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Very well executed

Very very predictable, including the post credit scene !!!

Sadly Over-hyped

Good movie but grossly overrated

During the 20's, the Weimar nights were fabulous, full of exciting and decadent cabarets in which this German count spent many glorious soirées but it is fair to say that also in Paris, the Parisians knew how to have fun.Dame Josephine Baker, Amerikan from birth, French by adoption, was the indisputable queen, a legend of the Parisian nights during the 20's, an enormous singer and entertainer that did delight the French bourgeoisie during the past century.Dame Josephine Baker had a short film career, appearing from time to time in some films and, as it happens, in "La Revue Des Revues" recently reviewed by this German count. "La Sirène Des Tropiques, a film directed hand-in-hand by Herr Mario Nalpas and Herr Henri Étiévant, was her first full-length film as leading actress.The most important aspect of "La Sirène Des Tropiques" is that it is a film with Dame Baker and this is the perfect excuse to watch this film. For Dame Baker fans or for ignorant longhaired youngsters who still don't know her, that's the most attractive aspect of the work because, in artists terms, the film it is an absolute failure.The plot's topic about the tropics; engineer Berval ( Herr Pierre Batcheff ) is sent to Monte Puebla by his boss the Count Severo ( Herr Georges Melchior ) in order to study the possibilities of mineral extraction from the mines that belongs to his chief. But the wicked Count ( a classical reiteration… ) inner intentions is that Berval never return to France. In this way he doesn't have any obstacle in order to get Denise's love ( Dame Regina Thomas ). Meanwhile in Monte Puebla, Berval will meet Papitou ( Josephine Baker ) who is a sparkling indigene that will fall in love with him. She doesn't hesitate to pursue Berval to Paris where finally she will find out that he loves Denise but on the other hand she will become a music-hall star. The film is full of intrigues and satires (but this is too formulaic and with simple characters ). The result is an unwise mixture of genres in one film ( adventure, drama, musical, ) with plenty of bad performances including Dame Baker. This in spite of the fact that she plays a kind of free spirited girl, but similar to a cartoon character, a "pecata minuta" in itself. Our heroine was more interested to dance the Charleston than properly act. This is demonstrated at the end of the film, which includes an excerpt of her talented dancing. That's enough for Dame Baker fans and dissipated German aristocrats.And now if you'll allow me, I must temporarily take my leave because this German count must unknot his knees before dancing Charleston.

If you watch Siren of the Tropics with the mindset of the 21st century, try not to pay too much attention to the melodramatic plot about a tycoon trying to keep his daughter from marrying someone he doesn't think worthy of her. This seems to be an excuse to send the daughter's suitor to a faraway jungle to search for jewelry in order to prove the daughter's worth. It is here that we meet Papitou, Josephine Baker's character, who falls for the suitor after saving his life. Papitou follows the suitor back to France and is spotted by some theatrical agents dancing with orphan children. They decide to form a show with her but she won't perform unless she is promised to see the suitor. They call the suitor's potential father-in-law to arrange a meeting. Since the potential father-in-law knows what would happen if his daughter sees Papitou embrace her husband-to-be, he agrees. If you've seen some dramas involving mixed races made before the 1970s, you may be surprised by what happens here. The main reason to see this is to marvel at Ms. Baker's Charleston dance at the end. If you're interested in seeing early African-American film performances, especially Josephine Baker's, this one is definitely worth seeking out!

Although it came very early in her film acting career, this is well worth seeing for the performance by Josephine Baker. Her talent more than makes up for any lack of experience, and the role gives her a lot to work with. Although there is no singing, her dancing, athleticism, boundless energy, and personal allure all stand out. The rest of the movie is solid rather than impressive, but most of it works all right in itself.Baker plays Papitou, an innocent, loyal native girl who becomes part of a clash involving a soulless French nobleman, his brutal colonial henchman, and a young engineer hoping to succeed in the tropics so that he can marry his Parisian fiancée. The first half shows the conflict that plays out in the tropics, and the second half shows the characters back in Paris, with the different settings naturally leading to much different kinds of developments.Baker's role has many similarities to her roles in later movies such as "Princesse Tam Tam" and "Zou Zou". As her first such role, she not only looks quite young, but also seems to have an extra freshness here. The character also is put in very different circumstances in the different parts of the story. From that viewpoint, the first half is more enjoyable, since it shows Papitou in her element. In the second half of the movie, her character is treated rather thanklessly, and at times it is almost painful seeing such an appealing character treated so badly by the story and by the other characters - which indicates how believably Baker defines her character.

I only saw the first and last two reels, supposedly all of the file that has survived. Josephine Baker's role is similar to her roles in Zouzou (1934) and Princess Tam-Tam (1935), the innocent from the tropics who is brought to civilization and finds it somewhat wanting. However, she does get to keep a man in the end.Most interesting for Josephine Baker. It includes a short segment of one of her stage dances. Seeing her move in close-up is also a pleasure. The film is an oddity in that it was shot as a pantomime (there are no titles).