Watch Mean Frank and Crazy Tony For Free

I like the storyline of this show,it attract me so much

I love this movie so much

Lack of good storyline.

For all the hype it got I was expecting a lot more!

I scooped up this title by accident with the Grindhouse Vol. 1 collection of pure Euro-trash movies. But this movie has a nice stamp of approval and should deserve a better transfer than what is out there. Stupednous it is not... satisfying it is! Watching this movie I couldn't help to wonder... how come Sergio Martino didn't make this flick? This has his signature all over it and punctuated by Edwedge Fenech (alas not as well known as she should be but she did get a nice cameo in Hostel II). Double-crosses and triple-crosses underly and cement this film from beginning to end with Lee Van Cleef oozing coolness under pressure from the 1st second. Did this guy have to go to Italy to finally reach his potential or did the studio system let this guy slip through? Besides Lee's more recognizable films, film-goers should try this on for size and see how if Sergio Leone would've lowered his epic scale down on Once Upon a Time in America to half the running time (and 1/4 of the budget) this is what it would've turned out to be like. So refreshing, it should be taken in during the day at home and make it for an couch matinée

Steely, powerful gangster supreme Frankie Diomede (the always terrific Lee Van Cleef in fine rugged form) has himself arrested and sent to prison so he can rub out a traitorous partner sans detection. Fawning goofball small-time hood and wiseguy wannabe Tony Breda (an amiable portrayal by Tony Lo Bianco) gets busted as well. Frank and Tony form an unlikely friendship behind bars. Tony helps Frank break out of the joint and assists him on his quest to exact revenge on a rival group of mobsters lead by the ruthless Louis Annunziata (smoothly played by Jean Rochefort). Director Michele Lupo, working from an absorbing script by Sergio Donati and Luciano Vincenzoni, relates the neat story at a constant brisk pace, sustains a suitably gritty, but occasionally lighthearted tone throughout, and stages the rousing action set pieces with considerable rip-snorting brio (a rough'n'tumble jailhouse shower brawl and a protracted mondo destructo car chase rate as the definite thrilling highlights). Van Cleef and Lo Bianco display a nice, loose and engaging on-screen chemistry; the relationship between their characters is alternately funny and touching. The ravishing Edwige Fenech alas isn't given much to do as Tony's whiny girlfriend Orchidea, but at least gets to bare her insanely gorgeous and voluptuous body in a much-appreciated gratuitous nude shower scene. Riz Ortolani's groovy, pulsating, syncopated funk/jazz score certainly hits the soulfully swingin' spot. The polished cinematography by Joe D'Amato and Aldo Tonti is likewise impressive. A really nifty and entertaining little winner.

This movie takes place in Italy (Genoa and the Riviera) and in France. There is no death row in those countries. And the prisoners have minestrone for dinner. There is a lot you can do with minestrone – you can even use it as a weapon and it has a real filmic potential! The story on the cover of this cheap DVD is not what you will see. But there is Lee Van Cleef all right. He is some kind of Mafia Don, and he looks meek, like some kind of a bookkeeper (which he apparently was in real life). For an escape from prison (it's a cinch!) he is given some workman's clothes, a half length blue coat and a blue peaked cap - and suddenly he looks like Lenin, and I mean the true Vladimir Illich on one of those kitschy Socialist Realism paintings. It is hilarious! The resemblance is so striking that it cannot be a coincidence.The story is not good – well, hardly existing, the editing is chaotic, the unrestored print used for the DVD occasionally badly scratched. But some scenes are really well directed, the acting, the set design and the photography are above average. As often in Italian movies of the period: interesting details, messy as a whole. The movie is principally a comedy. Tony Lo Bianco is hilarious as a small time pimp who thinks the Don is god (he plays a mixture of Roberto Benigni and Eric Roberts in Runaway Train). Van Cleef's adversary is played by Jean Rochefort, a great French character actor who more often plays roles in powdered wigs. There are elements of Film Noir, interesting interiors and lighting and a long and very funny car chase. It's the kind of movie that smart guys like Quentin Tarantino learned from, I guess. And if you like old Alfa Romeo police cars skidding through narrow alleys and Edwige Fenech bare breasted, you are really in for a treat.

We already knew of the spaghetti western, but in the same era (early 60s to late 70s) there have been other American genres paid tribute to by the Italian film industry. So, we deal here with a spaghetti jailhouse action thriller, which also conveys many elements of parody (especially through Tony Lo Bianco's character). It's all very efficient, with Lee Van Cleef playing his old Sentenza bit from THE GOOD THE BAD AND THE UGLY. Director Michele Lupo knows what he's doing and hits all the right buttons, mixing violence with comedy (not always as funny as intended, however), an unlikely and tasteless alliance typical of Italian productions. The music (by Morricone clone Riz Ortolani) is great, in that now much sought after sleazy'n funky organ-laden tradition. Women have no role, of course. As to French actor Jean Rochefort, it is highly surprising to find him involved, for this is not in his usual line of action, as he plays the head mafioso over whom Van Cleef wants revenge. Packed with massive shootings and car chases, this is perfect entertainment as far as I'm concerned. Tasteless, gritty, lovely. They don't make'em films like in those days anymore (sigh).