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To me, this movie is perfection.

Thanks for the memories!

Am i the only one who thinks........Average?

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

The day I watched this movie was the dullest day in my life. I was sick, I was alone at home, the PC was being fixed, and there was ABSOLUTELY nothing else on the TV. Otherwise, there is no way I'm watching this movie. Now, thinking back, I wonder why I watched the whole crap... It's more than just stupid. It is stupidity and beyond. And... Sandra Bernhard appears to be the name, is so ugly, it's unbelievable. And I ask you? Who funded this peace of garbage? Who was dump enough? They didn't even tried... They use motorbike helmets with some plaster on them for the space suits!!! I can go on and on about how much this movie sucks, about the clichés, about the stupid bloopers, but... what's the point? The point is that if you haven't, than you should NEVER watch this film, unless you're a complete and total idiot. It's not even funny in it's stupidity... damn...

A crazed computer genius named Goad (Laura San Giacomo) sets a spaceship named the Agamemnon, loaded to the gills with an highly unstable substance, on a collision course with the Earth! The Agamemnon has been encoded by Goad to start on its preprogrammed destination once it is revived by a salvage team. J.T. Wayne (Sandra Bernhard) is the Captain of the Salbor, the salvage ship that undertakes said mission. Things go awry for the Captain however when a portion of her assembled crew lead by her former lover, a cutthroat type named Vendler, double-crosses her and looks to gain the valuable Solarium aboard the ship for himself. However he didn't count on Goad's reprogramming of the ship's systems. Yet even in the face of defeat, Vendler refuses to give up his hold on the ship or listen to reason or logic. Now as the clock ticks down to a collision with the Earth, Wayne and her new crewman, a former bartender named Lennon (Cameron Dye), must try and find a means of stopping the Agamemnon or millions on Earth will die! Well I have to admit this is competently made. They keep the action moving nicely along and the visuals often prove distracting and interesting. The whole concept with Goad shows some level of originality and I enjoyed Laura San Giacomo's performance as a crazed computer programming genius who has a God complex and an obsession with quoting Shakespeare. Where this falters is when our story changes its focus to J.T. Wayne, played by an horrifically miscast Sandra Bernhard who constantly uses the catchphrase "And Don't You Forget It!" and basically goes all out to put off any male in the movie, including the man who is supposed to be her love interest. The failed attempts at humor in the film are far more likely to make viewers shake their heads in disbelief than cause them to laugh. In fact, this film frequently has this effect on any viewer who can manage to sit through the whole thing. To me, it is this element of "I just cannot believe what I am watching" that makes this so bad it's almost good.

I just watched this movie on the Sci-fi network. Let's make one thing perfectly clear: there has never, ever been a quality film or television show that has used the phrase `It's on a need-to-know basis'. Once you hear that phrase, and its subsequent follow-up phrase `believe me, I need to know', you can rest assured you're watching something written by someone with absolutely no creativity.Sandra Bernhard is terribly miscast in this five hundredth derivation of `Alien'. Whining and sneering her way through this movie, she sounds ridiculously unconvincing spouting the technical mumbo-jumbo necessary for science fiction films. She aint no Sigourney Weaver, that's for sure. How someone so marvelous in something like `Roseanne' can be such a bad actor in films like this and `Hudson Hawk' is one of the mysteries of life.This film has the production values of a high-school play: cheap-looking sets, bad lighting, and clumsy-looking props. The spacesuits look like second-rate rejects from Joe's Army Surplus. When Sandra comes back into the ship after a spacewalk, she flips the visor lid up, and there's no seal around it! The flimsy visor looks like it was made from a clear plastic pie-cover from Safeway. There are no special effects, unless you call an exterior shot of the spaceship a special effect. They couldn't even spring for some fancy flashing lights or decent music; tapping military-style drumbeats punctuate some of the scenes, while someone practicing a bass fiddle provides the rest of the music.Typical of bad films, during the shootout scenes, many many shots are fired in all directions, but it is only coincidental that anyone gets hit, even at point-blank range. Is it wise to fire a gun onboard a spaceship while you're surrounded by all kinds of machinery that is keeping you alive? Most of the film consists of close-ups of people standing around talking or arguing while sepia-colored walls float in the background. I'm convinced that the dialogue was written by a thirteen-year-old boy after watching video games for eighteen hours straight: `she belongs to me', `it's stuck in a loop!', `you don't drink martinis!', and so forth. You get the idea.As if that isn't bad enough, a videotaped Laura San Giacomo rocks back and forth spouting Shakespeare. Good thing she had `Just Shoot Me' to fall back on.The only way to describe the quality of this film is that this is the kind of movie they show on Saturday afternoons when the football game is pre-empted. The television station figures `what the hell, there's no one watching anyway.' It's either that, or an infomercial.

This film could have been interesting, but it wasn't. The thing that seemed most odd about this film was that a few times during the movie, the group started fighting with the guy who was trying to figure out the puzzles and save the ship. I suppose they figured that if he was beat senseless he could solve the problems more efficiently. Anyway, I try to find some reason to see a movie in most of my reviews, so you might consider this movie if you're interested in weird uses of Shakespeare.