an advertising executive determined to ascend up the corporate ladder. This involves demeaning advertising campaigns, including a satirical television spot for fried chicken that boasts a gospel choir, napkins with bible verses, and Spike Lee, who's also executive producer of this film. Along the way, he manages to ignore his cousin, Flip, who's out of work and incessantly asking for a favor from his favorite cousin.These factors prompt Bruford's sister Lenora to call on the DROP (Deprogramming and Restoration of Pride) Squad, a group of militant brothers who work to bring "fallen" blacks back down to earth. The squad, whose past targets include a politician and man of the cloth, kidnap Bruford, strap him to a chair, and proceed to torture him for several weeks.And it's at this point that the film's message is lost completely. There were moments that had punch; in particular, the friction between Bruford and squad member Garvey, played with ferocity by Ving Rhames. There's one brutal exchange when Bruford chides Garvey for not being able to make it in the real world that nearly rises above everything else onscreen. But all the while, as Bruford is being verbally and physically assaulted by the squad, it's disturbing that his civil rights never come into the equation. And since when did this kind of violence ever become productive, given their cause?All in all, a movie with a topic more deserving of stronger execution.