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Truly Dreadful Film

Good movie but grossly overrated

A Masterpiece!

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

One does not have to be a die-hard fan of J.D. Salinger's coming-of-age novel "The Catcher in the Rye" to appreciate this creative film idea. The fictional story focuses on a young man so taken with Salinger's novel that he leaves school on a road trip to try to meet the reclusive Salinger in the flesh in his Cornish, New Hampshire home.Actor Chris Cooper is perfectly cast as Salinger, and Cooper steals the show in the two brief encounters with the fictional character Jamie, who meets his idol and tries to gain permission to produce a play adaptation of Salinger's novel.Salinger provides a persuasive defense that the character of Holden Caulfield was eternally etched on the printed page of a literary work and not to be interpreted for the stage, wherein the role would vary from actor to actor. As played by Cooper, Salinger nonetheless admires the sensitivity and creative spirit of his young visitor.Another essential character in the film is the character DeeDee, as played by Stefania LaVie Owen. DeeDee accompanies Jamie on his trips to New Hampshire and provides stability and confidence to him, as well as bringing out a part of his past that he was never willing to confront.While the school scenes were somewhat routine, the film picks up steam due to the character of DeeDee and the intrigue surrounding the iconic figure of Salinger.

This was my overall favourite (non-horror) film from the Phoenix Film Festival, hands down. It was just so well done! I can't even find a bad thing to say about it. A truly perfect film!This is a coming of age story at it's core, but it's also the (mostly) true story of the writer/director's quest to meet the notoriously private JD Salinger. I had the opportunity to hear the director discuss this film and his respect for Salinger was obvious. He also stated that the conversations with Salinger were actually verbatim because he wrote them down immediately, and then used these notes to write the film. So you're truly getting a bit of insight into the real Salinger with this film.The movie is so much more than that, though. In my opinion, this is truly an Oscar worthy film.

I saw this recently at The Cleveland International Film Festival at the end of a week of seeing 13 really great films. Even though another film had caught my eye as being my favorite, this one immediately replaced it at the top of my list of the whole festival! I was completely mesmerized by it from the first moment it started to the last.This is such a delightful movie. It is beautifully shot - lovely scenery, beautiful cinematography, soft and warm. I felt like I was there. It is really well acted by two new actors and some veteran ones who blended into a sweet story. A lovely story that almost everyone could relate to. The characters are so real, you feel like you know them. I wanted to watch it again right then! It is so great, I wouldn't only see it again - I would own it! It needs to be in theaters so everyone can see it.

Ah, the pain of the teenage years, especially when you're the scourge of your classmates. Coming through the Rye captures those times through such insightful, understanding eyes it seems a bit autobiographical; and sure enough, in the Q&A post screening at the Austin Film Festival, writer/director James Steven Sadwith acknowledged that he was the teenager with a passion for finding Salinger, and this film is based on his experience. Another interesting revelation during the session was that the film's star, Alex Wolff, related that his grandfather, father, and brother all passed the same copy of J. D. Salinger's Catcher in the Rye onto sons and brother when they were 12-13 years old.The film opens with Jamie (Wolff) having heart-to-heart talks about girls with his older brother Gerry, who has gotten involved in drugs, and is being sent to a treatment center. He thinks he might not go, though, and instead join the armed services (this is the late '60s and the Viet Nam war is ongoing.) Soon after, Jamie is sent to Crampton boarding school and eventually becomes a pariah who is bullied unmercifully. Jamie decides he's had it when he is awakened and attacked in the middle of the night and his room is left in shambles. At that point he decides to run away. Where to? To find J. D. Salinger, his idol. He has so identified with Holden Caulfield in Catcher in the Rye, he has written a screenplay for a theater production. Upon being told that he must get permission from Salinger before it can be performed, and running up against all kinds of obstacles in the mail, he thinks the only way is to talk to Salinger in person. He has no car, so must hitchhike his way to Vermont where he's told Salinger lives. The person who picks him up is actually his "townie" friend, Deedee (Owen), who is a motherly sort and worries about his safety. She gets permission from her parents to drive Jamie up to Vermont just for the weekend, hoping to convince him to return to Crampton after their search. I loved her reasoning when she appeals to her reasonable parents; they end up trusting her and giving her room to use her own judgment.Well, people have been trying for years to find Salinger, who just wants to be left alone. During their search, Jamie and Deedee talk about all kinds of things, and she, who is wise beyond her years, offers comments meant to increase his self-awareness. The film then gets into more coming-of-age dynamics, and ends on valuable moments of truth.Among all the films about/for teenagers, Sadwith's production is one of the most thoughtful and edifying. Problems are cogently presented, and the model of Deedee's friendship and support of Jamie is exemplary in tone and execution. The scenes of young love are touching and funny, beautiful and awkward. Above all, the script is sound in its cause/consequences connections. Eric Hurt's cinematography, especially the sequences outdoors, takes you right into the action and gives you the feeling of being in the film. Similarly the music by Greg LaFollette, Heath McNease, and Jay Nash enhances the story, with the lyrics elaborating on the action.The actors cast for Coming through the Rye seems tailor made for the film. Alex Wolff epitomizes the cautious, brainy kind of kid who doesn't quite grasp why anyone would be against him, although he is sincere and thoughtful. It takes another kind-hearted person to gently bring him to acknowledge his weaknesses and deal openly with a major trauma. Stephania Owen is peppy as Deedee and portrays so well the girl/woman who can be such a valuable friend, but may not be the object of passion. Finally, Chris Cooper, the accomplished actor who has not always received the recognition he deserves, is ideal in the role of Salinger, in his identification with a famous person who does not strive for the limelight. He can be gruff and dismissive, but is clearly attentive to what he sees and hears, and can shift his position in response to a logical or appealing plea—much like the character he plays in August: Osage County as patient and kind, but whose support has limits.Above the norm for movies about teens.Grade: A By Donna R. Copeland