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the audience applauded

Instant Favorite.

In truth, there is barely enough story here to make a film.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Watching The Last Mogul is like leaving an expensive restaurant by the rear entrance next to the dumpster. It exposes the odious greedy reality behind the glamour of Hollywood under the control of the most powerful figure in perhaps Hollywood history. Great producer, director, writer, actor? Nope a ten per center, talent agent Lew Wasserman. Never heard of him. For ,good reason, he was from Henry Ford school of never complain never explain, wrote nothing down and gave no interviews. But he could have easily written the most telling memoir in Hollywood history since he had nearly every major star in his stable. From Doris Day to Marlon Brando, Gregory Peck to Jimmy Stewart to Alfred Hitchcock he made them all very rich as well as pave Ronald Reagan's way to the White House.It is a fascinating but unsettling look at an unctuous business filled with bottom line types grasping for every dime they can get by hook and by the doc's innuendo crook. Wasserman began his career in Cleveland booking bands at club's including Al Capone's joints in Chicago. Going to work for talent agent and promoter Julie Stein he moved on to where the action was NYC but Swifty Lazar ran things there so he and Julie moved on to Hollywood and the rest is history. MCA was soon monopolizing the film industry, would take over Universal and go on to greater heights with an almost complete monopoly of television. Meanwhile he wasn't doing too bad in the movie business backing films like The Sting, Jaws and Airport. When close scrutiny threatened he would employ all his power from mob lawyers, union thugs and sitting Presidents (Reagan) to smooth things over.Wassermann was a man of remarkable insight and energy who truly understood power and how to use it. The film is interspersed with interviews and archival footage of many people he had love hate relationships with, still cautious in their criticism and coy about Lew so in awe of his power that you get the feeling they believe he could come back from the grave to deal with them. Many shed tears for Wasserman leaving it up to David Carr to handle his surly side and provide a counter view to the slavish worship of his lackeys. Eventually Wassermann is undone by the Japanese and the new kid on the block CCA CEO Danny Ovitz who undermines Lew with his own play book. How Shakespearean and why not, Wasserman in his own way cast a shadow every bit as large as Lear and Richard the Third.

*Spoiler/plot- The Last Mogul- Lew Wasserman, 2005, Follows Lew Wasserman's life and work in the entertainment business until his death.*Special Stars- Many friends and colleagues of the title man.*Theme- Growing and taking chances keeps you relevant and alive.*Trivia/location/goofs- TV movie, documentary. Early showcase of Mr. Wasserman's career to his major role leading Universal Inc.*Emotion- An excellent documentary explaining, seeing and brilliant decisions of a studio mogul long after the film studio chairman had ended.

For anyone who considers themselves an expert on the movie industry or is an insane cinephile, this documentary about Lew Wasserman is a definite must-see. That's because although most folks have no idea who he was, he was a HUGE power player in Hollywood and did tons to shape the city into what it is today. Starting with a small agency, MCA, which represented musicians, Wasserman was able to expand by now representing big-name actors. But, it didn't stop there. Over time, his empire expanded to creating MCA/Universal, buying Paramount's library of films, to Decca Records, to a television production company. Like a proverbial octopus, Wasserman's company seemed to have it's arms into everything! Had the film stopped with these accomplishments, it would have been well worth seeing. However, unlike many documentaries, this one was not just about the rise of Wasserman but his miscues as well as his eventual fall. This makes it a much more complete film than most. BUT, in one way the film still fell a bit short. It gave you little insight into the person. Other than wheeling and dealing and being a power broker, who was Lew Wasserman? In some ways you know clearly--but often you do not. For example, when Wasserman died, it sounded as if some thought it was about time! But, a few (such as Suzanne Pleshette--who I have no idea why she was included in the film) were quite saddened. Worth seeing and about 95% of what I was hoping to see about this incredibly powerful man.

A biography of powerful Hollywood agent and executive Lew Wasserman.Of all the powerful people in the history of Hollywood, Lew Wasserman is not as well known as he probably should be. He was not an actor, not a director... he was not even one of the well-known studio heads. But he had a huge influential on movies, television and just about anyone who was a star at one point or another.Some of the early history is a bit sketchy -- the parts about Jim Colosimo and Al Capone are highly suspect, and even Moe Dalitz may be less than accurate (though I am not a Dalitz scholar by any means). But once the Hollywood part starts, it stays on target the whole time.