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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Feisty Coca (a delightfully vibrant performance by Lola Falana) gets released from jail for twenty-four hours so she can testify in court against her mobster boyfriend. Weary veteran detective Lt. Ramsey (ably played by Alex Dreier) and his straight-laced partner Doug (a solid and likable performance by Gene Washington) are assigned to protect Coca from a couple of hit men.Director Matt Cimber keeps the entertaining story moving along at a brisk pace, maintains an amiable lighthearted tone throughout, and stages the one big action set piece with aplomb. Moreover, the sound acting from the capable cast helps a lot: Millie Perkins does well as mousy newlywed Marie, Mean Joe Greene looks suitably menacing as hulking thug Big Eddie, and James A. Watson Jr. contributes a neat turn as smooth operator Eddie. Popping up in amusing cameos are George "Buck" Flower as a drunk gambler, Richard Kennedy as an unctuous waiter, and John Goff as a swishy Sicilian man. Mikel Angel's witty script boasts lots of sharp rat-a-tat-tat dialogue. The funky-throbbing score by Luchi De Jesus hits the get-down groovy spot. Best of all, Falana's dynamic presence and kooky persona keep things buzzing throughout -- and she even belts out the catchy theme song "Pop Goes the Weasel." A hugely enjoyable movie.

"Coco" (Lola Falana) is serving time in a Nevada penitentiary and agrees to testify against her mob boyfriend "Eddie" (James A. Watson Jr.) in exchange for her freedom. Naturally, Eddie doesn't like the idea and sends a couple of hit men to take care of the problem once and for all. Figuring that something like this might happen the District Attorney provides two bodyguards by the names of "Doug" (Gene Washington) and "Ramsey" (Alex Dreier). Unfortunately, she refuses to believe that Eddie will try to harm her and treats both of her them with complete contempt. But one of the hit men named "Big Joe" (Mean Joe Greene) isn't playing any games. Now rather than reveal anymore of the story and risk spoiling the movie for those who haven't seen it I will just say that I thought the character of Coco was extremely annoying. But even so I must admit that Lola Falana played her part superbly. I also liked the surprises as the story progressed. In short, for a low-budget "Blaxploitation" movie this one wasn't too bad. Slightly above average.

The only redeeming element of "Lady Cocoa" is Lola Falana, playing the title character: she is beautiful, sexy and has a wonderful smile. Other than her, the film is a bargain-basement production with a totally static plot - for more than an hour, the story is confined into one hotel. And don't think this works in favor of any suspense, either; the fact that the two hit men who are on the heroes' trail never utter a single word might have been intended to make them look unique, but their actions only make them look inept and ineffective. Things are made even worse by the worn print, scratchy sound and often inaudible dialogue of the DVD version that Brentwood came up with: a pure disgrace. (*)

Of all the crappy blaxploitation films I've seen in my day, this is definitely one of them. Talk about poor film making, Lady Cocoa looks like it was shot by a bunch of high school kids. Here's a short list of things that make this movie suck:1. The screen changes colors repeatedly, probably from leaving the film cans sitting out in the sun or something. It reminds me of something shot in the early 1900's. One second everything will be completely purple, the next it will be green, followed by orange, then black and white. Even when the color is correct (which isn't often) the characters look totally illuminated, making the entire room glow. This is the first film I've ever seen that was physically painful to watch.2. The sound is awful. There is a high pitched squeal the entire movie. I tried the disc on two DVD players and two TV's and it was still there. The boom mic gets smacked around a lot to, usually making more noise than it actually records. Thankfully, it saves you from having to hear the awful dialogue, or in the case of Mean Joe, lack there of. 3. The story lags and lags and lags. There is absolutely no action in this movie until the 73rd minute, much like Matt Cimber's previous work, The Black Six. Up until then, I was under the impression this was some type of romantic comedy.4. Every thing in Lady Cocoa is completely illogical. Especially the ending. I supposed I should be grateful this one at least had an ending (director's previous movie just turned off after awhile).SUMMARY: Sucks.