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Lynch (one)
Rare glimpse into the fascinating mind of one of cinema's greatest directors. Footage was gathered over a two year period and documents David Lynch's many creative interests as well as his passion for filmmaking. It’s “abstract trip” which reveals new aspects of the personality and the cinematographic vision of one of the exceptional authors of contemporary cinema. Personal portrait of David Lynch and his creative universe.
Release : | 2007 |
Rating : | 6.7 |
Studio : | Absurda, Hideout Films, |
Crew : | Director of Photography, Director of Photography, |
Cast : | David Lynch Weronika Rosati |
Genre : | Documentary |
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Reviews
You won't be disappointed!
It's no definitive masterpiece but it's damn close.
Great Film overall
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
I am a huge Lynch fan and enjoyed many scenes in this movie. I always find it interesting to find out about his process and this movie will surely interest his fans. This shows him during the filming of Inland Empire. I loved that movie, though I did feel it could have done with a bit tighter of an edit. And this film is kinda similar. In that sense, this is a good complement to IE. I also agree with previous reviewers who mentioned Lynch on Lynch, there is a similar tone.The movie has much Lynch style with buzzing lights, flicker, strange sounds... Youtube parodies have done it too, so you know what I mean. I got annoyed with it, but then I also kinda liked it.I found Lynch likable, creative and interesting, as always. It's interesting that it can be so easy to enter the mind of director often called incomprehensible or surreal.
Just watched this doc and I thoroughly enjoyed it. Do not come looking for explanations of his films, or his formula. Lynch is not likely to ever show that. Partly, in my opinion, because he couldn't if he tried.This is what you'll get. You hang out with Lynch and some of his closer crew, for a while. That's it. He tells stories. He talks about creativity. You watch him get and execute ideas. He interacts with his crew and the actors. you get to see him in a bunch of locations. Not only working on the film they are making (Inland Empire), in fact little of it is on set. You get to see and hear him talk about photography and creativity in all forms, of all mediums.He briefly discusses his relationship with meditation which he has practiced for 30+ years. Watching him at work, seeing the way he is, totally destroys the image/stereotype of meditators being yoga masters, always calm and always sitting in the lotus position or something. No. This guy is out there. He is himself, and very alive. He is calm, and he is excited, He is frustrated, and loving. He is compassionate, and blunt.So, unconventional, almost free form (but feels whole in the end). I guess, kinda like a lot of his films... Actually, by the end I was thinking to myself, "Aww schucks, I wanna hang out some more with you David."
(mild spoilers) This is unquestionably one of the worst documentaries I've ever seen. It's not even the horrible camera work and pretentious editing, it's how the film portrays Lynch. We're told he's a filmmaker, but we're never shown any excerpts from his films, not even stills. We're told he's a photographer, but only one photograph is shown, on a tiny computer screen, blurry. We're told he's a musician, but we learn nothing about his music. We can see he's a painter, but only one painting is shown in its entirety, for a brief moment, at the very end of the movie, a smallish image in the center of the screen.And what *does* the film show? Well, it shows Lynch talking about popping dead cows, showing his teeth to the camera, shouting the same words over and over again for no apparent reason, congratulating the President of France, swearing, and, finally, admitting, in the midst of making a film, that he doesn't know what he's doing. In other words, the film paints Lynch as a loony. Sure, there's an eccentric side to the man, but there are many other aspects of his personality as well, and none are shown here. Since no work is shown, either, all that remains is eccentricity, shot from awkward camera angles, sometimes blurry, frequently in tiny images in the center of the screen, disjointed, etc. Content is sacrificed to form almost all the time (e.g. when Lynch is talking about a beautiful scene he witnessed and photographed, don't expect the (equally beautiful) photographs to be shown).If you want a good documentary on Lynch, try to find "Pretty as a Picture: The Art of David Lynch." It was made in 1997 as a promotional piece for "Lost Highway", but has plenty of Lynch's paintings with good close-ups, Badalamenti and Lynch working on a song together, etc. I recommend only watching "Lynch (One)" if you've already seen "Pretty as a Picture", and if you're very, very, very interested in Lynch. Only giving it a 3 out of 10 because it has maybe 3-4 minutes of interesting footage.
'Lynch' really reminded me of Pennebaker's "Don't Look Back" Dylan documentary. There's no set form or story holding the film together. It's more a series of candid vignettes. David Lynch spins yarns about his days living in Philadelphia, and in Idaho. Cut to: Lynch talking on the telephone, explaining Transcendental Meditation. Cut to: Lynch brooding in a sound studio, upset that he doesn't know what he's doing, and then chews out an employee for not showing up on time.Nearly all the footage was shot in digital video. But don't let that turn you off. There's a very strong sense of mood and visual style in 'Lynch'. (With a director named 'blackANDwhite' how could the film NOT have intense, creepy, visual flair?)What pleased me most about the film was the creative editing. Rather than clumping all the Philadelphia stories together, or clumping all the footage shot at one particular time, together - we just see a tidbit. Lynch relates a story form his past. Then cut to Lynch pondering a painting he's working on. This moment will linger for a while, sometimes accompanied by eerie atmospheric music (the sound design is fantastic.) Then we see him going on a photo expedition in Poland, or carving and painting wood in a workshop.The scenes never grow tiring, because the environment and the activity constantly change.I've seen some documentaries on David Lynch before, where they interview people on the set, and actors explain how he works, etc. 'Lynch' is NOT that kind of film. 'Lynch' gives you a fly-on-the-wall perspective on what it's like to be David Lynch. It's an ideal film companion piece to the book "Lynch on Lynch".