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Powerful

Exactly the movie you think it is, but not the movie you want it to be.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Rampo Edogawa is one of the most famous writers of Japan, not winner of any Nobel prize (for that we have the award nominee Yukio Mishima's more than weird cameo in this movie, who also adapts the story) but creator of the most famous Japanese detective, Akechi Kogoro, and father of the ero-grotesque genre in the country."Black Lizard" is one in the series of Akechi Kogoro's novels, and the movie has been able to adapt to the screen the spirit of Edogawa's writing. For that, it would be already an interesting movie, as Edogawa had a knack for the grotesque and bizarre, but the movie is interesting for what it is: a mystery, a battle of wits, with a couple of characters who are a lot of fun to be with: Akechi and the Black Lizard.The story is pretty basic: the criminal "Black Lizard" wants to kidnap a jeweler's daughter, Sanae, and the jeweler contracts Akechi Kogoro to protect her. Cue the Black Lizard trying to kidnap the girl in different and very original ways, and Akechi trying to stop the criminal from doing so.The atmosphere, dark and decadent, the music, the actors way of playing the characters, the 60s Japan, way different from nowadays... Fukusaku does a great job of bringing Edogawa's world to life. The way Akechi and Black Lizard meet and tease each other continuously (this movie is more in the vein of "Columbo", the detective and the criminal meeting throughout the movie and having very entertaining dialogues)... All makes for a very engrossing environment, and a really entertaining time at the movies. As with almost all of Edogawa's characters, the criminal is the most interesting character, and Akihiro Miwa does a great job of making an ambiguous character we care for. Isao Kimura as Akechi just keeps a stoic countenance, impassive and kind of heartless.A very good movie, with a very particular atmosphere and scenery.

I just don't get the positive comments this film gets. I've seen about a dozen Fukasaku Kinji movies, and this by far is the worst in the bunch. I was really looking forward to watching this, as I really enjoyed other films from this director, but this one sadly is a big disappointment.The plot is so incredibly predictable it's almost laughable, and I have no sympathy whatsoever for the main characters, especially the "black lizard" which is one of the worst villains I've seen in a film so far. She's such a cliché she could easily star in an Austin Powers film! Also, the dialogs between the main detective and the "evil-rich-megalomaniac" Black Lizard, which some people seem to appreciate (judging from other reviews on this site), to me sounds empty and lifeless. To sum up: no action, incredibly predictable story, boring dialog, and not enough 60s kitsch to make us forget how bad the whole thing is...If you want to see great Fukasaku films, watch the Yakuza Papers instead!

I watched this movie yesterday after seeing all the great comments from everyone and the high rating, but I must say I was very disappointed. It is not a comedy, it has some funny scenes but it's not a funny movie, the transvestite actor had very little woman skills looking more like a drag-queen, it could have been a lot more specially since it was directed by one of the masters but it failed to deliver. The story had flaws and the only humour in the movie was due to the fact that the characters were stupid. I think this movie should have been a Japanese pink-panther kind of movie.This is the first Kinji movie that I watch and would not recommend. I'll give it 5/10. (not bad but not worth the time if you have other options)

Kenji Fukasaku's BLACK LIZARD (1958) was released in the US by CINEVISTA in the early 90's. The movie received a focused and limited release in the US, but its existence in video has developed a cult following that has gained momentum as the years has passed. With the totally bizarre appearances of then-Japan's most famous Kabuki theater transvestite Akihiro Murayama as the title role Black Lizard, Yukio Mishima's cameo as a "statue" or maybe even as an eerie stuffed human figure; a screen play by Mishima based on a story of one of Japan's most famous horror writers, Rampo Edogawa, and even music by electronic "planet music" guru Isao Tomita, this movie reads as a who's who in the arts and literature in Japan in the 60's. But many movies in the past created by geniuses have failed in delivering an intellectual as well as a cinematic punch. This is NOT the case with "Black Lizard". From the psychedelic settings, the poetic dialogue and tragicomic developments, the movie succeeds both as high-art "manga" as well as a well-thought piece of "agit-prop". Few movies deliver so much substance hidden under so much flash; it is one experience that has to be felt viscerally as well as intellectually. Unfortunately, the VHS version is out of print, and I do not know of any plans for a DVD release as of this writing. We wait anxiously until someone revives this totally bizarre and wonderful piece of art and it is released in DVD format for a new generation of anime-educated viewers.