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Henry Gamble's Birthday Party
Over the course of 24 hours, things will unfold at seventeen year old preacher's kid Henry's birthday pool party, from the members of the church community to Henry's 'secular' friends to Henry himself.
Release : | 2015 |
Rating : | 6.1 |
Studio : | Cone Arts, Sunroom Pictures, Chicago Media Project, |
Crew : | Production Design, Director of Photography, |
Cast : | Cole Doman Pat Healy Elizabeth Laidlaw Daniel Kyri Francis Guinan |
Genre : | Drama |
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Reviews
Good films always raise compelling questions, whether the format is fiction or documentary fact.
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Unwatchable piece of excrement.I am puzzled about who made this movie and why? Is it supposed to be somehow entertaining (and if so, to whom)? Enlightening (ditto)? Somewhere between takes of (mostly) attractive young people in a pool for so long its amazing their skin isn't shriveled beyond recognition, the idea of having a plot or telling a story got lost. Even creating a coherent atmosphere quickly goes missing.All that's left is stereotypical Christian yammering with such original lines as "Hate the sin, love the sinner." And - gasp! - hiding wine-in-a-cardboard-box under the kitchen sink and - gasp! - drinking it! And don't let the insanely-overemphasized gay angle fool you: it account for about two minutes.Go forth and seek redemption: watch a decent film made for adults with brains. Don't waste the 82 minutes of which this mess can rob you unless you are really quick on the fast-forward button.
If you grew up gay in the South at least semi-recently, this movie will probably resonate with you. I watched this movie on a whim while bored and looking for something a little more risqué, and though this movie certainly failed to fulfill on the latter, it more than captured my attention otherwise. The movie was visually intriguing, the music incredible, and the artful combination of the two left me feeling completely immersed in some beautiful, quasi-reminiscent experience. I'm actually quite stunned by how deftly the writer and director were able to echo my own experiences growing up in a family that both loves you and is in many ways disgusted by you as well. It's intriguing that other reviewers find this movie dated or otherwise inaccurate. I'm not sure what churches they go to, but very few clergymen these days go without. We have pastors with million-dollar homes, with fleets of cars, heck there are more than a few pastors with private airplanes. Also, I'm only 32 and 17yo me would have felt perfectly at home in this movie.This movie isn't for the average viewer these days that likes to be spoon-fed every single detail. On the contrary, I found that HGBD challenged the viewer to reexamine their subconscious biases regarding these stereotypes and perhaps give the 'other side' another look. Great job!
This is a really lovely film by a filmmaker I had not heard of. Never in a rush to get anywhere, Stephen Cone's film weaves its way so naturally through these intersecting lives, as they jump in and out of the pool at Henry Gamble's 17th Birthday Party. Everyone has a crush on someone else, no one is satisfied, and yet there's nothing melodramatic, just subtle body language, and flashes of accidental honesty. I was immediately intrigued - from the first innocent conversation between two teen boys casually exaggerating the size of their members, to the prophetic line Henry announces to his family, as he looks at the time on the morning of the party, "I was just born." The family is very Christian, dad is the local pastor so there's prayer before meals, and they don't touch alcohol, which makes the homosexual subtext (among other secrets) at the beginning of the movie all the more intriguing. Coming out movies had their heyday, and to do one nowadays requires it to be a lot more, which this movie is. Mr. Cone's delicate hand, and his subtle message of compassion is never overwhelmed by the enormous, talented, relatively unknown cast, or the inherent drama of teenage angst.
Going strictly by the description on this site, I figured it would be AT LEAST risqué, I mean we all know they don't use real under 18 for any movie like this anyway, so I figured it would be compelling and visually stimulating.I watched the whole movie and I have no idea what points the writers were trying to make. I am sure they didn't know either. I mean, if you are going to make a film with faith and homosexuality, don't you have to have a side?? Just for good measure they take the time to make a guy who supposedly likes the almost legal boys look like a pathetic loser. I guess he is supposed to be a pedophile?? This movie hints at a lot of things and then goes in another direction, it is complete and utter trash.The writing is erratic and the acting isn't much better.