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I love this movie so much

Redundant and unnecessary.

best movie i've ever seen.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The first major strike against this vile, narcissistic "piece of work" was clearly Joan Rivers' hideous, surgically reconstructed, 75-year-old face.Boy, I'm tellin' ya - This real-life replica of a pure plastic-surgery horror-show gave me the worst case of heebie-jeebies that I've ever experienced. From start to finish, every time Joan's creepy, death-warmed-over face appeared on screen, my skin just crawled, like you wouldn't believe.The second major strike against this "Phantom of the Opera" freakshow was Joan's whiny, arrogant attitude. After over 40 years in the business she firmly believed that, even now, the world just wasn't paying enough attention to her as the self-proclaimed "Royal-Highness of Comedy".I mean, snippy, little Joan Rivers was so bloody convinced that she was "funny" personified that she actually had the gall to claim (more than once) that nobody, absolutely nobody, had the right to disagree with her on this all-important matter.Rivers practically came right out and said "I am funny! And I don't allow anyone the freedom to think otherwise! 'Cause if they do, then they are just a fukken, kunt-licking nobody! - So, there!"... (Oh! Really!?) The only really worthwhile moment in the entirety of this snivelling, self-loving, grate-on-your-nerves documentary took place during a live performance where Joan made a really lame "Helen Keller" joke and a fellow in the audience actually spoke right out and told Rivers that her joke wasn't funny. (Applause-Applause!) Well, without missing a beat - Joan's immediate response to this dude's remark was the vile-mouthed delivery of such a hateful flurry of profanity (directed at this fellow) that it certainly proved to me what an utterly contemptible asshole-of-comedy that this 75-year-old relic-from-the-grave really was.It really killed me that inside her immaculately clean & organized NYC dollhouse-of-an-apartment, Rivers stores (in neatly stacked cabinets) a vast, A-Z collection of jokes on file-cards. (Spare me, funny lady!)All-in-all - I found Joan Rivers to be a completely hollow shell-of-a-woman who was so utterly consumed by her belief in her apparent "funniness" that she quickly became nothing but a pathetic, tiresome, old bore.And, with that, I personally proclaim Joan Rivers to be so funny that, yes, you'll forget to laugh.

In Ricki Stern and Anne Sundberg's documentary Joan Rivers: A Piece of Work, we get an up close and personal behind one of the hardest working woman in show-business. From her youthful aspirations to become an actress, we find out that comedy wasn't always priority number one on Joan's list. Comedy was a way to support her acting career. She later notes that you can make fun of her comedy career all you want, but leave her acting abilities alone. She even suggests that she is an actress playing a comedienne.Following a successful appearance on The Tonight Show with Johnny Carson, her career was and her "industry" was set in stone. There was no turning back. From performing her act in Vegas and her hosting of The Tonight Show for Johnny on numerous occasions. Her comedy was (and is) in your face. If a joke is thought to be too edgy, she knows she hit her mark.I'll let you fill in the rest when you see the movie, but this isn't about where Joan has gone or the accomplishments she has achieved. It's about who Joan is today, how she is constantly looking to reinvent herself and stay fresh. Her unbridled enthusiasm for performing and staying busy. Her commitment to family and helping others.In the film, we see Joan talking on the phone, looking for an endorsement deal. She says she'll speak for anything, including adult diapers and male enhancement drugs. She's not a sell out, but is willing to thrust herself upon the masses in order to get noticed. Through much of the film we see her working on a stage play, a sort of autobiographical play where she delves into what it's like to be Joan. Her concern isn't about whether or not people will like her, but whether or not they will accept her back into the mainstream. She is well aware that people view her as the poster child for plastic surgery. She is well aware that her age (75) is something that can hurt her to land a job. Does that stop her? It only strengthens her desire to succeed.While some people will view this movie as a cry for attention, and I can see how they would feel this way. Joan lives a life of luxury, in a posh, elegant, and expensive apartment in New York City. Her need to live luxuriously and with all of the plastic surgery stems from her past where she never felt nor was never told she was beautiful. She needs this things in order to feel pretty, to feel like there is a reason to wake up.That is not what this film is about. We are not meant to feel bad for someone who doesn't feel pretty. We are meant to see a woman who gives her all for her fans, whom she adores, and her family, that she cares for tremendously, especially her daughter and grandson. There is a brief moment where she sits down to write out a stack of checks, both for herself and also to others, like family members who attend private school and whatnot. She doesn't bat an eye at this stack, but breezes through them because she knows they must be paid for.Her comedy might not be your cup of tea, but I think we can all learn something from this relentless woman. A life devoted to work and to family. What a piece of work. It's a shame that this film was left off the short list for Best Documentary for the Oscars. I hope you will all see it nonetheless.

Joan Rivers love her or hate her one thing is for certain this biography docudrama titled "A Piece of Work" is highly enjoyable as it shows a personal side of Joan, really it tells the history of her show business days. As you the viewer see old clips, and you get treated to interviews from other comics like Kathy Griffin and interviews with agents and managers are telling. Also hearing the mouth of Joan is a juicy treat as Rivers is always outspoken.This is a woman of many sides revealing is how her humble start on Johnny Carson's "Tonight Show" helped launch her comedy stand up life. Only to later become Carson's fill in host only to have it end nasty with John when Joan left for FOX to start her own show(which would later fail)actually the two never spoke again. And heartbreaking is when you hear Joan talk about the suicide of husband Edgar, and how it strained the relationship with her only child a daughter Melissa(who's sexy and beautiful).Aside from those setbacks this woman has stood out in the cruel rains of the comedy and television world since the late 60's. And this doc does a good job of following her around aside from the clips, and interviews you see what it's like backstage and the grueling travels that exhaust Joan as she goes city to city. And many think she's cruel and cold, but not as it's revealing and nice seeing her give some food to homeless people in New York City on Thanksgiving. And my personal favorite was her speech to honor my favorite comedian the late great George Carlin as Joan gave a speech on his behalf. And rewarding was her winning of Donald Trump's "Apprentice" this past season.Really this doc shows the high and lows of Joan it proves with her interviews she's emotional, conflicted and brash, yet caring and outrageously funny. This film is an all access stage pass to her life and one year journey of all in between. It's clear that Joan at 75 proves she's still one of the best, love her or hate her Rivers is a stand up figure who's iconic and tough as nails strong with brash sassy wit and intelligence. This title rings so true Joan Rivers is clearly "A Piece of Work".

The problem I usually have with documentaries is that, while I find them enlightening, I rarely connect to them on an emotional level. My intellect is stimulated, but I don't usually feel anything. The last documentary that made me feel anything was "Sicko." "Joan Rivers: A Piece of Work" succeeds in the same way. Here's a woman who is a bit of a joke and an easy Hollywood punching bag. But she shows herself to be quite a complex individual. She's of course funny and a workaholic. She's also quite vulnerable and doesn't take criticism well at all. At times, she's quite likable and very sympathetic. Other times, she seems twisted and self-absorbed. I suppose the real Rivers is a little of both. She's also a joy to spend 90 minutes in a theater with, should the opportunity present itself to you.The film opens with a shot that tells you everything you need to know about this film and its intentions. The shot is an extreme close-up of Rivers without any makeup on. For someone so presumably consumed with her looks, this is a surprising image that tells you this film is going to show you the real Rivers. Like her or not (and many won't), this is her.The rest of the film is loosely broken up into three sections. The first introduces us to the woman and follows Rivers as she develops an autobiographical play and performs it in the UK. The second follows her during her time on "The Celebrity Apprentice." And the final one shows her on the road across America doing comedy shows. Interspersed with these segments are sidebars about Rivers' past—her marriage, her time with Johnny Carson on "The Tonight Show," her relationship with her daughter Melissa, and her annual Thanksgiving charity work.The two biggest things I took away from the film are that Rivers is obsessive (desperate?) about working and that she is incredibly insecure—perhaps the two complement each other. At one point, she is trying to book a commercial. She tells the ad agency's representative that she'll wear diapers, anything, to land a gig. After seeing this film, I believe she would. She's also incredibly self-doubting. When her play opens in London to good, not great, reviews, she immediately decides it won't see the light of day in New York. She says she wouldn't be able to bear the criticism. And when she agrees to do a Comedy Central roast—well, let's just say, it's not pretty.One of the most enlightening, and in some ways off-putting, scenes in the film is when she gets heckled at a show in rural Wisconsin. Rivers makes a joke about hating kids but thinking Helen Keller would be tolerable, and a man yells that he thinks she isn't funny, but mean-spirited. Rivers lays into him. She doesn't hold back at all, and while I hold the belief that comedians should be able to defend themselves as they see fit against hecklers, her expletive-laden tirade crossed a few lines. What was so telling about this scene, though, was just how insecure Rivers is. When one man, a nobody in her life, criticizes her, she viciously lashes out.I really did find this film fascinating for just how complicated it made its star seem. In addition to that, it's also quite funny. Rivers hasn't lost much in 75 years. I'd argue that her best bits are the more recent ones. Most documentaries are intellectual exercises, but not this one. It felt refreshing—not at all like sitting through a lecture. I wasn't a fan of Rivers before. I'm not sure I'm a fan of Rivers now. But a can definitely say I'm a fan of "Joan Rivers: A Piece of Work," and I would recommend it to just about anyone.