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Forever, Darling

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Forever, Darling

Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be trouble ahead if they do not work out their problems. Lorenzo is developing insecticide #383 at Finlay Vega Chemical Co. and plans to test it on a camping trip that he takes with Susan, but the trip becomes an obstacle course for him.

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Release : 1956
Rating : 6
Studio : Metro-Goldwyn-Mayer, 
Crew : Director,  Original Music Composer, 
Cast : Lucille Ball Desi Arnaz James Mason Louis Calhern John Emery
Genre : Comedy Romance

Cast List

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Reviews

Cebalord
2018/08/30

Very best movie i ever watch

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Borserie
2018/08/30

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

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Kaelan Mccaffrey
2018/08/30

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Rosie Searle
2018/08/30

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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Sal Paradise
2011/02/16

Nothing I add here will help this film, of course, unless you're a Lucy fan. For once, her energy doesn't work and she fails to do much of anything: romance, comedy or otherwise. As H.L. Menken once said 'it both shines and stinks like rotting mackerel'. Too bad. This is the last film Arnaz and Ball made together. Arnaz will never be seen again as an 'A' list star. Went right to the 'C' list. Not Ball, who not only survives but will go on to even greater heights and prosperity. Arnaz, the other way.Sort of shows just who had the talent in the family.'Forever, Darling' was supposed to be the first of many Desilu films. The studio, known only for TV selected this film as their first project. The poor box office and critical reception it received led Arnaz to scrap those plans and close Desilu Films as well as his production company (Zenra). Desilu would not make another film until the 1968 release of 'Yours, Mine and Ours'. Arnaz had nothing to do with that film, didn't pick the script or push its being made. He did ensure the Studio keep an option on it, which at least kept it around as a vehicle for Ball. Which is why he got it.While 'Forever, Dear' barely recouped the $1,250,000 production costs ($11,260,820.90 today) 'Yours, Mine and Ours' was made for $2,100,000 ($14,955,964.60) in 1968 and earned $36,000,000 ($256,387,964.60) at the box office and other rights. Ball, who was then the sole owner of Desilu Studios, made the film in partnership with Paramount Studios who had recently purchased her company and owned half of rights. When Ball went to the bank in 1969 her share from the movie was so big ($128,193,982.30)and unexpected that she had failed to cover her assets for income taxes and wound up taking a large hit. Ball always seemed to walk away from her projects financially better. This continued with her new production company (Lucille Ball Productions (LBP)) who owned and produced her final major run series 'Here's Lucy'. The series earned a lot of money and enjoyed a brief spurt of high ratings in seasons 2-4. However, it was her first series that fell out of the top 20 programs (5-6). When she figured she had enough episodes in the can LBP/Ball sold the rights to it as well.A quick note on the film and Arnaz. Arnaz was getting pretty cocky in 1956. He was at the top of the TV business and was staring in the top rated TV show and married to his co-star. He made Desilu considerable money but was under pressure to make more. To help free up his time he tried to distance himself from 'ILL'. It took up too much time and, not known then, forcing him to work with Ball, now something he hated. Arnaz wasn't jealous of her success but was seething with vile over the lack of recognition for what he did with Desilu. Ball propped him up, which made it worse. So, as a master stroke, Arnaz would bring in a clunker like this film and using his own skills make it work and show them all he had it. The failure of the film was the first major failure for Arnaz and marks the spot where his career, and life, started to spiral downward. The film represented the last bold extension of Arnaz hubris. He stuck it out and got it cut off. He was never the same. He remained as head of Desilu Studios until November 22, 1962 when he was ousted in a partnership coupe led by his wife and a team of bankers, lawyers, accountants and industry experts. He took a $3,100,000 ($24,947,973.33)buyout and then spent the next 10 years blowing all of it. He was broke by 1975 and forced to write his bio 'A Book' to earn money. He hung in there but basically out of the business. It was ironic, here he was, in the 1970's, a guy with a great resume in the biz but unable to find a job. His reputation was, outside of the Lucy franchise, not very good. Add his drinking and other very large issues and you've got a guy who's finished in Hollywood. Ball of course still loved him, and bailed him out of many problems caused by his drinking and his spending. Much of that area isn't widely known and has frustrated writers doing research. Ball didn't make it this far in show biz without learning how to keep her mouth shut. That said, you know, this film is an OK watch if for nothing else the 50's connection. I read a 1956 review that gave the film high marks for production values, in particular the great outdoor scenes at Yosemite which were so typical of the era and for what the critic thought was a standard view of 1950's America. Maybe he meant the Arnaz marriage, which had made them the Royal Couple of the era. This film marked the beginning of the end of their reign. And, just like the Arnaz' marriage, the 50's would be gone and as we drive away we can see them in our rear-view mirrors, forever left back in that era. Maybe that is what the title means after all.

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Zaptharo
2009/02/19

If there is one thing I dread more than sitting through a collection of modern bad flicks, it is those that are both old and bad. Unfortunately, many of the classics that were filmed in Hollywood's Golden Age and beyond are now mainly left forgotten, only to be pulled by those who are studying the history of film and television.You may ask why I am reviewing such an old and mediocre film. Believe it or not, something off of Lucy prompted me to sit down and review this nostalgic, but mostly bad film. There is no doubt that I Love Lucy remains a classic show, and though I am not a fan of it or Lucy by any means, you can't deny the impact and status it has had throughout the years. This is the last of the three Lucy/Desi films and it unfortunately, is the weakest of the bunch.If Lucy and Desi had to struggle for years on B-quality films to finally get their money's worth, Forever Darling certainly doesn't help. There are few to no laughs shown here, not even a hilarious gag or skit. The productions used are sub-standard, and just like most of Lucille Ball's other films, the sets look cheap. It was basically a comedy misfire, and there is nothing special to praise about in Forever Darling. I considered The Long, Long Trailer to be a funny but mostly average film about two of the biggest television stars of the 1950s. Nothing to get excited or look forward to. But Forever Darling takes the prize as being one of the worse films of the 1950s and early 1960s, when B-movies such as this title were being packaged and manufactured on a assembly line.The only profit this movie got was the fans who were eager to see Lucy and Desi star in their last film together, before their marriage began to fall apart and would eventually get divorced from each other. Only fans of Lucy and Desi should see this movie, for which I am a fan of neither. It is a stretched out "I Love Lucy" sketch that failed to impress the audience. Do yourself a favor and either watch "I Love Lucy" as seen by the eyes of millions, or see the mostly average but funnier Long, Long Trailer. Forever, Darling is not the worst movie, but it certainly isn't worth mentioning if your looking for witty comedy and good chemistry.Three out of Ten.

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au_law2001
2004/12/26

I love those two. I'll never forget them, and I'll never forget that i Love Lucy show that kept me laughing. My parents loved them as well, and I watched with them. But this movie, is just wonderful and a classic by Lucy and Ricky. This is another one where they play husband and wife. A few spoilers herein. They are newly weds and after years of marriage they seem to loose the passion because they are worlds apart, but an angel appears, no wings or a halo, visits Susan and advices Susan to work things right with him. And she does her best to do things with him, even going to a trip with him, only to turn into a disaster. But in the end when things turn out right with the experiment, thanks to the angel, they end up getting along with each other, but even those you love the most are the ones you argue with the most, next to enemies and, something. Overall, I recommend this movie to all fans of the I Love Lucy Show. This is another story of husband and wife trying to keep things right, even through the good times and bad times, they love each other very much! And the song that Lorenzo sings at the end is also unforgettable. Lovely. Watch this if you want an alternative to all those crazy soap operas, or those sick of lovey-dovey Taiwanese or Korean soaps like Meteor Garden or Lavender, or those sappy love stories from animated or live Japanese shows like To Heart. It's Forever Darling!

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S Srikant
1999/01/19

The perfect film for settling marital irritations. Settle down with Lucille Ball and Desi Arnaz, as they take you through a hilarious time while they settle all their marital incompatibilities. A must see for anyone who loves a good laugh.

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