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Poppies Are Also Flowers
A special United Nations bureau organises a campaign to trace a drug-smuggling ring across Europe to its source on the Afghanistan-Iran border.
Release : | 1966 |
Rating : | 5.1 |
Studio : | Comet, Telsun Foundation Inc., United Nations, |
Crew : | Camera Operator, Director of Photography, |
Cast : | Senta Berger Stephen Boyd Yul Brynner Angie Dickinson Georges Géret |
Genre : | Drama Crime Mystery |
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Sick Product of a Sick System
Fantastic!
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
The film never slows down or bores, plunging from one harrowing sequence to the next.
This movie was produced by the United Nations. That's about all you really need to know. The UN has slipped up many times in history, and rarely seems to accomplish its goals, something this movie embodies perfectly. Watch it and you'll know exactly what I mean.The movie centers around a strange plan to contaminate a large shipment of opium poppies with radioactivity, so that as the drug is refined and circulated around the world, agents can track the radioactivity and see where the opium from this particular source is going. The goal of these agents is to figure out who is involved in the opium trade so that they can be arrested and the drug trade ended.Following the setup of this scheme, which takes quite awhile, the movie follows two of the agents around the world as they follow the radioactive opium, meeting a variety of people who are involved in the drug trade in one way or another. There is some fighting and spy stuff, but none of it manages to be exciting.The film's climax takes place on a train, where the agents and the bad guys face off. One agent is killed, which comes as a shock as he's been there throughout the whole movie, but it doesn't matter much as the other agent still catches the drug kingpin, and the movie quickly ends.The whole thing is narrated by Princess Grace (of Monaco), but many versions cut this out to make it feel more like a normal movie. Unfortunately, that leaves the viewer with no explanation of where anything is taking place! Even with the narration intact, this is a terrible movie and despite its obvious anti-drug stance, it does very little to actually show why drugs are bad. You will be far too bored by this movie to care about its moral.The best part of this movie is a totally pointless 3-minute scene where Trini Lopez performs "La Bamba" in full in a nightclub. Throughout the song, he keeps begging the audience to let him leave the stage so he can catch a flight! Even he didn't want to be in this. I wonder if he got paid the token $1 like everyone else in the movie (!) or if he was just performing in whatever nightclub they decided to shoot the scene in...?
Curiosity is defiantly there for this all-star fiasco that means well but pushes its message so much into your face that it feels like bees attacking. The narration at the beginning indicates that this was promoted by the United Nations which gives a hint of its political backing. It would be great if the film took its mission seriously, but when leading characters spend time playing paper/rock/scissors, it becomes difficult to believe in the message. Everything starts off on the right mark with the introduction of the narcotics agents making their infiltration on the opium smugglers, and with major stars like Yul Brynnur and Omar Sharif, attention is made. Some stars are on and off so fast that their cameos are forgotten by the time the movie is over. Somewhat memorable, but probably not for the right reason is the lengthy cameo by Rita Hayworth as an obviously addicted mob wife and Angie Dickinson as a double agent. Toss in a few songs including "Lemon Tree" and "La Bamba" for a distraction from the silliness (as well as cameos from a few musical oddities) and a plot that goes all over the map, literally.
Rather than write a plot description, simply look at the cast list above. That would be the main reason anyone would want to watch "The Opium Connection". Well, I guess I'll do it anyway.Two guys from the U.N., Lincoln and Coley, played by Trevor Howard and E.G. Marshall, respectively, go to Iran to investigate the death of one of their fellow agents. Apparently, he was dealing with Iranian drug lords and attempting to buy whole poppy crops. To track the opium and see where it leads, they spike it with radioactive materials. This leads them from Iran, to various glamorous and not-so-glamorous locations all over Europe, and meeting many, many people along the way. And who is the mysterious woman they keep running into, Linda Gayle? Will they capture the head drug lord? Will they give the U.N. a good name? Yes, it's an international production, but with all those guest stars and locations, it's easy to turn into a sprawling, convoluted mess. How can the movie stay focused when every minute they have to go to a new place to introduce a new character? You get TWO performances by Trini Lopez, "Lemon Tree" and La Bamba", but my favorite appearance in the movie-long game of "spot the guest star" was by Eli Wallach. His scenery-chewing performance really stood out. But I guess he had to do something big to stand out in the muck and the mire.But I'm making it sound worse than it really is. For instance, this is probably the only movie where you'll see the credits "based on a story by Ian Fleming" and "Executive Associate Producer Del Tenney" together. That should give you a really good idea of the vibe of this movie. Because Terence Young directed other Fleming-based movies (i.e., James Bond), there is a scene where they introduce a Geiger counter that looks like a cigarette case (they test it by all handling a radioactive cigarette...can they do that?) but there is a junky sensibility at work too.I know the actual U.N. was somewhat involved in the production of this movie, so perhaps this was all a P.R. thing to make it seem like the U.N. ISN'T a corrupt, anti-Semitic, do-nothing waste...so they figured, "let's make a staid, bland time-filler, but fill it with older stars!" Typical for the U.N., this plan DID NOTHING to help them.The sound on the VHS tape under review, released on the Simitar label, is buzzy and terrible, but maybe because it is in EP mode. But it does have cool, nicely rendered box art.A Sunday-afternoon programmer type of film, "The Opium Connection" seems like the thing you might catch on channel 9 or channel 11 on a rainy day back in the 80's.For more insanity, please visit: comeuppancereviews.com
Another surprisingly bad film from director Terence Young (did this guy really make such greats as Dr. No, From Russia With Love and Wait Until Dark?) What's more surprising about Poppies Are Also Flowers is the calibre of the cast. Trevor Howard, E.G Marshall, Omar Sharif, Angie Dickinson, Yul Brynner, Jack Hawkins, Senta Berger, Rita Hayworth, Anthony Quayle, Eli Wallach, Trini Lopez, Marcello Mastroainni, Stephen Boyd and Hugh Griffith all make appearances in the movie - and virtually every one of them is guilty of rampant bad acting. I challenge anyone to find this talented a cast in a more badly acted film. The story is pretty poor too. Narcotics agents Lincoln (Trevor Howard) and Coley (E.G Marshall) arrive in Iran to investigate the death of another agent, Benson (Stephen Boyd). They learn that Benson had struck a deal with a tribal chief (Hugh Griffith) to buy his opium crop, but a disgruntled rival buyer attempted to seize the crop in transit, killing Benson in the process. In order to track down the killers, Lincoln and Coley agree to let another opium crop leave Iran bound for an unknown European drug lord. However, they put a radioactive element into the opium, meaning that they can track its progress with geiger counters, all the way to the head man. The trail leads from Iran to Switzerland to Italy and, finally, to France. The film is based on an idea by Ian Fleming (yes, the Bond creator). However, there is little of the flair in this film that you would find in the Bond books and films. The very concept of contaminating opium in order to track its whereabouts seems rather unconvincing and implausible, but the film doesn't suffer too much because of it. The problem here is more fundamental - it's a badly scripted film. A plethora of characters come and go without proper introduction or development, and various events and actions are patched together without sufficient explanation. Such under-cooked ingredients do not make for a satisfying viewing experience. Other than Georges Auric's stirring music and E.G Marshall's performance (the only good one in the whole film) as the hero, Poppies Are Also Flowers is a failure.