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Horrible, fascist and poorly acted

Good movie but grossly overrated

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Amazing. What struck me right from the start was the intense use of rich colour and brooding shade. The camera seems to leer through a fish-like, distorted lens at times. The story itself is very dynamic, with frequent turns and revolutions in the plot. The creators have used an ingenious blend of futuristic, and what seems to me to be late nineteenth/early twentieth century set and costume, so we are left wondering exactly when and where this story is set. By turns bloody, beautiful, outrageous, mysterious, dark and passionate, this is a very stirring film. The tension and attraction between the protagonists is so palpable it seems to tear up the screen! The final showdown in the abattoir is a cinematic crescendo, putting it politely. I rate this film most highly because it is a classic example of what a director can do when they really let their imagination run wild.

Hysterically bad movie that camps it up like nothing you've ever seen before. Starts out with a good idea that quickly goes down the toilet. A young wife, traveling with her much older husband on a ship to Argentina in the 1920's, exchanges identities with a suicide victim only to discover that the other woman was a mail-order bride destined to marry a handsome young Argentinian - who made a habit of marrying young European women in order to place them in his mother's brothel. The wife falls in love/hate with the resident brothel thug and tango dancer with whom she dances in the nude. After repeated escape attempts, the wife contacts her older husband who sends hired assassins to the brothel for a bloody showdown. Hysterical scenes with a blindfolded tango orchestra and a blood-red monster of a bordello as backdrop. The kind of movie to throw popcorn at. Dreadful, dreadful, dreadful! Strange to relate, it just might have worked had it been in any other language except English.

Vincent D'Onofrio is beyond gorgeous in this pretentious little ditty. It's a gorgeous film, very "foreign" and decadent and moody, but what of sense? It's silly - I get it, the tango is sensuous. Yeah, I got that. Wow, she's naked and he's cruel and hot. Wow, he's good in bed and it took a lot to get him to do it. He's not a whore, but she was forced to be! Tell me, isn't this film reminiscent of a "Kids in the Hall" episode with Francessca Foray (a Scott Thompson character, "International B - Movie Star") and everyone was speaking in movie metaphors? Yeah, it is. It's overwrought but I enjoyed this movie. Dumb yes, but it was fun and glorious to look at, from the bondage - bed scenes to Vincent all lean and dressed to the nines. Good Lord that man 's a typhoon of hottness (how's that phrase for you?)

In despite of anything, I'm thankful for this film. Because of tango. I've been watching this film for 4 times during 6 years. I am admired with this fatal and sexual choreography. These scenes, there Cholo and Alba are dancing in the pool of blood...with knifes in the neck ... It's so dramatic! And this mad about tango man - I'd like to meet the one like him. Every women would, I'm sure. I like the color of film. Moonlight yellow and scarlet red sneaking away from the shadows. It emphasizes the soul of tango. But I can't forgive Alba,- she don't love tango ! I can't understand her, she is so silly. Why she is risking ? Very spoilt girl. So, about MORE TANGO PLEASE : too much unnecessary violence, too few good tango scenes. Why don't you let as to look into the legs of dancers, director ? Too little real argentinian tango - the fight of legs ! I've seen a Sally Potter "Tango lesson" recently, so please, understand me. If you love tango, like I do, don't miss this film.