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Just perfect...

This film is so real. It treats its characters with so much care and sensitivity.

By the time the dramatic fireworks start popping off, each one feels earned.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

... but most of all, I was mad.I have only posted here a few times and only when I feel compelled to do so. This movie deserves some attention. I am not a film major, or a self-proclaimed expert. Thank god. I don't need to be taught how to enjoy something. I listen to instinct and emotion. This movie is a solid 8 out of 10 for a number of reasons.I thought the acting was superb! The main stars cell mate Stephen Adly Guirgis (Jake) was awesome! All the acting was phenomenal. The entire movie, for the most part, takes place in a cell, but you are kept on the edge of your seat from the start. I can't help but wish there was a little more interaction with the prison and it's inmates, but the simplicity of this movie is part of it's appeal. Like a Clerks. Smart writing, sound and directing make this movie feel quite real. I also can't help but be a little let down with the ending. One of those endings that left me with my mouth wide open and saying, "what! it's over!", but then settling happily for an open ending that leaves you thinking, what next?I will say though, that I am left wondering, is Michael Pitt (Randy) a little odd in real life or is he that good an actor? I am also a bit angry that he did not try to defend himself. If you read The Kite Runner, I was left with a similar feeling. How could he stand there and let these things happen? Enjoy.

Like I have stated in other comments that I have made for other films, I am no expert-- just a chick who loves a good story. However, when I see something that haunts me long after I get on the 101 freeway, I feel obliged to chime in with my comments. After months of hunting down when and where this film would release in the LA area, I finally sat down in my chair, stub in hand at the Grande Laemmle downtown. I thought I would remain the only member in the audience given the lack of advertisement, but shortly after I arrived two older guys showed up. One of them had a handy-cam, so I figured they were just a couple of old pirates. Nope. The 'pirate' ended up being the father of Brett C. Leonard, the writer/director of the film and his camera was not for pirating-- just had it with him. After hearing Bruce Leonard's story of his son's long journey to getting the film off the ground and on to the screen, I was more than ready to see it. It was definitely worth the wait. From the limited number of cast members, the one principle setting, the almost exclusive use of the color blue and the lack of 'mood' music, you really got a sense of confinement. The acting was great. I was scared of Randy's (Michael Pitt) cell mate and wanted to be his friend all at the same time. Very amusing and yet horribly disturbing character. Michael Pitt was dead on once again. You really felt for the guy's situation and, no doubt, his regret. Clearly, the film wanted to touch on the ridiculousness (is that even a word?!) of California's three strikes rule. Without giving anything away, I can say that this film while not preachy is definitely a discussion starter (aren't all of the good ones that way?). By not putting the two principle characters in a few other settings within the prison, i do feel that the director missed an opportunity to take advantage of the medium. A lot of the dialog could have been done in the prison yard or the mess hall..even the library mentioned at the beginning of the film. This would have also allowed us to see how the other inmates were living and interacting. Maybe even opening up the idea that Randy's situation was not just his hard luck, but the simple, sad truth of many other inmates. Regardless of these thoughts, this was a disturbing, touching and thought-provoking drama. The writer and director should be proud of his accomplishment. I know his father sure is.

Thank God this film will finally receive its long-overdue theatrical release later on this summer! I saw it a while back at a film festival and thought it was one of the best independent films I'd seen in a long, long time. It is extremely powerful, disturbing, thought-provoking and funny all at the same time. The performances by all four actors are spot-on. Michael Pitt continues to impress. In fact, I think he went deeper emotionally in this film than any other, with the possible exception of 'Last Days.' Stephen Adly Guirgis surpasses his 'Palindromes' performance by a country mile. He's fantastic. And the film as a whole has a very mature, seasoned tone, pace and structure. It reminded me of some of Fassbinder's films. And early Louis Malle and a bit of Bresson. A great debut by writer/director Brett C. Leonard. I heard after the screening I saw that they shot the whole thing in 8 or 9 days. Incredible. Does anyone know when it will premiere in L.A.? I believe it opens New York sometime in July. Anyway, if it comes out where you live, I highly recommend it. A great example of auteur, personal film-making on a shoe string budget.

`When in disgrace with fortune and men's eyes' from one of Shakespeare's sonnets was used in 1967 (before Stonewall) as the title of a play about men in prison and the sexual games that were played there.Jailbait covers much the same territory and it would appear (if this movie is taken at face value) that some parts of society haven't moved ahead at all.In this prison drama, essentially a two-man play, we see the interaction between the hardened lifer Jake and the much younger, much more frail Randy (played by Michael Pitt)The first scene with the two men is deceptively mild but towards the end of that scene we see that there is menace just below the surface of Jake's behavior. From the `wounded doe' look in Randy's eyes at the beginning of the second scene we can begin to see that something is wrong and while what it is seems pretty obvious (given that it's a prison movie) we are not really certain for some timeUnfortunately the movie doesn't progress much from there. Like the men, we seemed sentenced to remain in the same place for much longer than we'd choose to.This movie is worth seeing as a character study and there are some memorable bits but it seemed to cover no new ground nor present any new perspectives over the 30 year old Fortune and Men's Eyes (albeit this one showed that it had a much better budget and was by far more polished)I was ultimately left unfulfilled and wondering why this movie had been made.