Watch Maladies For Free

It's no definitive masterpiece but it's damn close.

Beautiful, moving film.

A lot of fun.

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

a strange , simple story . about solitude. and about relationships.a retreat soap opera actor, his sister, his best friend, a neighbor. a sort of Chekhov. or Ionesco. not real comfortable for a large part of public. but splendid occasion to discover James Franco and Catherine Keener as masters of great roles.in essence, a seductive story who has the real chance to have the perfect cast. because each gesture, each word, each meet becomes very important. and this is the detail who transforms Maladies in a sort of theater play, artistic experiment,mirror. because it is a touching pledge for see the other and the meet between James and the blind lady has the virtue to be pure poetry. short, one of the films who must see twice. for discover its beauty, admirable coherence, splendid acting.

"Maladies" was slow but I never felt bored. (I reveal some parts of the story but it's not like the movie is based on the surprise of these things happening such that knowing them would really "spoil" the movie, it's not a mystery or anything, but be forewarned.)One thing that people say about this movie is it is about mental illness and although it is mentioned a few times and the portrayal of the characters is unusual I didn't see them necessarily as "mentally ill" in any way--they might have been, but also, maybe not. It just focused on people who themselves are focused on doing "work" which they found meaningful, living in a house together.It did have a lot of expression of what the James character was thinking, but what's mentally ill about that? Don't most people walk around thinking about things?Just because the movie is focused on the psychology of its characters doesn't mean there is anything psychologically "wrong" with them.I myself was very interested in this being mostly about what people think about things. Near the beginning they show James musing about the "tall" water glass Catherine requests. I think that it is very human to show how people really have momentary thoughts about almost everything around them. Some say the conclusion didn't work but I thought it was a fascinatingly surreal approach, where one character becomes emotionally unsettled and that manifests in something being "wrong" in the story which attracts the police, because we all know that the police are in the world to intervene and try to "solve" problems. I thought the fact that Carter refused to make this literal, maybe showing cuts where James really WAS doing something dangerous, like wavering a knife around, was brave and interesting.In the end James is so damaged by his disturbance he dies...don't we all sometimes feel like something bothering us could lead to some kind of "end"? "When she left me I thought my life was over." Showing this as ACTUAL death just made it more poignant.I thought that sound was used brilliantly to complement the action.There is one scene that shows Delmar, played by David Straithairn, as he realizes that there is no way for him to join in and experience the joy and pleasure others are experiencing just from dancing to a song, that I thought was emotionally devastating.I found it to be a unique and worthwhile "experimental" type movie, and I got a lot out of it. If you demand action or an explicit narrative from movies you may not like it as much, but if you aren't obsessed with such things this movie has a lot to offer in ways rarely seen in film.

This is seriously strange and tough to vote for on any scale. But it did touch a nerve with me. James Franco is incredible in the main role. The characters and the story make "sense" (maybe not in the traditional sense, but they do). It all fits together even when the movie seems to go in a completely different direction.There is a story, but there are also bits and pieces that somehow do not make any sense. But the actors make this work. Like all the relationships in the movie are not really complicated, but it is told in such a fashion that it doesn't really feel like something you've seen before. I thought this was a good thing. I liked most of the ideas on display here (though there are obvious flaws too of course). If you can let yourself, you may be able to enjoy it too (if you are into these kind of movies that is)

Despite two main pretensions in the form of unnecessary captions and a few over the top voice overs, the movie raises good points regarding mental illnesses and the borders between normality, perversion and infliction. captions are used too widely and do not work when one of the characters has to repeat them during the following scene. the queer issue is nicely addressed, and not too salient. the directing is very good- a few shots and a few scenes are remarkably done. most characters are round and well written as well as acted. Catherine Keener is great as always, and David Straithairn as Delmar is a quite surprising strong character. the second part of the movie, starting with a compelling scene in which the mane character (James Franco) meets a blind old woman at the beach, is considerably better than the first part. the ending is a bit unrealistic, but works. very nice and observant cinematography most of the time, that serves the themes of the film well.