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This Ain't California
A retrospective look at the youth cultures born in the German Democratic Republic. A celebration of the lust for life, a contemporary trip into the world of skate, a tale on three heroes and their boards, from their childhood in the seventies, through their teenage rebellion in the eighties and the summer of 1989, when their life changed forever, to 2011.
Release : | 2013 |
Rating : | 7.3 |
Studio : | ARTE, MDR, RBB, |
Crew : | Production Design, Director of Photography, |
Cast : | David Nathan Titus Dittmann Erich Honecker Katarina Witt Helmut Kohl |
Genre : | Animation History Documentary |
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Reviews
Best movie ever!
As Good As It Gets
A clunky actioner with a handful of cool moments.
An old-fashioned movie made with new-fashioned finesse.
I caught this movie on TV and at fist sight thought it was good. 1/4 into the documentary and something was bothering me. It was painfully obvious the "old" footage was not old but new footage made to look "old". After searching for more info about the movie online I found out what I fear. Movie is a fake dockumentary which is not labeled mockumentary but instead it is trying to pass as a real documentary. Only for that reason I gave this movie 2 stars. Even the director himself is not answering the question if movie is fake or not. Interestingly no one ever heard of Denis Panichek nor did anyone under that name died in Afghanistan. At this point I'm even failing to see what is the point of this fake documentary?
THIS AIN'T California tells a great story, of the growth and development of the nascent skateboarding culture in East Germany during the Eighties. Told through the biography of one of the leading protagonists in the movement, Dirk (aka Panik), this documentary tells of how a group of friends came together in a local housing estate, and developed their own approach to skateboarding - not necessarily in opposition to the West, but independently of it. Eventually the group came into contact with colleagues from West Germany, as well as other skateboarders from Europe and the United States; and they discovered that the community was far greater than they had anticipated. The group were not necessarily rebelling against communist rule; rather they were creating an alternative world in which personal fulfillment mattered more than collective good. This message is a powerful one; but devalued somewhat by the fact that much of the footage - which claims to be authentic from the Eighties - has been mocked up for the film. Moreover the narrative thrust becomes a little lost as the film unfolds; perhaps there ought to have been less slo-mo shots of the skateboarders in action and more emphasis on the multiple narrators - the group (now middle aged) looking back on their exploits.
It's a wild mixture of old and real snippets that were filmed in the earlier 1980's and new material. For the new material that shows the group in the later 80's they worked with actors. Also in the scenes that claim to show the group in 2011 some of the people are real while others are actors. All that is never explained. Everything that's supposed to show the 80's has the same grainy look. Also the end credits give no clue. They simply list all people involved in front of the camera in alphabetic order. You can not see who is real and who's an actor. Also the character of "Panik" is fiction. I was born in 1973 and grew up in East-Berlin exactly during this era. I also know one of the actors. So when I saw him speaking of himself I knew that he was not telling his own story. Whose story it is I don't know. It might be pure invention as well. I also noticed several mistakes in the additional footage they filmed. What I know for sure is that there were skaters at the Berlin Alexanderplatz in the 80s. Everything else? Could be real – or fake. The problem I see is the way the director and producer handled the project. It took some hard questioning at the press conference at the Berlinale before the director was forced to admit, that parts of the movie are not real. Before he had claimed several times in interviews that it's a documentary. A German magazine (Der Spiegel) had asked the producer for more information about the authenticity of the material. He flatly refused to answer and more or less said that it doesn't matter if something is real or not. I think the audience gets an entirely wrong impression if this movie is called a documentary. It's a feature film – nothing else.
I grew up in the former GDR (East Germany) and I am about the same age as the skaters in the movie.There have been quite a few movies about that time. None got it right in my opinion. Some portrait it as a dull place - some exaggerated it as a comedy. So, this movie about the Skater scene in East Germany is very close to how life was at the time (as far as I can trust my memories). It is a movie about young people that share the passion for skateboarding. They have to live with the boundaries of the GDR.Also interesting, it tells a clear story but on the other hand it is a documentary as well.Besides, I also liked how the movie is made. The pictures, the music, the cuts, ... it simply fits.