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The Devil Came on Horseback
While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
Release : | 2007 |
Rating : | 7.7 |
Studio : | Break Thru Films, 3 Generations, Global Grassroots, |
Crew : | Director, Director, |
Cast : | |
Genre : | Documentary |
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There are better movies of two hours length. I loved the actress'performance.
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
One of the worst ways to make a cult movie is to set out to make a cult movie.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
The Devil Came on Horseback is an exceptional documentary. Darfur is a conflict long overlooked and I rented this movie with apprehension. While I am a passionate advocate for action in Darfur, I wasn't sure weather this documentary would do it any justice or just be the same old boring info. I was wrong, and blown away. I have seen some moving films, regular or documentary, but this was incredible. Not only did it map out Darfur, but it also gave us an honest, compelling 1st-person account of what happened. As soon as I saw this movie I knew that I wanted to do something. The movie gives off so many emotions of frustration and sadness, and it's time to do something. I feel proud that a man like Brian has devoted his life to Darfur. I feel so frustrated that I cannot help more, but I will do my best to help as much as possible.10/10
When he finished in the field with the US Marines, Captain Brian Steidle turns away from a desk job on his way up the ranks and instead takes a job as a military observer of the ceasefire in Sudan. The access he is able to have within the country ultimately leads him to be in no doubt that he is seeing Government-backed genocide against the African citizens of Darfur. With no weapon but his reports and his photographs, Steidle charts all that he sees in villages razed to the ground. This film charts his growing frustration at the lack of movement that this approach seems to create.Normally I would criticise those who praise a film for its subject rather than judge it on the basis of the film itself. Normally this film would be one of those and on these terms I would not be as kind to it as it really deserves. The reasons for this are clear from watching the film because really it could have been better structured and delivered. I thought the film would use Steidle as a device to explore the subject but somehow it tends to make him the subject too many times for my liking. This is a niggling irritation and it is not helped that the delivery of the subject is structured around his experiences which is not always the most effective way of doing it because it does not build the case in the manner that would be most impacting and informative.Having said that though, it is difficult to watch the film and not be moved and sickened because of the subject and because most viewers will have seen so little of what is happening in Darfur. The photographs are disturbing and graphic. Whether it be charred remains or humans with eyes gouged out, it is not easy to sit and watch without reaction. The lack of intervention is also difficult to watch and this is the one aspect that the focus on Steidle contributes to well because he feels the frustration firsthand.Overall then this is a compelling and sickening film but it is nearly despite the film, not because of it. The structure is not strong enough and the focus on Steidle distracts and detracts as much as it adds it should have used him more as a way in rather than the centrepiece of the film but these are minor complaints versus the shocking truths that the film puts in front of us. The images are sickening, so is the lack of action and the exposure the film gives to the subject is worthy of praise and makes this worth seeing even if it could have been better.
"The Devil Came on Horseback" (2007): Documentary. This is an up close and personal look at the genocide in the Darfur region of Sudan, including those dead, tortured and raped, those who did it, those who supported it, and those who watched it happen. This is a sad, frustrating, and grisly document made by a man who sort of "stumbled onto" his dedication to help bring this ongoing issue into harsh international light. It's not that this hasn't happened before it has. But here it is again, and this documentary doesn't give you the "Abstract Out" some do. One man rolled up his sleeves and caused this horror to be known to the world. I suggest you see it. You won't like it, but you'll also know you live an easy and safe life by comparison, and if you can, you might share some of your comfort with someone who has none.
To those who have seen this film and care deeply about Darfur this comment will feel uncaring, even heretical. Rest assured that I do care about Darfur, but I can't escape the fact that this documentary is not really about Sudan, it's about a person -- Brian.Brian volunteered to be a military observer in Sudan to observe the cease fire of 2004. He witnessed many of the horrible events that happened that year. Many photographs were taken. Many are damnable of an uncaring Sudanese government. We are shown a few, but not enough. The film is very disappointing in that respect. It gives reason to those who claim that Brian's dossier does not constitute a strong enough case.The first half is a rough chronology of Brian's stint in Sudan. It is described in words. What is on the screen is a random assemblage of footage that is flashed without context. Sure, dead bodies are dead bodies, burning villages are so, kids do play ball, Brian folds his tent, etc. The problem is that this material is edited so poorly that it becomes a mess of images. There is no focus. Images and words are often disconnected. We are quite often not sure what we see.The editing improves when Brian goes to Chad. Finally we get a cohesive narrative that holds together visually. The short visit to Rwanda is also properly handled.Overall it is a disappointing documentary. A missed opportunity to build a stronger case for saving Darfur and also a disservice to the work Brian has done to expose the crimes that are being perpetrated. The excessive focus on Brian and less on his photos ends up painting this as an ego trip.