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Very disappointed :(

Excellent, Without a doubt!!

Admirable film.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

****SPOILERS*** It's Dane Clark as American on a binge in London Casey Morrow's genuine state of confusion, in following the material he's been handed, that makes "Blackout" worth following to the very end. Which by then were finally told why he's going through all the brain twisting horror he's been suffering for the last 90 or so excruciating minutes on film. Getting smashed at the the swanky Cloud Room Pub in London Casey finds himself approached by this beautiful blond Phyllis Brunner, Belinda Lee, who not only offers to buy the barley sober Casey a couple of drinks but her hand in marriage as well as a bundle of 500 in pound sterling that's about $1,000.00 in US currency!Later finding himself at artist Maggie Doone's, Eleanor Summerfield,loft apartment Casey finds blood on his suit and a portrait of Phyllis the woman he just met a few hours ago! Not quite knowing what to make of the situation he now finds himself in Casey is farther surprised, if he didn't have enough surprises already,to see in a newspaper headline that Phillis' dad millionaire art collector Darius Brunner had been murdered the night before! It now dawns on Casey that he's been somehow set up by Phillis to take the rap for her dad's murder! The film goes on to show that Phillys is using Casey to keep her fiancé family lawyer Lance Gordon,Andrew Osborn, from getting his hands of her father's money by marrying him instead! This to the strong objections, who thinks the world of Gordon, of her mom London party thrower Alicia, Ann Davies, who want's the marriage with Gordon to become official.****MAJOR SPOILERS***It to both Phillys and Casey's as well as the audience surprise that the reasons for Momma Brunner wanting her daughter to marry Gordon has nothing at all to do with love & marriage but to cover her own behind in her husband's murder. Who sealed his own fate by finding out the scheme she had with Gordon to fleece him of his millions through a network of phony charity funds. And by doing that she was even more then willing to commit multiple murder, including that of her daughter Phyllis, to gain her objectives or ends up hanging for committing them!

Drunken Dane Clark is picked out one night by a British socialite (Belinda Lee) who wants a marriage of convenience in order to receive an inheritance. This results in the murder of her father and the exposure of a sinister scheme for the villain to get control of the estate. Clark gets more than he bargained for as he tries to keep his name out of the list of suspects, questioning witnesses before he learns the not-so-surprising truth. A notch above the usual puzzling structure of similar tales (a staple of noir), this retains interest through a variety of eccentrics, dropping clues here and there to keep you guessing. Nobody is a shoe-in when it comes to being revealed to be the mastermind behind all the intrigue, and nobody is obviously innocent, either. That makes things much more intriguing and keeps the element of surprise always at a high. It softens a bit when Clark introduces Lee to his estranged family, but it doesn't remain soft for long.

It's too long and confusing and all the tension ebbs away while you try to follow the convoluted plot. The fun part is revisiting London of the time, especially the genuine interiors - from Chelsea Studio to furnished (in 1900 taste) flat to shagpile'n'modern sculpture penthouse. The beautiful girl acts as well as the artist's wooden lay figure. Why couldn't Dane end up with painter Eleanor Summerfield? I suppose we're meant to think "Oh ho, the cops are following him because they think he'll lead him to the real killers!", but this is very clunkily done. And yes, the scene in the Polish pub (Polish pub???) is utterly unnecessary.

Dane Clark plays an American drifter in London who meets a stunning blonde while on a bender at a bar. The girl tricks him into marrying him while he is in a drunken stupor and he wakes up with 500 pounds in his pocket. He then discovers he is involved in a murder and an inheritance scam.MURDER BY PROXY (a.k.a. BLACKOUT) is one of several British attempts to duplicate the American "film noir." Sometimes they even cast a genuine American "noir" star, in this case Dane Clark. Clark was in this as well as the British "noir" PAID TO KILL. However, the results were almost always that these "Brit Noir's" were never as satisfying as the American films. MURDER BY PROXY has fairly interesting plot, but things begin to get confusing, and like most "Brit Noir's", MURDER BY PROXY builds up to its climax to slowly. There is an overly long and pointless scene where Clark visits his mother and English step father and introduces himself to his new "bride." They then throw a party. This takes ups to much time and adds nothing to story.