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Tugboat Annie
Waterfront couple raise their son to be a sea captain. He grows up to be rather snotty and rebels against drunken Beery. Valiant Dressler keeps things moving even as hubby ruins their tugboat business.
Release : | 1933 |
Rating : | 6.9 |
Studio : | Metro-Goldwyn-Mayer, MGM, |
Crew : | Director, Associate Producer, |
Cast : | Marie Dressler Wallace Beery Robert Young Maureen O'Sullivan Willard Robertson |
Genre : | Drama Comedy Romance |
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People are voting emotionally.
Absolutely the worst movie.
The film never slows down or bores, plunging from one harrowing sequence to the next.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
This is one of the few movies I've seen with Marie Dressler, and the only talkie I've yet seen of hers. This was her second teaming with Wallace Beery. He's her often-drunk husband who co-captains the sea ship Narcissus. Robert Young is their now-grown son and Maureen O'Sullivan is his fiancé. There are both some funny scenes and some more dramatic moments. There's no music score as this was an early talkie so sometimes, one may feel bored with some of the silences. The film meanders quite a bit though since the running time is less than 90 minutes, it doesn't wear out its welcome by much. Ms. Dressler would die about a year after this movie, but it's obvious by her performance she's not that easy to forget. So on that note, I recommend Tugboat Annie.
Tugboat captain Marie Dressler (as Annie) manages to rear a son and run the family business, with only spotty help from alcoholic husband Wallace Beery (as Terry Brennan). "Tugboat Annie" sailed to the top of box office lists, helmed by the tremendous appeal of Ms. Dressler. This is one of her finest and most fondly remembered performances. Dressler would be good anyway, but gets terrific help from Mr. Berry. He and Dressler possess the chemistry and craft to pull off the slightly weak and episodic story.The weakness is in the bland relationship essayed by Robert Young (as Alexander "Alec" Brennan) and pretty Maureen O'Sullivan (as Patricia "Pat" Severn). Frankie Darro (as young Alec) is fine, studying algebra and history with Dressler in the early scenes, but you wonder how Dressler plus Berry (or anyone) could have netted Mr. Young. The relationship between Dressler and Berry is the story's strength, with the co-stars putting comic pathos in the classic "love triangle" involving wife, husband and alcohol.******* Tugboat Annie (8/4/33) Mervyn LeRoy ~ Marie Dressler, Wallace Beery, Robert Young, Maureen O'Sullivan
The only film adaption ever done of the Saturday Evening Post "Tugboat Annie" stories. interesting depictions of the eating area, and engine room with its old triple expansion engine. the "Narcissus", was played by the real tugboat "Arthur Foss" which is preserved as a maritime museum after 101 years of work.
TUGBOAT ANNIE, the `old sea cow,' pilots her beloved Narcissus around Puget Sound, constantly on the lookout for the shenanigans of her drunken husband. Their son strives to become the skipper of a great liner, but his success will imperil his father's life & break his mother's heart...Marie Dressler & Wallace Beery are nothing short of wonderful in this funny, touching film. The roles are a comfortable fit - they wear them like old clothes. With their life-worn faces & rumpled bodies, they embody a decent commonality which gives their acting the little something extra that pushes it over the top and makes their performances very special.Dressler was queen of the box office when she made this film, absolutely beloved by millions of American movie fans. Almost a force of nature, a cinematic Earth Mother, she was already carrying the cancer which would kill her the very next year. Beery would go on to other memorable roles, but his teamings with Dressler would always remain unique.Robert Young & Maureen O'Sullivan nicely play the young people, but they are completely overshadowed by the two old pros.Location settings help the movie's ambiance terrifically. The film is based on stories written by Norman Reilly Raine and published in the Saturday Evening Post.