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I love this movie so much

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

With the adaptation coming out next month,I decided to start reading Jo Nesbo's Nordic Noir The Snowman. Whilst looking for info on the upcoming movie,I stumbled on title I've never heard of before,which led to me listening to the echoes.The plot:Returning to the island of Öland 24 years after her 5 year old son Jens disappeared, (with the now-dead local weirdo Nils Kant being the former main suspect) Julia Davidsson finds her dad Gerlof and his best friend continuing to investigate for links Kant had to Jens disappearance. Planning to stay just a few days,Julia extends her visit when Gerlof's friend dies in a sudden accident. Whilst she comforts her dad, Gerlof and Julia receive a envelope,containing one of Jens shoes.View on the film:Returning to the mystery on a small island, co-writer/(with Birgitta Bongenhielm) director Daniel Alfredson & Fredrik Bäckar go for an oddly cosy atmosphere, via the rugged,isolating terrain being covered in misty clouds and wide crane shots above the beautiful countryside. Putting together fragments of the past,Alfredson lands on a dour Nordic Noir atmosphere in extended flashbacks glazed with a stylish decaying gold and late 60's long hair and blood-stained cars.Adapted from the echoes of Johan Theorin's novel, the screenplay by Alfredson and Bongenhielm give the Nordic Noir themes of corrupt major businesses and unsolved mystery an excellent mature twist,as the decades the Davidson's (played by a great Lena Endre and Tord Peterson) have spent grieving over the death of Julia's son Jens are cut open with new doubt on the identity of the killer. Re-tracing Nils Kant's (played by an unsettling Felix Engström) footsteps, the writers give the mystery a visceral burn with the extended flashbacks unveiling the psychopathic horrors lurking behind the islands peaceful image,as the echoes of the dead grow louder.

ECHOES FROM THE DEAD is a very ordinary Swedish crime noir, heavily influenced by the likes of WALLANDER. It's nowhere near the level of quality of the outstanding MILLENNIUM series, which will always be the benchmark for this kind of film-making. ECHOES boasts an arresting opening sequence, but follows this up with a slow-moving tale in which the past inevitably impinges on the present. Murder and disappearances are involved here, and there's a strong female lead, but there's a little too much atmosphere building and not quite enough intricate storytelling. I found that the whole thing left me quite cold.

Why the low rating? Very unfair. This movie is much better than expected. The act takes place in a small community in Sweden. Here old conflicts come to the surface when the adult daughter returns to her hometown to help her old father. The film is both a drama and an exciting crime drama. Weird events come back and we are wrapped up in an exciting story that really makes you hooked. The film has some of the most famous Swedish actors in the lead, including Lena Endre, which in my opinion makes one of her better performances in this movie, as the daughter who struggles with the past, and who fight to find the truth at last. Often it's unfortunate to mix different genres into one and the same movie, but here it works great. Now you know: When this shows up on a TV channel late night, then it's time to see it.

Daniel Alfredson's 'Echoes from the Dead' may have a boringly generic name, but it's actually quite good, a slow-burning thoughtful story of the attempt of an old man and his daughter to finally lay to rest a tragedy from their past. It's unusual to watch a film where the youngest of the main cast are middle-aged but the actors have no problems in carrying off the story. There's something of the flavour that you can get when watching 'Wallander', of a modern Sweden where the trappings of the consumerist society are layered quite thinly on a harsher, more primitive, style of life. The only thing that doesn't quite work is the tale's conclusion, which requires some oddly out-of-character behaviour by one of the participants.