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I love this movie so much

Good concept, poorly executed.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

A good whodunit should have a bit of originality in the plot, and the solution should not be too easy to guess. And it shouldn't be too long. Under those criteria, this last episode in the "Crime Doctor" series holds up very well.The plot is about a convicted arsonist who gets an early release from prison. The agent of his good fortune is the Crime Doctor himself, who believes the man is guilty but considers him redeemable. Ignoring the advice of the doctor and others, the man rashly sets out to prove his innocence. Soon he's in bigger trouble than ever, and it all looks just a bit too convenient.Warner Baxter, whose career was drawing toward an end, is considerably grayer than in his previous "Crime Doctor" films, and he doesn't get involved in much action. But he doesn't seem frail. He has a stylish presence that compensates for the movie's fairly spartan production values.The two women in the ex-con's life, who turn out to be important to the mystery, are played by Lois Maxwell and Adele Jergens. Maxwell is better remembered today, because of her later role as "Moneypenny" in the James Bond films. But in 1949, Jergens, a former burlesque queen, was a much bigger name in movies. She certainly gets the more glamorous treatment here.

An inexpensive and unpretentious murder mystery. Steven Dunn has just done three years on an arson charge for which he claims he was not responsible. He's sullen and resentful. But at least he appears to have the support of pert Lois Maxwell, who fawns over him. He may or may not have gotten over his pre-slam fling with sultry Adele Jurgens. He has another friend too, Warner Baxter as The Crime Doctor. As far as I could tell, the Crime Doctor keeps no diary in this movie. If he is, he's keeping it a secret. I thought over the conundrum in this title for a while and concluded that there was in fact a diary, only it wasn't a diary BY the Crime Doctor but rather ABOUT the Crime Doctor. It was being kept by one of the other characters, although it's impossible to tell which one because the word "diary" never appears in the movie. A dead body turns up, one of the men responsible for Dunn's sentence. Dunn is naturally Suspect Number One but there are a number of other likely suspects. Among the juicier is Whit Bissel, whom you will recognize. He's a loopy employee who thinks he's a composer. Want to see some of his lyrics?In the little town where I was born There's a little brass French horn I used to toot when I was just a boy, Toot toot. Toot toot. Toot toot.Well, I told you he was a little unbalanced. Whit Bissel never played such a colorful character again. He was continually cast as a timid clerk or something. But if Bissel's character is unusual, the Big Reveal is nothing less than astonishing. You'll never guess who the heavy is. Not even the Crime Doctor has a hint. He's confined to standing around and commenting on what he observes, with everyone's best interests at heart. You'd never know he was a doctor because he never practices any medicine, nor is his profession in any way underlined. They could as easily have called the movie "The Crime Reporter's Diary."The movie stands as a mild divertimento with some amusing moments. Toot toot.

I was a bit surprised with this film, as in the Leonard Maltin Guide this film got a pretty poor rating and sounded like the worst film of this series. However, it was a pretty decent film and definitely NOT the worst of the series (this was CRIME DOCTOR'S GAMBLE, 1947) and was a nice final film of the series.Doctor Ordway's wonderful psychiatric prowess is called into question, as a man he recommended for parole is the prime suspect in a revenge murder. Part of this was because the guy did act like he'd done it, but the true reason came out in a very nifty ending---where you learn who and how they set him up for the fall. There were only two small problems with the film. The song that was sung again and again was absolutely horrid and tough on the ears. Also, the writing, except for one bad bit of dialog, was just fine. The bad dialog was as follows:(lady speaking to man) "Goldie, you're a gentleman" (after which, the man responds) "I wish you were"Huh?! Did he wish SHE were a gentleman or did he want her to get a sex change or what?! While this was a very MINOR problem with the film, it did make me laugh!

WARNER BAXTER was approaching the end of his life by the time he did THE CRIME DOCTOR'S DIARY, the last film in the Crime Doctor series.This above average programmer is slickly produced, written and acted in true "Crime Doctor" style with some nice performing by LOIS MAXWELL and a good role at the center for STEPHEN DUNNE as an innocent man released from prison and, as it turns out, wrongly framed for arson.The plot has to do with a record music company delivering call-in juke-box service where patrons could request certain records to be played by request, a forerunner of disc jockeys. Haven't been aware of the existence of this sort of thing until I saw MY DREAM IS YOURS (same year) wherein Doris Day worked in such a record establishment where she could be heard by bar patrons.WHIT BISSELL, who turns up in so many films from the '40s and '50s, does a neat job as a mentally deficient but good-humored man trying to get the music industry interested in his foolish folk song. ADELE JERGENS is the girlfriend of Dunne who has the courage to help him when he's on the lam after being hurt by a police bullet, and ROBERT ARMSTRONG is her jealous boss.It's noticeable that there's no strenuous action staged for Baxter, as there usually is in a "Crime Doctor" movie, since the actor was obviously not well during filming. He gets to comment briefly on things and hasn't much of a role at all while others get to hold center stage.But it makes a good crime doctor story and unfolds in a crisply efficient sort of way to make pleasing entertainment. STEPHEN DUNNE and LOIS MAXWELL are both seen to advantage here.Summing up: Not bad at all. One of the more interesting in the series.