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The Bloodsucker Leads the Dance
A rich count invites a theatre troupe to his home on an isolated island... but soon people start getting murdered. Has the family curse struck again?
Release : | 1975 |
Rating : | 3.7 |
Studio : | |
Crew : | Art Direction, Assistant Camera, |
Cast : | Femi Benussi Giacomo Rossi Stuart Krista Nell Patrizia Webley Luciano Pigozzi |
Genre : | Horror Thriller |
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Powerful
Good films always raise compelling questions, whether the format is fiction or documentary fact.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
A period piece Italian giallo from the mid-1970s, featuring some wonderful rain-swept locations and some mild sexual moments - all of this sounds like a guarantee of success. Somewhere along the way, however, dullness overtakes proceedings. The dubbing must take some of the blame for this. Although I've seen worse, some of the voice actors sound incredibly bored. Whoever voiced the magnificently - almost unnaturally - coiffured, twinkling Count Richard Marnack (played by prolific actor Giacomo Rossi-Stuart) reduces the character to a monosyllabic sneerer instead of the suave charmer of a certain age he is supposed to be. Krista Nell was due to play the starring role, but due to health reasons, played the secondary Cora. Sadly, this was her last film - she died the same year. Patrizia De Rossi plays Evelyn, who bears an uncanny resemblance to Count Marnack's wife. And they all they all have one thing in common: they all hate Samuel (Leo Valeriano). So when various characters begin dying in graphic circumstances, I drew my own conclusions. I might have been wrong.The ending is quite abrupt, as often things are with films such as this. It is also not entirely satisfying, with a very effective revelation not quite answering all the questions regarding the previous 86 minutes. Whilst far from the best giallo film I have seen - in fact, it is only loosely a giallo - it has a certain appealing strangeness about it.Several sexy scenes were inserted into this for its French release, where it was known as 'L'insatiable Samantha (1977)'.
As I watched this film on Netflix, I was given the Redemption version with eight minutes of terrible introduction before the film even began. I would strongly encourage anyone who watches this to skip ahead to the film... (the DVD is probably the same, and there is no excuse for that).Critic Robert Firsching said, "In the hands of a better filmmaker, it might have been an interesting pastiche, or even played as a clever spoof, but Rizzo appears to have made the whole thing up as he went along." That may be fair, as it seems to have very little plot and revolve around getting different characters in bed with each other.Fans of Mario Bava might recognize a few faces: we have Giacomo Rossi-Stuart ("Kill, Baby, Kill") and Luciano Pigozzi ("Blood and Black Lace"). Those looking for horror will be disappointed, though. Despite the title claiming there is a "bloodsucker", this is not a horror film or a giallo in any real sense. It is an Italian sex comedy, and little more.Alfredo Rizzo directed only eight films, but appeared as an actor in 97. He was certainly a better actor than a director.
This movie is not only a very bad movie, with awful actors --or presumed actors--, a bored direction and a story unattractive, it also copies exactly an scene from the excellent "giallio" "Torso", directed by Sergio Martino in 1973 (two years before), one of the most celebrated psycho-thrillers of Italian cinema and a cult-movie around the world. In "La Sanguinusa conduce la danza", the director replays the bed scene between the black girl and the white girl, with an peeping-tom watching from a window of the bedroom. Naturally, the scene in Rizzo's movie is ridiculous and inferior to the softness and charming in Martino's film. To put another black girl, another white girl and another peeping-tom replaying the scene is simply the most appropriate way of prove that Rizzo's movie has no ideas, no originality, no taste, and nothing at all. I think that such things are an offense to spectator.
The Bloodsucker Leads the Dance - what a laughable title, it's so utterly misleading. It's not surprising that the film-makers try and mislead us though because this is one terrible movie.The story basically involves a murder mystery in a castle on a remote island.Very little happens in this film. And when something does wake the viewer from his stupor, it invariably is unintentional comedy in the form of atrocious dialogue delivered by a hopeless group of voice-artists. These guys are so bad they make the actors they deliver voices for appear like a group of remedial-level morons. It really is hard to determine how bad the acting is when you have dubbing this abysmal. But the voice-artists cannot be blamed for the script. It's a travesty. Unintentionally funny at best, pathetic at worst. The story in general is, to say the least, uneven. The women characters are particularly idiotic; the men are either creepy or tedious.The whole enterprise smacks of pure exploitation of the audience. It doesn't remotely deliver what it promises and even when the murders (finally) start happening, they all occur off screen. All we get is a few half-hearted severed head shots.A few people have said that this movie is a giallo. I cannot agree less with this opinion. Anyone who enjoys Italian thrillers should give this movie a wide berth as there is nothing remotely thrilling about it. It's basically a soft-core porn film with a horror angle. But it's not very erotic either.I can't recommend this to anyone.