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This movie is the proof that the world is becoming a sick and dumb place

This story has more twists and turns than a second-rate soap opera.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Many times as I sat watching this god-awful film it sure looked like there really wasn't a script. In many places, it looked as if the director, if there was one, just told everyone to 'wing it'--and often the actors talked over each other, spouted gibberish or just talked to hear themselves talk. In addition, sometimes the actors did things that made almost no sense--giving further evidence to the idea that there was no script...or even plot. This is especially true for at least the first half hour of the film where most of it just involves a biker gang running amok. Amidst all this, there is a plot that keeps trying to appear that involves Cameron Mitchell trying to get his pregnant girlfriend to marry him. Eventually the two plots intersect as the two are eventually terrorized by the evil bikers--but in the interim there is still more rambling and pointless prattle. All this makes up the last 2/3 of the film. Not a whole lot more to it than this. Amateurish and silly throughout but not outlandish or silly enough to make it fun for bad movie buffs.

J.J. Weston (Bruce Dern) belongs to a biker gang that includes a man named Bunny (Jack Nicholson). He runs into an old college buddy named Paul (Cameron Mitchell). Paul is living with Karen (Diane Ladd) who's pregnant with his baby. The biker gang get Paul and Karen alone on a beach. They beat up Paul (for no reason) and propose to marry Karen to Bunny. J.J. wants to stop this...but how? Boring and stupid biker flick. A terrible script really sinks this one. The biker gang acts and sounds like no biker gang I ever heard of. The dialogue is stilted and the basic plot is just so stupid it's mind-boggling. The part where J.J. starts a "marriage" between Karen and Bunny is just beyond belief. This is only of interest for the cast. It has a pre-stardom Nicholson (wearing the most annoying striped pants I've ever seen) and a very young Dern and Ladd (who I believe were married at the time). Their acting is great but it can't help the horrendous script. A curio at best.

Architect Paul Collier (an incredibly insipid performance by Cameron Mitchell) stops off at a small Arizona desert town to visit his headstrong pregnant girlfriend Karen (a sound and sympathetic portrayal by Diane Ladd). Paul bumps into old high school buddy J.J. Weston (the always solid Bruce Dern), who's now the amiable and laid-back leader of a gang of rowdy bikers. Naturally, J.J.'s scruffy chopper chums take an unsavory interest in Karen. Sound exciting? Well, alas it ain't. Martin B. Cohen's bland direction, working from a drab and talky script which he co-wrote with Michael Kars and Abe Polsky, relates the meandering narrative at a draggy pace, fails to bring any real tension or vitality to the proceedings, and gets further bogged down in a sappy love story between Mitchell and Ladd. The cast do their best with the sub-par material: Dern and Ladd contribute respectable work, Jack Nicholson sports an amazing pair of gloriously ghastly striped pants and makes the most out of his regrettably minor role as volatile rotten apple Harley hound Bunny, and Harry Dean Stanton is a hoot as flaky hipster Randolph Halverson. Both Laszlo Kovacs' fairly polished cinematography and William Loose's groovy jammin' score are above average. While the movie occasionally bursts to life with some decent fisticuffs and motorcycle races, it's overall not gritty or energetic enough to qualify as anything more than a strictly passable time-waster.

A quick once over and The Rebel Rousers seems nothing more than a good guy versus evil biker gang midnight movie. But,look closer and you see a story about the conflict of conforming to the norms of society or rebelling against them. The star of the film is a heavy-set Cameron Mitchell who plays a middle-class businessman in a stormy romance with Diane Ladd. Mitchell meets a former high-school buddy played by an intense Bruce Dern(kind of weird pairing here as Mitchell is 18 years older than Dern in real life)the leader of a gang of misfit bikers. Both men seem both happy and sad to see each other. It's as if each man is jealous of the other's lifestyle. Yet, neither one is happy. A rugged looking Jack Nicholson is Bunny, a psycho member of the Rebels. It's clear even here, that Nicholson is a star in the making. There is not one moment when you feel he is "acting" his part. The main focus of the film is Nicholson's attempt to rape Ladd, with both Mitchell and Dern preventing it. Ladd's character represents the family values of the 1950's and Nicholson's Bunny is symbolic of the devil-may-care 1960's lifestyle that may destroy it. If you like movies with a "meaning' The Rebel Rousers is for you.