Watch It Ain't Hay For Free

So much average

The film never slows down or bores, plunging from one harrowing sequence to the next.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I titled my review after the 1937 Marx Brothers musical comedy of that name, which shows certain broad resemblances to the present film. As you might guess, this Abbott and Costello(A&C) musical comedy focuses on horses, both carriage and racing breeds. It initially focuses on a particular carriage horse named Finnegan, who is attached to a carriage driven by Irishman King O'Hara(Cecil Kellaway) or his teenage daughter Peggy(or Princess)(Patsy O'Conner). Costello is a friend of this family, but he gives Finnegan a piece of his peppermint stick. A few days later, Finnegan is down feeling ill. Costello gets some 'horse pills' at the pharmacy and tries to ram one down the throat through a tube. But, before he can blow the pill in, Finnegan blows it down Costello's throat, and Costello gives up. The horse soon dies, and everyone (including Lou) blames it on the candy! Lou wants to buy the O'Haras a new horse, but has no money. So, he and friend Abbott go to loan shark: Big-Hearted Charlie, who loans them $100., but at a usurious interest rate. He suggests they gamble on the horse races to get the money to pay off his loan, and directs them to phony horse race bookies, who cheat Lou out of most of his cash. Then, Lou buys a horse on the street very cheaply, only to find that it belongs to a policeman. A trio of touts then claim that a certain horse owner is giving away an old racing horse free. So, at night, they sneak there, and take the wrong horse, since the horse names on their stalls were switched. The have trouble with a suspicious Eugene Palette, but overcome his hindrance, and make off with the horse. They don't realize they took the famous Tea Biscuit until they read in the newspaper that this horse is missing. There is a $10,000. reward for the return of this horse, which the three touts plus Palette hope to collect. The boys hide Tea Biscuit in their hotel room! Palette snooped around, but couldn't find the horse in their back room. They get by Palette, hitch the horse to a carriage, and take off for the race track. Problems on the route have Lou riding the horse when he gets to the track. The horse throws him, and he lands on another horse: Rhubarb. He runs Rhubarb in the race, even though he is apparently extraneous. Tea Biscuit, running as Rhubarb, wins. Abbott, who bet $100. on Tea Biscuit, despite his presumed absence, is resigned to his loss, and tears up his ticket. But, after it's established that Rhubarb really is Tea Biscuit, Abbott finds the pieces of his ticket and is allowed to claim his winnings. Also, Costello gets the $10,000. award for bringing Tea Biscuit back. But, there's a problem. Palette already received a check for $10,000.? as his winnings. He gave the touts an advance on that. He blames Lou for this debacle, and wants Lou to give him the money he lost. Thus, we end with Palette chasing Lou around. Palette harassed Lou throughout most of the film, showing up wherever Lou went, having new reasons to want to kill him. Palette, of course, was very charismatic, with his great girth and bull frog-like voice. Thus, he tends to dominate the scenes he's in.As in most of their early films, there is a romantic couple, here in the form of Leighton Noble and the striking blond Grace McDonald. Also, as was often the case, they served as singers for several songs. However, 13y.o. Patsy O'Connor led the singing for 2 numbers: the initial "Sunbeam Serenade", while driving her carriage, and the later "Old Timer", sung to Finnegan as he lay ill. However, the 2 main production numbers were mainly sung by others. Grace McDonald led the street-located "Glory Be", while Leighton Noble led the finale stage-bound "Hang Your Troubles on a Rainbow". Believe I saw Grace do a short tap dance in this number. She was the sister of Ray MacDonald: a professional dancer, and they used to perform singing and dancing together when young. Leighton was primarily known as a singer and orchestra leader, rather than an actor. Patsy O'Connor was the niece of Donald O'Connor, who was then costarring in a series of musical comedies for Universal....The Four Step Brothers also performed their novelty-styled tap dancing and other shenanigans in both major productions. Shemp Howard, of The Three Stooges, was one of the 3 touts. He was often present in a small role in the early A&C films.....Prolific actor Samuel Hinds served as the owner of Tea Biscuit, whose name is a slight variation of that of the famous racehorse Sea Biscuit....This film is based on Damon Runyon's story "Princess O'Hara". , first made into a film in 1935. In the present film, Peggy O'Connor played the princess.Despite it's frequent nonsensical highly contrived nature, I can recommend this film for those, especially kids, who like the boys' shtick.

Abbott & Costello meet Damon Runyon in this adaptation of his story, "Princess O'Hara." This is the second film version of that story, the first (and best) being the 1935 Chester Morris film. In what has to be one of the darkest beginnings to a comedy story ever, Lou accidentally kills a girl's horse. Feeling bad about it (you would hope so!), Lou and Bud try to find another horse to replace the dead one.This is definitely more Abbott & Costello than Runyon. Pretty much every scene involves the boys setting up (frankly obvious) routines, trying to score a "Who's on first?" but coming up with a "What was that?" Still, it's pleasant and sometimes pretty funny. Good cast backing up the boys includes Cecil Kellaway, Samuel Hinds, Patsy O'Connor, Shemp Howard, and Eddie Quillan. The obligatory banal lovebirds for the romantic subplot are Leighton Noble and Grace McDonald. The movie's scene stealer is Eugene Palette. The best parts of the movie are the jokes that break the fourth wall, like when Shemp Howard is asked why he's holding an umbrella and says "Who knows? I'm a Damon Runyon character." or Lou's joke about Universal.

Universal kept Abbott&Costello very busy during the World War II years. They made so many films one wonders when they had time to do personal tours and war bond rallies. One of the more unusual items the team made was It Ain't Hay which was taken from one of Damon Runyon's Broadway stories. You'll recognize some of the character names from Guys And Dolls.Lou Costello accidentally kills Cecil Kellaway's horse. Kellaway drives a horse drawn cart in Central Park and Lou's guilt, plus the guilt laid on him by everyone else including Bud in a great scene, makes him buy a horse that some racing stable was selling. Problems arise when Bud and Lou discover they have the wrong horse, the horse they were to buy was a dead ringer for the champion 'Teabiscuit'. The boys pick up the real Teabiscuit, but when they discover the mistake are determined to cash in on it. The movie is plainly ripped off from the Marx Brothers A Day At The Races, but that doesn't prevent it from being funny. One definite weakness was that the musical score in the Marx film was a lot better than what Harry Revel and Paul Francis Webster wrote for It Ain't Hay. Still Leighton Noble and Grace McDonald handle the music end nicely and it doesn't get in the way of A&C's routines. And Eugene Palette as the villain gets a few laughs himself as he always does.It Ain't Hay is not often shown and that's a pity. Catch it if possible and hope it comes out on both VHS and DVD.

The comedy team of Bud Abbott and Lou Costello were in their prime in the 1940's (particularly the early 1940's) and this offering from 1943 is very funny indeed. Based on a Damon Runyon story "Princess O'Hara" (and featuring some of the classic Runyon characters such as Harry the Horse), it's been tailored for the A & C brand of comedy, and features some of their funniest routines (the "mudder & fodder" exchange, which was repeated in their later film "The Noose Hangs High"; stealing the horse, the climactic horse race scene, etc.) Like most of their early features (with the notable exception of the great "Who Done It"), there's also the mandatory songs - they are a mild intrusion, but on their own merit are quite good. (These song numbers were a stock element in the Universal comedies at the time, so you just have to tolerate them, but, like in the Marx Brothers comedies, they did seem to be there just to "pad out" the running time.) There's also a gem of a supporting performance by the great character actor Eugene Palette.Unfortunately, "It Ain't Hay" is currently tied up in legal knots, which keeps it out of circulation at the present time. Due to this, it was not included in the great A & C collection released recently on DVD by MCA, nor has it been shown on television for many years. Hopefully these legal issues will be resolved, and this fine example of the great comedy duo's work will receive the distribution it deserves.