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Good concept, poorly executed.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Dreadful movie, rotten script, wooden acting. It looks cheap and was obviously made quickly. Even the make-up looks amateurish. The key scene involving an "accident" has an hilarious stunt dummy in it. That dummy puts in the single best performance. Even the props get in on the awfulness: there is a wonderfully bad moment when a very, very bad actor gets whacked on the head with a fake bottle of vodka by another bad actor.If it is raining outside, your wifi is down, you have no books to read, no chores to do, nobody in the house to talk to, no dog to walk, no tax return to file and no car to wash then I guess it might be worth giving up a couple of hours of your life. Otherwise, don't bother.

We all know about Lifetime movies -or should I say Lifetime movie? These are variations on the same movie, which can admittedly take a (small) number of forms. Perhaps the most typical of these is the apparently ordinary but actually deranged individual who insinuates him- or herself into a family of innocents. Frequently the sicko will exploit an existing tension within the family for his/her own dastardly ends. Well, this is indeed what happens in this movie. But the similarity to a typical Lifetime movie pretty much ends there. This is no Anne Carlucci or Pierre David production. Nor is it directed by the ubiquitous, unimaginative, lifeless Douglas Jackson. Nor is the narrative punctuated with the characters' wholesome, sentimental, heartwarming chuckles. The film is directed with a sense of style, the actors are far above the level of mediocrity afflicting virtually all Lifetime actors, the camera work is relatively polished, the pacing and tempo never drag and the film is cut professionally. Armand Mastroianni is no star director, but he's way better than any of Lifetime's stable of inert "talents". What prevents Lifetime from turning out something like this more than every 3 or 4 years? A restricted budget? An obsession with low-budget Canadian dreck? Probably something along those lines. Lifetime would surely broaden its audience were it to look to put together more movies of this calibre. Make no mistake, Dark Desire is not a first-rate film. But it's got a polish and professionalism entirely lacking in just about every other of the network's products. It starkly underscores the low-rent, shallow and amateurish quality of most everything else Lifetime has tossed our way. It's time to put Carlucci and David out to pasture.

Okay, I'm not a Lifetime fan... in fact, I'm one who typically makes fun of the kind of drivel Lifetime plays. But I stumbled on this one early on while flipping around and got a little hooked. The tension is well-played, and even small roles (the wife's best friend, the detective) are interestingly portrayed and realistic. Not your typical LMN fare, but deep and dark enough to draw you in. The interplay between the roommates is key to that tension, and I found myself genuinely torn between my alliances to the two. Kelly Lynch, who hasn't changed an ounce since her turn in Road House, stole the movie in a lot of ways, and her performance clearly guided those around her. In short, I really enjoyed it, and I'm not embarrassed to say so...

Kelly Lynch, who looks as good as she did in her "Drugstore Cowboy" days, plays a grieving mother who develops an unhealthy relationship with the best friend of her deceased son. But this being Lifetime, the twists keep coming. A palpable sense of dread and eroticism, strong performances by Lynch and the always solid Michael Nouri, and an expertly paced narrative, raise "Dark Desire" far above similar TV thrillers. This is hardly surprising, as the movie is directed by Armand Mastroianni. A much sought after TV director in recent years, Mastroianni directed some of the most stylish and intense independent horror movies of the early 80's.