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Just perfect...

Excellent, Without a doubt!!

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

While the movie started good it quickly seemed to push its slanted view of the truths surrounding Katrina. The language was very, very offensive and I almost quit viewing because subtitles were needed due to poor sound quality. The movie covered the Navy Base as an outpost intended to keep the natives out. Actually the USS Totuga was there 2 hours after Louisiana Governor Blanco "finally" asked for help about 5 days after Katrina. A lot of the people in the movie seemed to be asking for the government to take care of them although they didn't want to leave New Orleans before the storm. The Navy actually built kennels for hundreds of dogs and housed locals that were homeless and gave them thousands of meals. Coincidently this same ship helped the Japanese after their tsunami. I found it interesting that the subjects spent so much time complaining about the national government and President Bush, but work seemed like an afterthought.

It begins as a lark. A video camera is switched on to record an approaching storm. We get to meet the smiling faces of videographers as they laugh and cajole. We on the other hand know what's about to confront them. Or at least we think we do.This is a magnificent use of home video built in to a rage against poverty and illiteracy and racism. You can blame the victims here all you want, but image after image, scene after scene the plight of being an African American in this country is shoved in their faces...and in ours.The lives of this family in the Lower 9th Ward are vividly drawn by themselves. When they confront what is outside, i.e., the post-segregation South, we are startled at the condescension, scorn and devaluation of human lives...if your skin is the wrong color.The people here have no apologies for their lives. They lay it out and I suspect many will resist what struggles they face. But scene after scene, you can't walk away from this film without a better understanding of racism in America.The stubborn will ask "Why didn't they leave when they were supposed to?" And this film records "How were they supposed to?" and "Where were they going to go?" In the face of it all, those who survive manage here to triumph. While the footage of the disaster is why most people will buy the ticket to see this, it's the struggle to survive, not only Katrina, that will last in the viewer's mind.

Wow. This is absolutely the best documentary I've seen in years, and hands-down most engaging and relevant piece I have seen on the Hurricane Katrina catastrophe. It is outstanding: funny, tragic, sharp and smart. Kim simply steals the show, even she's videotaping and you can't even see her, you can only hear her voice from behind the camera. The film is centered around Kim's footage of the hurricane and her life. She is a gifted storyteller and also quite a good rapper. When I saw the film, the theater burst out into spontaneous applause after she performed one of her songs in its entirety on film; in the Q&A, the directors' said that had happened every single time it's been screened.

Hurricane Katrina 2005. The ravage of New Orleans. The flooding of the ninth ward. A couple who did not evacuate tells a story of survival and the consequences.The couple in question is the subject of this documentary. It blends newsreels and footage taken by the couple and the directors. It's not polished, but it's real.We see amateur shots of the period immediately preceding the arrival of the hurricane, the storm itself, the rising water, the flood aftermath. The couple moves out of New Orleans not intent in coming back. Eventually they do come back and rebuild.The problem with this documentary is that the exciting part comes at the start. As it gathers distance from the tragic events, it loses steam and eventually becomes borderline boring.The most pointed line, said by a mother to her son as regard the occupation of Iraq: "You're not going to fight for a country that does not give a damn about you." There's quite of bit of rap composed by the wife. If you like rap, it's pretty good.