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A different way of telling a story

It really made me laugh, but for some moments I was tearing up because I could relate so much.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This is a wonderful documentary, exemplying the extraordinary amount of work it takes to put on such a dazzling complicated production, especially when relying on so many, so very young dancers. The little ones are adorable and obviously enjoying themselves, yet work just as hard and are as determined to do well as the older students. Even 5 year olds recognize the value of hard work and the benefits of trying again and again to improve, while knowing they will likely never achieve "perfection" (a very important point emphasized throughout the documentary). As one father explains, dancers learn the value of failure and that's an excellent thing to learn for anyone's long term success, whether they stay in dance or not. The film also gives well-earned credit to the dedicated parents who donate thousands of hours to aiding their children in achieving their dreams and to the success of the production--even to the point of coming in from China to allow their child to participate, or taking leave from work in order to be there. And of course, that's not counting the amount of time (and money!) they spend schlepping these students back and forth from classes, rehearsals and everything else that goes along with becoming and being a dancer. Some of the parents were even roped into appearing on stage--much to thier chagrin and in some cases, embarrassment, but just like the children, they soldiered on--giving their all to support their children and the production and the school, alike. One father expresses it as uncomfortable (as well as unexpected) to be on stage yet chose to view it as an opportunity for him to participate with and spend time with his daughter in a way he may never have again, something he obviously treasures given he literally took extended time off work in order to do so. The love and caring from these parents for their children is front and center--no selfishly neurotic stage parents here. Even the children who originally disliked dance (the parents were teachers after careers as professional dancers--or they were sitting around while sisters took classes) weren't forced to dance, their desires were allowed to grow naturally. You won't see parents yelling or pushing their kids here! Yet despite all of the time, pain, injuries and hard work, their excitement is palpable--parents and children alike. Make no mistake, supporting a child who is serious about any endeavor--dance, sports or chess, takes effort and resources (not every parent is equipped or able to provide). I loved the relationships--wheter between parent and child, child and troupe, or teachers to students, as they were depicted here, they were truly inspiring.One reviewer was complaining about the lack of "credit" for these fine young dancers (400? of them?!?), yet each dancer interviewed was in fact identified by first name. It is important to remember that all of these dancers are minors--and in fact children; some of the principle dancers are as young as 13! with some of the corps dancers as young as 5 (it appeared there were some children participating who were likely even younger). This is a school not a professional troupe, and as such they have a rsponsibiltiy for protecting the privacy of thier students--despite participating in such a public endeavor. Providing last names could open up an entire can of worms these children and their families might not be able to deal with. That said, all of the PRINCIPLE dancers ARE given full credit (last names included) at the end of the movie in the usual place--so if you wish to follow their careers you may look them up. The end of the film also lists scholarships and the professional opportunities that opened up for individual students as a result of their performances. These are talented kids!Of course NONE of this would be possible without the efforts and commitment of the instructors--particularly the head of the school, Marat Maratovich. What a wonderful ad for the school! I hope they gained a great deal of funding from this documentary's depiction of their methods. As it is, it's pretty obvious that they struggle under financial limitations---tutus for their performances are donated, and much of the back stage work is donated by parents. Unlike the Russian tradition in which he was schooled, students here are not abused or pushed beyond reasonable limits. It's obvious that he respects his students-and their parents, and that this is in turn reciprocated. This is truly a wonderful school and a terrific documentary showing the backstage workings of a well-known traditional production. Smiles, hugs and tears of joy and sadness that it's all over abound at the end.

This entire presentation focuses on the children. These children work so hard and are so passionate, why are their names not given serious attention or credit in this review? The very heart of this presentation relies on interviewing these children. Should not their credit be considered as seriously as the adults? Over two years have gone by and it is nearly impossible to follow their progress, their growth. They deserve better than this. If IMB is to be taken seriously, why is this being overlooked this long? THESE brilliant children are our artistic future, their hard work and passion should be honored. THEY are this documentary !!!

Hard to imagine how difficult it is to organize so many young dancers for this seemingly straightforward performance. Great introspective of the many personalities, disappointments, and elation for the final show. All the costumes, makeup, and practice transform this loosely gathered group to showcase a finale that widely impresses beyond family members.I found the editing of the final performance very choppy and not sure why some of the principals were cut so short when they were in the middle of several grand gestures.Impressive review of all the players involved including the Dancing Dads, wondered what they thought of their efforts. I appreciate the dedication of the teachers and students alike in their determination to improve their skills and bond with others like a special family.High recommend for aspiring young dancers and those of us who rarely see all the behind the scenes preparation for a single performance.

Saw this movie at the Kansas International Film Festival yesterday. I was smiling from the start and I also had tears in my eyes when we saw fathers of ballet dancers in training to dance in the production. They thought all they would do is mill around the stage but their moves were choreographed and had to be learned. The film got a bit long during the scenes of the actual performance, but when Luis came on I forgot I was ready for it to be over. Luis was in the audience and his story is one of the special ones in the movie. Along with the 7-year-old boy who had to leave the school when he moved to Beijing. He got to return to perform and cried when he had to leave his friends and fellow students to return home. Loved this movie and want to see it again.