Watch Gun Crazy: Episode 1: A Woman from Nowhere For Free

Touches You

That was an excellent one.

Just perfect...

An old-fashioned movie made with new-fashioned finesse.

Yet another remake of "Fistful of Dollars", Sergio Leone's remake of Kurosawa's "Yojimbo" (suggested by the novel 'Red Harvest').This one is strictly a B-Movie; taken as that, it is rather enjoyable. the direction is crisp, the acting full of verve, the limitations of its 'direct-to-video' photography well-handled.The weakness of the film is in the disastrous decision to marry the 'fistful'/'yojimbo' plot to a sub-plot from Leone's 'Once Upon a Time in the West'. Although leone directed both 'Fistful' and 'West', his motivations behind the two films couldn't be anymore different. The 'Man With No Name' (Eastwood) is a borderline socio-path with a soft spot for broken families. Harmonica (Chaeles Bronson) is obsessed with his own broken family, and obsessed with revenge. These two characters would not have had much to do with each other. In order to bring them together, 'Gun Crazy' has to twist it's plot and complicate it until we lose track of which story we're actually following.But this is a B-Movie after all, and filled with action and silliness; it's entertaining on that level, just don't expect anything more.

The advertising blurb for the movie said it was "a Japanese take on a classic spaghetti Western", and sure enough, it is. Although that genre actually has its roots in various samurai films, most notably Yojimbo, this movie definitely seems to draw more from Segion Leone's westerns.The plot is largely "Once Upon a Time in the West", except instead of Charles Bronson, the person wanting revenge is a young lady, Saki, played by the very attractive Ryoko Yonekura. Then it sort of switches to "A Fistful of Dollars" for a while, has a brief "A Good, the Bad and the Ugly" interlude, then goes back to "Once Upon a Time...". The ending is pretty original It's enjoyable, but the production values are pretty low. While it tries to emulate the style of HK gun-play, it comes off more as a community theater level of special effects/stunts/gun-play.With better action choreography, better gun effects, and the movie just filled out more (it's only about 65 minutes), it would have been a much better movie.

Another one for the Babes & Bullets crowd. The story is much edgier than any other musical I have seen: cannons hidden up the missing legs of females, and places each generatively in the other in a way that comes closer to intelligent comment than we might expect for the locale. More effective than contemporary 'drama.' It is hard identify with a woman who keeps a cannon up her pants -- in lue of leggage. Pretty remarkable if you consider the context.Despite the cannon up the leg thing providing 90% of the surprises, this film also chronicles how greed supersedes all other considerations in the lives of a group of yakuzas who pursue a woman who keeps up her leg a concealed cannon/rocket-launcher (hence no group shower scenes or thongs) The hidden projectile-launcher which is pulled out from the behind the protagonists back, seemingly from nowhere, in miike's Dead or Alive (1999), The torch brought forth out of thin air by the heroine towards the end of the original Tomie (2000), or the harrowing flame-thrower scene in Sunny Gets Blue (1992), all testify to an almost third-world Cantinflas-esquire influence in the contemporary Japanese cinema, of which I am at a loss to explain, but cannot complain.You won't see good quality movies of this essence made in Hollywood, its all but extinct and with cheap crap they pump out for a cheap thrill, is all but laughable. This is a true film and while its great in its entirety, the ending is a brilliant, if not unblatant rip-off of certain Sergio Leon pictures, involving cannons where legs should be, and certainly is appropriate!

Silly, simplistic, and short, GUN CRAZY (VOLUME 1: A WOMAN FROM NOWHERE) goes nowhere.This brief (just over sixty minutes) tale isn't so much inspired by the classic spaghetti Westerns as it is a rip-off of Sam Raimi's THE QUICK & THE DEAD (his admitted homage to the spaghetti Westerns) brought into a contemporary setting. In QUICK & DEAD, Sharon Stone's character seeks revenge against the dastardly sheriff (played by Gene Hackman) who, when she was but an urchin, placed the fate of her father (a brief cameo by Gary Sinise) in her hands; she accidentally shot him through the head. In GUN CRAZY, Saki (played by the nimble Ryoko Yonekura) seeks revenge against the dastardly Mr. Tojo (played with minimalist appeal by Shingo Tsurumi), who, when she was but an urchin, placed the fate of her father in her hands; she let her foot slip off the clutch, and dear ole dad was drawn and quartered by a semi truck. The only significant difference, despite the settings, is the fact that Tojo sadistically cripples Saki with … well, I won't spoil that for you in case you decide to watch it.In short, Saki – a pale imitation of the Clint Eastwood's 'Man With No Name' – rides into the town – basically, there's a auto shop and a tavern alongside an American military base, so I guess that suffices for a town – corrupted by Tojo, the local crimelord with a ridiculously high price on his head for reasons never explained or explored. Confessing her true self as a bounty hunter, Saki takes on the local gunmen in shootouts whose choreography bares more than a passing similarity to the works of Johnny To and John Woo. Of course, by the end of the film Saki has endured her fair amount of torture at the hands of the bad guys, but she rises to the occasion – on her knees, in a laughable attempt at a surprise ending – and vanquishes all of her enemies with a rocket launcher.Don't ask where she gets the rocket launcher. Just watch it for yourself. Try not to laugh.The image quality is average for the DVD release. There is a grainy quality to several sequences, but, all in all, this isn't a bad transfer. The sound quality leaves a bit to the imagination at times, but, again, it isn't a bad transfer.Rather, it's a bad film.