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I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

An old-fashioned movie made with new-fashioned finesse.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

I love Julia Ormand and was eager to see this movie on TV. She's as wonderful as ever. Unfortunately, the script was ridiculous.An American pilot shot down in enemy territory. The villagers doing their best to save his life. Yet he pays no attention to their culture, their system, and their safety. He's only concerned about himself and what he wants. He takes over the house, goes outside, plays baseball, gave his dog tag to a kid, doing his best to expose himself to the Nazi while the villagers die to protect him. Even though he does not speak Frech, he goes out in public and refuses to hide so everyone can see there's a stranger in town. He only thinks about his own happiness, honor and others be damned. Unfortnately, the Germans were not as stupid as the American thought. Of course him and those who tried to help him all got caught.With friend like this, who needs enemies? Who wrote this stupid script?

10 stars for some beautiful shots of the Belgian countryside and also for taking a stab at making a movie with anything to do with Belgium. This was the only reason I wanted to watch the movie anyway. I've seen one review complaining about French accents in Belgium. Belgium is mainly divided into the Dutch and French speaking populations, so it is no surprise to find a community of French-speaking Belgians. I am not impressed with anyone's reviews where they pick apart all of the little historical nuances that were done incorrectly. Really at the heart of what makes this a bad movie is that it is so uninspired. Acting, direction, dialogue, everything. What is the beautiful Julia Ormond doing taking roles like this? Bill Paxton is a likable guy when he is a cocky, buffoon character actor. But he is the last guy in Hollywood who should be doing serious romantic leading roles. You could tell that both stars knew this was not a shining moment in their careers and the love making scene is almost embarrassing to watch. The rest of the cast takes it more seriously and adds some level of saving grace, particular the young Belgian boy. I would have liked this movie much better had the lead parts been no-name actors who were getting an opportunity to star in a very minor film.

That is how young Jean Benoit (portrayed by Antoine Van Lierde) describes the victims of a mass retaliation public hanging conducted by the Nazis after his grocery clerk friend Lucette Oomlop (Sandrine Bonnaire) has machined-gunned three German guards at the wreckage of Maj. Ted Brice's (Bill Paxton) B-24 reconnaissance plane late one night to recover a notebook Ted apparently left behind in his eagerness to scope out the local females. (Too bad he did not heed the message of the Andrews Sisters tune playing on the soundtrack, "Straighten up and fly right!") The tag lines for this maudlin war flick are "an act of courage will decide their destinies" and "an epic tale of courage, passion, and sacrifice." As in Ted seduces his married Resistance hostess Claire Daussois (Julia Ormond), and then drives her all over Belgium sampling the local night life instead of hiding in the barn as he's been told, single-handedly breaking up the cell of resisters who are trying to save him and help the Allies prepare for D-Day? After viewing the movie, people will be shaking their heads "uh-huh" and longing for something as "realistic" as Michael Bay's Affleck-Beckinsale-Hartnett 2001 tear-jerker, PEARL HARBOR. How did writer-director Todd Komarnicki pitch this mess to the studio RESISTANCE bankrupted: THE GREAT ESCAPE meets DIRTY DANCING? Three years after this fiasco, Paul Verhoeven's ZWARTBOEK (THE BLACK BOOK) covered much of this same ground with more authenticity, more drama, and better production values all around. Do yourself a favor and rent that; RESISTANCE should be left dancing in the wind.

The biggest flaw of this so-so resistance drama is the choice of an American actress to play the female lead.Julia Ormond is compelled to speak English -I guess she's not dubbed- with a French accent,which is completely absurd;besides,the story takes place in Belgium,where the accent should be different (I 've often heard Belgian people speak).When René Clément made a similar story in 1963 ("le jour et l'heure"),he chose Simone Signoret as the French woman and American Stuart Whitman for the aviator ,which made sense.And whereas Clement's movie had a dramatic progression (Signoret's character was first a woman who did not care about Resistance),this one has none.Now and then ,the German soldiers appear,just for their reprisals,hangings and tortures.There are some Belgian characters involved but their part is so underwritten that even the hubby cannot display his jealousy.Sandrine Bonnaire tries hard ,to no avail.Only Bill Paxton ,in his restrained and sensitive rendering ,shows some convincing emotion.The film was a flop,and it is sure easy to see why:Resistance has been tackled so many times in France,Europa and elsewhere ,that ,unless you are a genius,you can't make new things out of old.