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Why so much hype?

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Blistering performances.

This movie is brilliant, but, as one reviewer states it is like the movie "Mud", however, I don't agree. It is nothing like that movie except that it is set on the river. Viggo, playing both Pedro and Augustine is very believable, and gives a stellar performance, as usual. This movie is one of the best foreign films I have seen this year, the filming is fantastic, the supporting cast are very believable and do better than average for this genre. The story is about 3 men, two of which are twin brothers who grew up with a third boy, they all got into mischief together, but Pedro, one of the brothers was more daring than his brother Augustine, and got into more trouble with their friend, in fact they did crime together, while Augustine was busy living a relatively safe life with a wife and regular job, but was very unhappy in that role. Pedro, visits his brother and tells him he is sick, among other things, which gives Augustine the perfect opportunity to change his life....it gets extremely interesting from here on in....how Viggo plays Augustine, acting like his brother Pedro, and pulling it off in front of his childhood friend, his wife and the girl he has a tentative relationship with....he is nothing but brilliant in this movie.

Everybody Has A Plan marks the fourth Spanish-language film for Viggo Mortensen, who spent a number of years in his youth living in Argentina. His latest project finds him playing identical twin brothers in the film noir from Argentinian first-time feature director Ana Piterbarg, who also co-wrote the screenplay.The premise: Agustín (played by Mortensen) would appear to have the ideal life. He's a pediatrician with an attractive wife (Claudia, played by Soledad Villamil) living quite comfortably in Buenos Aires. The couple's plan to adopt a baby derails when Agustín changes his mind at the last minute, leading to a huge rift that brings to the surface the true unfulfillment that Agustín feels with his life. In the midst of a depressive episode where Agustín decides to lock himself in a room, Claudia leaves for some time away and Agustín soon receives a visit from his estranged twin brother, Pedro (also played by Mortensen), a beekeeper who reveals he has terminal lung cancer. Certain circumstances lead to Agustín eventually escaping his obligation-filled existence and assuming his brother's identity, taking up residence in Pedro's rundown shack in Argentina's Tigre Delta island region where the brothers grew up. A romance develops with one of Pedro's much younger bee farm helpers (Rosa, played by Sofía Gala Castaglione), while Agustín becomes caught up in the fallout from Pedro's past criminal affairs with some shady locals.Mortensen is solid as the brothers, who only share a few scenes simultaneously. Sometimes it could be difficult telling them apart, although the Pedro character tended to be a little more rough around the edges and frankly, I couldn't distinguish the characters' subtle accent differences Mortensen talked about using at the post- screening Q & A. Regardless, his comfort level with the Spanish language is certainly never an issue. Villamil and Castaglione turn in quite fine supporting work, but Daniel Fanego as the proverbial villain is a definite weak link in the film. Other than looking rather creepy, I found the role underwritten and the actor lacking in screen presence.Piterbarg and cinematographer Lucio Bonelli do a nice job of capturing the dank and swampy atmosphere of the isolated delta area, which not surprisingly is a magnet for criminals and outcasts and makes for a nice backdrop for the malfeasance that drives the narrative. The director also specifically lets a number of questions hang, adding to the film's mystery, but occasionally there's some story choices that are befuddling. Most glaring are the ease with which Agustín sells to others that he's Pedro, as well as the fact that Agustín doesn't bolt after being beaten by locals thinking he's Pedro, just shortly after arriving in the Tigre Delta.Everybody Has A Plan's flaws, not the least of which also includes some overly languid pacing, results in a decidedly unremarkable viewing experience.

As big Viggo fans, we desperately wanted to love the movie. And it has a lot going for it: a flawless production (rarely a given in Argentine films) which is perfect on atmosphere, beautiful camera work in every single frame, and impressive acting all around. I strongly disagree with Buenos Aires Herald critic Julio Nakamurakare's statement that Viggo Mortensen is "light years away from his sterling performances…." He should give it another viewing and look harder. Viggo Mortensen is actually playing three characters, Pedro the lowlife from the Tigre Delta, his twin brother Agustin, a prestigious pediatrician and – Agustin pretending to be Pedro. He pulls off a fabulous job, offering an array of subtle nuances which give each character its own distinctive shading. Soledad Villamil (of The Secret in Their Eyes fame) is wonderful as Agustin's wife Claudia, but her character kind of falls to the wayside much too soon. Daniel Fanego is predictably great as the bad guy and Sofia Gala Castiglione is the big surprise as the tough gal from the swamps. These are the good points in this story (and the reason why I give it 7 points) that starts out as a thriller (a murder in the Delta), continues as an intimate character study (a man's midlife crises – maybe, though that's open to interpretation), then slides into an off-and-on suspenseful tale of swapped identities, botched plans, some more character study and a rather far-fetched slapped-on love story, all of it sustained by some brilliant scenes and brought down by many mediocre ones. Unfortunately, all this does not come to a satisfying end. Instead, we came down with a thud at the end, confused, irritated and full of questions about loose ends. This movie is not Dogma or Nouvelle Vague or some indie experiment, it is classical story-telling, but for that there is just not enough on motive and background. So sorry, Ana Piterbarg! Luckily you will have the chance to get it right next time. And the time after. Hopefully. Anyway, judging from the post-show ladies room comments, people do love the movie! And yes, Viggo rocks!

Being an Argentinian, of course I ran to the movies to see Viggo Mortensen in a local movie. I have to admit that I didn't even know what the plot was going to be about, so I was open to anything.Although I use to hate the way argentinians act (it's like acting, here in Argentina, is not about performing fiction in a believable way but something else...), during the movie I found hilarious that Viggo, despite his slightly weird accent, was acting way more natural and believable than almost everyone else. Don't ask me why, I just feel proud of him. He rocks. Soledad Villamil and Daniel Fanego were OK, but Sofia Gala's performance was quite poor. Besides the acting, I think the main ideas of the screenplay weren't well developed and got lost in a slow movie. It's a shame, because the storyline could have been something much much better, actually worthy of a decent cast and production.So... I give it a six just because Viggo Mortensen's performance was amazing, but overall, it's a slow movie that could have been great, but just isn't, and that leaves you disappointed.