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Too much of everything

The acting in this movie is really good.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

As one who enjoys a good documentary and also passionate about the fact that we're heading for eco-disaster, I was kind of looking forward to watching this movie.Unfortunately, the only thing I got out of it was that Austin seems like a nice place to visit or live (thus attracting more people and more development), and that the Springs in question were very attractive, and worth preserving.But the movie just goes on for hours about a subject which could be summed up in a 15 minute news article.Also, this stuff is what we should have been watching in the 80's. Its too late for this now. We have more important stuff to worry about, like where the refugees from the frozen, scorched, and flooded parts of the world are going to live. And what we're gonna eat when we have 10 billion people.Geez, its human survival we're fighting for, not just a pretty hot spring !!! Perspective please !! I wanna see James Cameron or Roland Emmerich making something about how, just before the world was about to end, everyone got off their asses and did something, and we all lived happily ever after.-------------- The above was written after about the first half of the movie when I was wondering if I was alone in thinking the movie sucked. Now I've completed the movie, my opinion has degraded further. There was a small improvement, but the ending was just bizarre !Ending on the developer going out of business ?? What point is the film trying to make?And then more touching music and poetry. Give me a break. I would not recommend this movie to anyone. Just read these reviews then watch Inconvenient Truth, Al Gore's latest talk on TED, A Crude Awakening, 11th Hour etc. etc. oh and "The Day After Tomorrow" !!

Whether you support unfettered property rights on the one hand or a government's exercise of power to defend the common good on the other hand, this film will let you down. On the left, it's often unenlightening clap trap, especially when you notice the horribly sentimental background music. On the right, it points out the selfishness of those claiming to be the real Americans when they are mostly just "real loud" Americans. Someone should tell those folks that common sense says you don't shite where you eat, but as long as they're taking cash to the bank they'll apparently just do their business wherever they please. These people probably know that everything has consequences, but they plan for the other guy to bear those consequences, a guaranteed formula for social meltdown.The only admirable figures in the film were a wizened old farmer and a young boy in a new suburb. Those two seemed to possess a clarity of thought singularly missing from the property developers on one side and the ecological "Nimbys" on the other. It was nice, though, to see the late Texas governor Ann Richards again, certainly a far more lucid politician than the person who replaced her.I think neither side was well depicted in this film of the ongoing battle between personal vs. social, private vs. public. Ultimately, The Unforeseen is, unfortunately, a lightweight film on a very serious subject.

During the early 1990's--my college years--Austin and the rest of Texas were not all that far apart politically. Both were generally moderate and bipartisan. Texas had a governor from the liberal wing of the Democratic party (Ann Richards), and Austin had a moderately conservative mayor (Lee Cooke) and city council. But in 1992, things began to change when developer Gary Bradley with the backing of Freeport-McMoran announced plans to build subdivisions over the Edwards Aquifer, which feeds Barton Springs in South Austin and is the source of most of the potable water for Austin, San Antonio, and their suburbs and exurbs. The citizens of Austin rose up and passed the Save Our Springs (S.O.S.) ordinance, which would have curbed the development of these subdivisions, which caused great controversy statewide. "The Unforeseen" is a documentary showing what led up to the controversy and its aftermath."The Unforeseen" begins and ends with Gary Bradley, the developer at the heart of the controversy. He grew up in West Texas, a land of droughts and tornadoes, where nature is seen not as a treasure to be protected, but as an enemy to be overcome. He mentions that he enrolled at the University of Texas in 1972, and the movie shows archival footage of Austin during that time, when it was still mostly a college town. Back then, Austin was known as a place where you could call yourself a left-wing hippie *AND* a redneck at the same time (of course Willie Nelson is briefly interviewed).By 1980, Bradley was a successful developer with dreams of building a self-sufficient subdivision in Southwest Austin called Circle C Ranch. In 1990, he had just won approval from the city to start building, when the S&L collapse hit, sending the country into recession and putting the brakes on the funding for the project. Eventually, though, he was bailed out by Freeport-McMoran, but by this time, the citizens of Austin were in near-unison in their opposition to the project. Footage is shown of the contentious city council meeting where Freeport CEO (and non-Austinite) Jim Bob Moffett arrogantly declares "I know more about Barton Springs than anyone in this room!" In 1992, Austin overwhelmingly passed the S.O.S. initiative to limit development around Barton Creek and over the Edwards Aquifer. This led to incredible resentment among landowners in the outlying areas because it led to the devaluation of their properties. Eventually they hired a lobbyist (whose name I sadly can't remember from the film) to craft Senate Bill 1704, which said that development only has to follow the rules that were in place at the time it was approved, thus effectively nullifying the S.O.S. ordinance. The bill had strong support from pretty much everywhere in Texas outside the city limits of Austin, but Governor Ann Richards vetoed it anyway. In 1994, she was defeated by George W. Bush, who signed SB 1704 into law. It is not shown in the movie, but ever since, the Republicans in the Texas Legislature have never tired of trying to punish Austin for being unlike the rest of the State, and Austin adopted the unofficial motto "Keep Austin Weird" to show our refusal to be homogenized.I thought the film was fairly good. Director Laura Dunn tries to see all sides of the issue. She makes sure that she gives full voice to the opponents of S.O.S. instead of just a straw-man argument. Gary Bradley is the main interviewee, and he comes off as sympathetic and humble (the fight over Circle C forced him into bankruptcy), but not apologetic. Occasionally, he flashes anger. In one spot, he shouts "What the hell do you know about being a Texan, Berkeley lawyer Bill Bunch?" (Bunch is the guy behind the S.O.S. ordinance, and although he may have gone to school in California, his accent betrays that he grew up here.) However, there is no doubt where her sympathies lie when she interviews the lobbyist behind SB 1704. His face is rarely shown. Instead it shows his hands building model warplanes while he goes on about how backwards Austin is by placing environmental issues ahead of property rights.However, I do think that the movie is quite flawed. Most of the environmentalists interviewed are new-agers who talk about Barton Springs being somehow sacred (it's very special, but ultimately it's still just a swimming pool), or hippies who reject the American work ethic. And entirely too much screen time is given to Robert Redford, a washed-up semi-talented actor-director, who is not as profound as he thinks he is. And the bit at the end where unchecked growth is compared to cancer is a bit much.Ultimately, the films greatest strengths are interviews with the late Gov. Richards and William Greider--who both make strong pro-environmental arguments based on fact rather than sentiment--and a portrait of a family recently arrived in Hutto (an Austin exurb): They are excited to be living in a growing community, yet they hope that it doesn't get crowded and bemoan the shortage of potable water. They are happy to be living in a small town far from the city, yet whine about the long distance to the nearest Wal-Mart. Unfortunately, these two great strengths are given short shrift. I think the film would have been better if it had been more fact-oriented and had talked more about our contradictory desires as humans to be connected to the conveniences of cities, but have the isolation of the countryside. Instead we have a paean to a South Austin swimming pool, and the community that thought it was important enough to protect from suburban sprawl and big money. 7 out of 10.

Riveting narrative of a classic confrontation between land developers and the environmental community in Austin, Texas. At issue is the economic development of land in close proximity to Barton Springs, a naturally spring-fed body of water that has been a treasure in the Austin community for generations dating back to the 18th century. Land developer, Gary Bradley, argues for his right to pursue the American dream at the expense of degrading Barton Springs which has inestimable value to the community. Individual property rights are in conflict with community rights to an invaluable natural asset. Dunn presents a balanced view on both sides of this debate with uncommon sensitivity to the people, the community and the natural environment. The pageantry of this narrative is displayed with breathtaking cinematography and motion graphics that highlight Dunn's unique contribution to the world of documentary film.