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Such a frustrating disappointment

Better Late Then Never

It's entirely possible that sending the audience out feeling lousy was intentional

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I've seen just about every film directed by Richard Pearce. There's something in his understanding of actors that always brings out the best in them. That's especially evident in films like "Country", "A Family Thing" and "The Long Walk Home". It's hard to walk that thin line between heartfelt personal stories and overwrought melodrama. "Plainsong", however, isn't completely successful in avoiding the latter. The story itself has a lot in common with other Hallmark films, a way of unfolding that is a bit more predictable and/or comfortable than you might see in an average theatrical film. The TV movie feeling is the main, and only real thing holding "Plainsong" back.I'd noticed America Ferrera before, like I suppose most people have. But the only thing I'd actually seen her in was her first film, "Real Women Have Curves". She's so quiet here that it's almost like she's not there at all sometimes. That's not a bad thing, it reminded me of myself for a good part of my teenage years. She gets across the lost and confused feeling so well. The most fascinating and accomplished performances are those of Geoffrey Lewis and William Andrews as the elderly farmer brothers, and Marian Seldes as the lonely shut-in. They are so real, so believable. Rachel Griffiths and Aidan Quinn, whom many will be familiar with, are actually of much lesser interest than the younger and older actors. Nonetheless, they give very good performances.In all, "Plainsong" doesn't reach so far as it might. It stays on the outskirts of anything truly intense, but the feeling of gentle reality still bubbles to the surface. I'm truly glad I saw it, and I can't see how anyone couldn't take at least something away from the experience. I recommend that you pursue more of Richard Pearce's films.

I sat through the whole thing, hoping it would get better, but it didn't. Seeing Megan Follows again after Anne of Green Gables was sort of interesting, but too bad she didn't play a very good character (she leaves her husband). The acting was fine and the part about the boys being bullied was interesting, but I was hoping for a story of redemption as so often comes from Hallmark Hall of Fame. Disappointing. There wasn't much violence or any really bad scenes, but this is not worth the time to watch. I gave it a 2/10.

I happen to come across this gem of a "made-for-T.V.-movie" while vegetating in a hotel room on a business trip. I was pleasantly surprise to see Rachel Griffth in a Hallmark movie. She and Aidan Quinn lent a jolt of electricity to the story that no other actors could. Geoffrey Lewis turned in a helluva a performance in the role of one of the mentally challenged brothers that come to the rescue of a few of the character in the bitter-sweet tale of fractured life in present-day, rural Colorado. America Ferrara has been blessed with the same fierce but sympathetic spark that made Lili Taylor so brilliant in Dogfight. I recommend this movie not just because it is so good and real but because it is the rare 'good' T.V. dramas that the whole family can watch.

Spoilers... so scroll down to see review...............Yet another lame plot where partners just dissolve and immediately hook up with someone else, effortlessly. Happy ending: a brand new family. I'm tired of seeing "alternative family" movies. Would have been better if he had been a widow, and that's not much better. The cinematography was par to a Hallmark presentation - slow moving, full of props, golden. There were the usual "loveable" characters - two gruff old brothers. The reason I gave this movie a 2 instead of lower is because of the performances of these two old fellows and the best performance of all the actors - the Native American young woman, pregnant, and dealing with some tough issues. The teachers, boring. The other students, boring. The old lady who dies, well, not so boring but definitely too stereo-typical (even more so than the old brothers). The kids are cute, as kids tend to be. . With made-for-tv movies that have slid down the slippery slope to devolve into this washed out stuff, no wonder I belong to a generation that is jaded and cynical. Writers and directors, wise up.