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This story has more twists and turns than a second-rate soap opera.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Cathryn Damon, Loretta Swit and Paula Prentiss stand out in this all female cast. This was a highly experimental film, had an obvious feminist bent but stands up to modern day scrutiny. I was a 17 year old closeted gay male at the time, but I was touched by the performances then as now. These women are real, perhaps idealized and stereotypical but they speak for women in general. The none too subtle feminist narrative supposes that one of these women self aborted a child while in her college sorority days. I don't know what Los Angeles suburb this was filmed in, but the license plates on the cars seem to be yellow. The all for one march down Main Street is effective and warm hearted. Tina Louise seems to have drifted in from The Stepford Wives, her role is close to her role in that earlier film. Also Paula Prentiss was the same sort of gadabout free spirit here as she was in The Stepford Wives. I still watch it from time to time with reverence and love.

I vaguely remember watching this movie on TV. All the while, something seemed really off about it, something vaguely odd, but I couldn't quite put my finger on why. Then, while watching the final scene, it suddenly hit me - - the entire movie was filmed without a single male in the cast! None! Not even the extras in scenes where you would normally see male and female extras in real world settings. Now, this _was_ a movie written and filmed by feminists, fair enough, but this total exclusion of males from the cast - - even in outdoor scenes around town, etc. - - was positively bizarre. As Ma Bailey tried to tell Anne in "It's a Wonderful Life", "But if there weren't any boys, there wouldn't be any...oh, never mind."

Agreed...don't take this movie too seriously. It's worth it to see Shelley Fabares' big announcement at the end. And come on, any movie with her, Loretta Swit, Tina Louise, and Sondra Locke is pure camp fun anyway. I think the plot's a decent idea, and the flashback scenes are pretty atmospheric. This is like the prototype Lifetime movie, only without Jaclyn Smith or Nancy McKeon. In fact, a "Friendships, Secrets and Lies 2003" would be fabulous...I'm thinking Kim Fields, Justine Bateman, Erin Moran, and Alyssa Milano would be a fine cast, with of course Charlotte Rae as the aging housemother.

This is normally the kind of film I enjoy.But it turned out to be awful.The sound,editing and camerawork were shoddy to put it mildly.Loretta Swit and Stella Stevens are normally competent actresses, but they seemed somehow distracted in this feature.Maybe they realized what a stinker they had unwittingly agreed to appear in.It was also homophobic.Near the end of the film one of the characters reveals that she is "A HOMOSEXUAL!".From the shame and deep regret in her voice you'd think she was confessing to being a mass murderer.But her lovely friends gather round and say "It's ok.We don't mind!".How wonderful of them!.Avoid.