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The Hi-Jackers
A self-employed lorry driver is determined to find the criminals responsible for hijacking him.
Release : | 1963 |
Rating : | 6.2 |
Studio : | |
Crew : | Director, Producer, |
Cast : | Anthony Booth Derek Francis Patrick Cargill Glynn Edwards Arthur English |
Genre : | Crime |
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Reviews
Surprisingly incoherent and boring
People are voting emotionally.
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
The best films of this genre always show a path and provide a takeaway for being a better person.
THE HI-JACKERS is an efficient and entertaining British B-picture which ticks most of the right boxes when it comes to film-making. As a film about truck drivers it's not a patch on the excellent HELL DRIVERS but as a low budget B-movie it's a pleasing timewaster with some good action and an incident-packed plot line to recommend it. Director Jim O'Connolly later helmed the excellent horror flick TOWER OF EVIL.A youthful Anthony Booth stars as a trucker who finds himself the victim of a gang of hi-jackers who take his truck as well as his load. He swears vengeance on the crew, and the rest of the film is a back-and-forth game between the villains and everyone else pitted against them. The cast is populated by some pretty good character actors who give engaging performances, although the likable Booth gives the best turn. The inclusion of a love interest for the hero drags the pace down a little but for the most part this works well and proves a nice time capsule of the early '60s.
This is the sort of film that would turn up on the bottom half of a double bill at your local ABC cinema in the 1960s.It is all fairly routine.However it is rather spoiled by plot contrivances.Firstly there is the coincidence that Jacquleine Ellis's ex husband just happens to be a criminal who is banged up in prison.Then the fact that he can not only identify the gang member but can provide his address.Then like all true B movie heroines,instead of informing the police,she goes straight over to Carter's house,peeks in the window sees him,thinks she has made her getaway and is promptly caught by a gang member.Then Booths partner who has given inside information to the gang is caught and spills the beans,and hey presto the gang is caught on the job.Quite a pleasant way to spend an hour.
Couldn't agree more, with Daniel. This seemed to wane, as you said only when the obligatory love interest came in (which thankfully, there wasn't a lot of). An independent lorry driver (a young Tony 'scouse git' Booth)finds he has been set-up by his co-partner in the business for a hi-jacking. The love interest Jacqueline Ellis, someone he picked up on her way to London, in his lorry, becomes also involved in cracking the gang that too hijacked Booth's lorry and are onto countless others. Watch carefully, when Booth goes to confront his chum, of an old location of 'Lion Wharf' Isleworth in Middlesex, close to Twickenham studios where the studio work was done. Some good character actors, Harold Goodwin, Glynn Edwards and Patrick Cargill as a sarky article cop make it watchable.However, a basic but good plot, fine acting especially from Tony Blair's son-in-law. Fairly recently released with Reknown Pictures
Strictly run-of-the-mill British crime yarn which exerts its own modest charm. Booth is actually quite charismatic and gets across the world weary nature of the long distance lorry driver. We get intriguing glimpses of the lay-bys and cafes these men exist in but it is never really dealt with is any depth. The same is true of the underworld; there are indications that operations are run by an intelligent middle class men who employ no hope working class men to carry things out. The gang includes one black member whose race is never mentioned. We get a sequence where the girl visits her ex-husband in jail and asks him for information, which he provides, perhaps showing there is no honour among thieves, although the gang seem pretty loyal to their boss. There are hints of a network of criminals and indications that crime among the haulage industry is rife. The film makes good use of its locations and the film only begins to sag when the narrative shifts to Booth's flat where the obligatory love interest takes place.