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Load of rubbish!!

hyped garbage

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

José & Pilar is a charming film that shows what the collaboration between Spain and Portugal is capable of producing. It's a shame joint efforts of this type are not more regularly forthcoming. Although it is Saramago who enjoys international renown, the film cannot be considered a hagiographic and exclusive tribute to the figure of the author. Saramago's Spanish better half, Pilar del Río occupies an equally important part. She is never overshadowed by her husband; an equal amount of that footage that does not feature the two together is very equally devoted to each individually. Thus we discover how irreplaceable Pilar had made herself in José's life as a companion, a translator, a personal secretary organizing his hectic agenda outside of those hours devoted to his literary production, a lifelong admirer and defender of his work. Any Portuguese or Spaniard who adheres to the ideals of Iberism ─ a romantic ambition to live in an Iberian Peninsula where the two countries would merge with Lisbon as its capital would find in this film the materialization of its theories. Spanish and Portuguese are the languages spoken in equal doses throughout the film, the director, Miguel Gonçalves Mendes, is Portuguese, Pedro Almodóvar is one of the various producers; the film takes us back and forth from Lanzarote in Spain where José and Pilar reside, to Lisbon or Azinhaga, Saramago's town of birth. All elements combine to create an atmosphere of total naturalness as far as being Spanish or Portuguese is concerned. Even the union between José and Pilar could be taken for a metaphor of that union between the two countries that republicans and left-wingers and romantics have worked toward. But apart from these minor observations, the core of the film is the life of the author as a creator, his ups and downs with the Portuguese government, which led to his self-exile in Lanzarote, his continuous and exhausting travels to the four corners of the earth to promote his books, attend book fairs, participate in congresses and sign copies bought by his readers and his refusal, considering his age, to simply sit down and take it easy. As he gets older the need to carry on working acquires the urgency of one who knows that death is on his tail. Above all the film is a testimony to the deep love José and Pilar profess for each other. It's not a love that manifests itself in words but rather tender gestures, mutual respect, clasping hands, the loving tone of voice used when addressing each other and at all times a love that transmits itself through the looks they proffer each other. It is truly moving the way the director has captured so much complicity and intimacy. A very surprising element in the film is Saramago's very peculiar sense of humour which Pilar often reacts to with no inferior sense of fun. The public watching this film at the Filmoteca in Madrid had a lot of laughs and as the film's credits started appearing indicating that the film had reached its end, there was a very generous round of applause for an enthralling documentary that kept us glued to our seats for close to two hours. José & Pilar was entered by Portugal in an unsuccessful bid to get it nominated in the Best Foreign Film category of the Oscars. This film is most likely not commercial enough for Hollywood. I would go even further and add that it's too good for Hollywood.

The Portuguese Nobel Laureate José Saramago was never an easy writer or agreeable public figure. Moreover, his political inclinations, a mixture of Iberism and Communism, were quite the opposite of mine. So I must admit that I sat down to watch the documentary with some degree of prejudice.However the opening and the quality of the photography captivated me immediately and I could not stop wandering how the Director managed to make such a remarkably enjoyable documentary with such persona.It certainly helped the fact that his young wife – Pilar – is such a lively and interesting person. She is the personification of the vibrant qualities we find among modern Spaniards. But what captivated me more was how she could devote herself so intensely to an elderly and sick husband.The Director, being himself an admirer of José, did not attempt to color or capture only the rosy moments of the Portuguese writer. He gives a truthful and yet endearing image of the couple.The secret probably lies in the way he manages to show that love knows no age barriers. Undoubtedly, this is an Oscar-winning candidate.

I'm a José Saramago reader for about 15 years. This documentary it's just mind blowing. I saw it we my girlfriend and at the end I find myself thinking that the love between José and Pilar was a beautiful thing to see. In this documentary, you can really understand what about a relationship should really be. Fernando Meirelles did a great job showing everyone how brilliant and talented José Saramago was. I think everyone will be really touched with their love: "If I died at 63 before I meet Pilar, I would died a lot older then I am right now..." hi said. Really miss his books. "I think we are blind. Blind people who can see, but do not see" J.Saramago

It's so hard to make an engaging documentary. The usual process is to make the facts of stories you're supposed to be told into a coherent narrative line, even if in reality that line isn't so clear. That will provide the audiences with a story, something to follow. But how you follow that story is usually in a more external way than how you watch fiction, because in documentary you can't or won't have the same devices to fold you into the thing. You have always that trick on reenact some stuff, if the theme is history. That's lame to me, and lazy.Now here you have something really interesting. The film shows us countless excerpts of the lives of the 2 protagonists throughout the course of about 2 years. The film is presented as a reportage, more than a documentary, meaning that images are what you make of it, words come up apparently loosely. No bent narrative is delivered to you. Or so it seems.Underneath this apparently random display of images, there's a subtle layered structure. The life of the couple José/Pilar in the period of the film mapped to the story of the elephant in the book Saramago is writing. The story that this film displays mapped into the larger story of Saramago's life, with all its weight in the story of literature and Portuguese culture, as we get it in between the lines in several moments of the narrative. The whole idea of journey and encounter mapped into the love story of José and Pilar.And ultimately, as the title denounces, that story is central here. The idea of a pair of people bound by the art of one of them, who chooses to share it, allow the other half to be a part of it. Live as one, that's the beautiful part of the story. I'm glad they chose to share a bit of that story with as, by allowing us to get into it. His art matters. He is a humanist, has profound ideas, truly powerful ideas, and changed language, invented a new way on which people can express.There is one moment when the metaphor for journey mapped into people's lives is perfect: in Saramago's hometown, one street has his name, another street which crosses the other one has her name. Crossed paths.My opinion: 4/5http://www.7eyes.wordpress.com