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Love is a Ball
Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait. But what if Millicent starts to fancy planted chauffeur John instead, and Gaspar takes a shine to Etienne's secretary Janine?
Release : | 1963 |
Rating : | 6 |
Studio : | |
Crew : | Art Direction, Set Decoration, |
Cast : | Glenn Ford Hope Lange Charles Boyer Ricardo Montalban Telly Savalas |
Genre : | Comedy Romance |
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To me, this movie is perfection.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The film never slows down or bores, plunging from one harrowing sequence to the next.
By the time the dramatic fireworks start popping off, each one feels earned.
In Love Is A Ball Glenn Ford is a down on his luck charter boat captain who is asked to join an unusual enterprise by Charles Boyer. Ford has his charter boat business on the French Riviera which is a great place to be if you're down on your luck. This project involves training Ricardo Montalban in the fine arts of royal behavior. Montalban is royalty all right, but the exiled and impoverished kind. Still he does have a somewhat tarnished title the kind that rich folks might marry for the prestige.This is a plot situation that goes back to authors like Henry James and Mark Twain, the rich Americans getting together nobility down on its luck. You can still find a flock of them today on the Riviera. The problem is that Montalban as Prince Gaspard lacks a lot of polish, in fact he's from the Inspector Clousseau school of unpolished. Hence Boyer as his manager has assembled his team to give him that. Ford's job on the team is to teach him race car driving and horseback riding, he's done both in the past.The object of all this prince preparation is heiress Hope Lange who is visiting the Riviera with grandmother Ruth McDevitt and uncle Telly Savalas. Ford also is hired on as a chauffeur for wild child Lange to watch the investment for the team.The most interesting performance in the film is Montalban's who shows a nice comic touch with some tender moments of self reflection with Boyer's secretary Ulla Jacobbson. He realizes more than anyone else what an essentially useless life he leads. Though Clousseau was not yet on the scene, Montalban had the rich comic genius of Jerry Lewis to get some of his moves down for this film.Ford and Hope Lange were an item at the time and the film was made around the tail end of Ford's career height as a box office star. It's got some nice cinematography of the French Riviera, a place like Hawaii it's impossible to get bad pictures of and a cast that delivers the goods for the viewer.What's not to like?
I have remembered this movie for many years, and would like to own a copy of it in any media. I wonder why I can never find a VHS tape of it? I enjoyed it immensely because of all the great stars in it. It was a fun movie, set in a beautiful place, with many comical situations. Telly Savalas was quite a surprise and Ricardo Montalban was also excellent in this comedy. Charles Boyer was the master, of course. I wish I could see it again, if only for all the wonderful actors, to be enjoyed having fun. I had fun with them, laughing and loving what they had done.
Having never seen LOVE IS A BALL (really insipid title), but reading IMDB reader's glowing comments of the film, I watched it in letterbox on TCM. The first thing that struck me was, why was a movie that had so many MGM contract players released by United Artists. The movie certainly immediately displayed handsome production values (though, a lousy score). Also, David Swift (POLLYANNA, THE PARENT TRAP, GOOD NEIGHBOR SAM) has always been a favorite. After a few minutes watching, I understand if MGM really did pass on this one. I'm willing to cut a comedy (particularly a funny one) a GREAT deal of slack. HOWEVER, the idea of an eccentric millionaire running a clandestine matchmaking service to get together "poor" nobility and "rich" commoners is a bit munch. How long could such an operation stay secret, the first successful match or (more likely) the first disasterous failure. Rich people STAY rich by carefully checking out ANYONE whom approaches them. Couple that with the idea that a champion race car driver (Glenn Ford) would go along with this nonsense rather than going back into racing to get his boat out of hock. And that the "madcap" heiress (a surprisingly charmless Hope Lange), herself a racing car enthusiast, would not recognize either Ford's face or his name. Is one really expected to believe titled nobility (Ricardo Montleban, very good) would have to be taught virtually ALL the social graces? Or that Lange,rebelling against the setup, would offer to marry the repellent count?Even with its problems, the movie improves a great deal in the second half. Hope Lange gets better as her wardrobe improves (its goshawful in the first half). By films end, she does generate chemistry with Ford. However, this is WAY too late to save the movie.Perhaps the best reason to see this movie is to see Telly Savalas when he still had a little hair.Love IS a Ball; Too bad this movie isn't...
Loved it. One of my all time favorites. Glenn ford is great, Mr Boyer is a real hoot, and the young Ricardo Montalban is a delight. Does anyone know who owns the rights? I would love to see it again. Been waiting for years. Please e-mail me. Thank you for reading this.