Watch Meet Boston Blackie For Free

Don't Believe the Hype

Admirable film.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Meet Boston Blackie (1941) ** 1/2 (out of 4) First entry into Columbia's Boston Blackie series with Chester Morris. In this film, the ex-thief tries to track down a group of spies hiding out in Coney Island. This was a pleasant enough little film with some nice laughs and decent action. With my first viewing of the series Morris struck me as merely good but nothing great ala some of the other crime series like Holmes, Chan and Moto. There were some very good moments and the film got better as it went along but there were a few too many "cheap way out" moments where pieces of the mystery are put together and they seemed too easy. Richard Lane is also very good as the Inspector who never believes Boston has gone straight. Directed by Robert Florey.

Recently, Turner Classic Movies has shown most of the Boston Blackie films and after having seen just about about all of them, this first appears to be the very best. I think much of this is the freshness and originality of the script. If you see it and remember it was the first of the series starring Chester Morris, the movie seems very fresh and exciting for the genre--with a great script and good doses of humor and excitement. However, many of the the wonderful things about this film were repeated again and again in later films and this is when the series began to wear a bit thin. The stupidity of the inspector and especially his assistant is funny, but not by the fifth or sixth or twelfth film--by then, it just seems....stupid. Plus, it makes sense that these two bumblers think that Blackie committed the murders--after all, Blackie had spent time in prison. However, when film after film after film Boston Blackie proves he is a good guy and solves the crimes, it really makes no sense at all that the original plot outline is STILL being followed--practically to the letter. As a result, I honestly think the average viewer is better off seeing just a few films from the series and not bothering to see them all.Now even if this formula is a bit too strict throughout most of the series, MEET BOSTON BLACKIE is still a very good film because it has an exciting plot. Instead of a movie about a jewel theft (a theme often repeated), it involves several murders and a spy ring--something very timely since the film was made just before the US entered WWII. Snappy dialog, great action and some amazing originality (at least in this point in the series)---all these come together to make an excellent B-detective film that's every bit as good as the best of Charlie Chan or The Saint.

Chester Morris is Boston Blackie, and his first appearance was aptly titled "Meet Boston Blackie" in 1941. There were 14 films in all produced by Columbia. In this first film, Blackie finds a corpse, Martin Vestrick, in his stateroom when the steamer he traveled back to the states on docks. Blackie and Runt (Charles Wagenheim) remember seeing the victim with a woman (Constance Worth) on the ship. They follow her to Coney Island where, at a exhibit of freaks, spies are meeting. Blackie attempts to talk with the woman on the Tunnel of Horrors ride, but she's murdered - and the killers almost get Blackie. He hijacks a car being driven by Cecilia Bradley (Rochelle Hudson) to get away. Meanwhile, Inspector Faraday now wants Blackie in connection with two murders, and Blackie is after spies.These are fast-moving films with some very witty dialogue. Morris is an expert at smooth comic delivery and cool under pressure, as well as Blackie's magic tricks, such as getting out of handcuffs. Hudson is very exotic looking and gives good support. Heartily recommended to put a smile on your face.

This was a good start to the Chester Morris Boston Blackie series of yarns at Columbia, the next 13 more or less maintained this frantic pitch of action and badinage. On the print I've got it looked like one of Blackie's magic tricks had been cut out in the first minute, not auguring well for the completeness of the rest of the film, but if there were cuts, they were expertly executed.Blackie about to be pulled in by Inspector Farraday (Richard Lane) for robbery gets mixed up with murders and spies and dames. On the way through the cast have a splendid assortment of patter eg dame to Blackie "Who are you?" - "At the moment a fugitive from an autopsy", or Blackie to Farraday "You'll be pounding the beat so far out of town you'll have to send smoke signals to report in", keeping just the right balance in what was, after all, a comedy-thriller. Rochelle Hudson as Cecilia looked extremely decorative, especially when she took that hat off! What were we supposed to be thinking she was thinking at the end of the film?!Minor points: I preferred George E. Stone as the Runt to come, but all the cast were excellent, and the film could have done with 5 or 10 minutes more, but all the same basically I'm glad at what we've got. Not for serious people - if you like the genre as I do I recommend you watch the entire series, if you don't like the genre why not watch the entire series just to waste your time.