Watch T.R. Baskin For Free

Purely Joyful Movie!

If you don't like this, we can't be friends.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

T.R. Baskin was a favorite of mine. I have been trying to find it for years. With a cast as strong as this, I wonder why it has never been released in DVD or video. I would love having some help finding this!! What resonated with me was a line Bergen had - How do you know when you are accepting too little for yourself or expecting too much? I have been trying to answer this my whole life. I didn't remember that it was shot in Chicago, and I would love to see the 1971 shots of that as well.And I remember the music too was excellent. Please re-release it!Candace Bergen stood out as a performer in this. I knew of her acting before this - but she really stood out in this role.

. . . to get this movie released on DVD? I too am among those who saw it on television years ago and who remember bits and pieces of the dialog (like, to paraphrase, "It's like admiring someone from a distance and when you get up close to him you notice he has bad skin." If I recall correctly Candace Bergman speaks this line while looking down on Michigan Avenue from a high-rise apartment, perhaps in the John Hancock building, and it served as a metaphor for what she found out about life in the big city). Its soundtrack was also liable to turn up frequently in the 98 cent bargain bins and this is how I happened to recognize it when it showed up on the CBS late movie in the late 1970s. The Chicago location was unusual for a 1971 film -- well before pictures like "The Blues Brothers," "Ordinary People," and "Risky Business." Candace Bergman's performance, and way of delivering lines, was indeed mesmerizing, and this film's unavailability and obscurity makes unavailable and obscure a certain moment in 20th century American history that we don't think too much about; it is rather like the dark side of the Mary Tyler Moore show, a snapshot of a lost generation. Please, someone bring it back.

I saw this on a television set at home, so many years ago I forget WHY it made me cry. Have not been able to contact Miss Bergen to ask her about it. Of course, Murphy Brown was "required" watching. and I followed as long as I was in the Country. Without answers to my questions, I can hardly pad this into 15 lines. Autobiographically, I can tell stories similar to T.R.'s but I don't think they would draw a tear from anyone but me. As a matter of fact, more likely to make one die laughing. Career attempts in Europe and New York. Mother footing all the bills and never giving up on me, bless her. So after all this time, and deaths of both my long-suffering parents, I am becoming a writer, not capitalized yet. So after I am reminded of that superb performance by the Bergen, and after I have heard from herself, perhaps I can hold the proverbial candle to her sensitive portrayal of a girl seeking a career. Buona Fortuna a tutti !, Elettra

This film is in some ways a guilty pleasure--it's occasionally hokey--but I like it because it reminds me of the wonder I felt on my first few visits to Chicago (I'm a small-town girl too). I eventually moved there, staying more than a decadebefore moving on to L.A.; my experience was, on the whole, much more positive than T.R.'s, but I can relate to her and to what she's going through. That's a good deal of this movie's appeal--the characters and the situations all have the ring of truth. Kudos to writer Peter Hyams and director Herbert Ross. T.R. may be lonely and lacking in direction, but she's also intelligent, feisty, and nobody's fool, and it's easy to understand how she feels as she tries to build an independent life and find personal and professional satisfaction. Candice Bergen's delivery of her lines is sometimes a bit stilted, but her performance is largely praiseworthy; so are those of the supporting cast, especially Marcia Rodd, James Caan, Peter Boyle, and Howard Platt (very convincing as a real jerk). The filmmakers also make good use of the Chicago setting, with shots of Carson's State Street store, the el, and other landmarks, and the movie's full of early-'70s atmosphere--the clothes, the music, the singles bars, and the fact that the modern women'smovement had a lot of work to do.