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The Legend of Rita
Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant fear of having her cover blown, which unavoidably happens after the German re-unification.
Release : | 2000 |
Rating : | 6.9 |
Studio : | MDR, Studio Babelsberg Motion Pictures, |
Crew : | Director of Photography, Director, |
Cast : | Bibiana Beglau Nadja Uhl Martin Wuttke Harald Schrott Alexander Beyer |
Genre : | Drama |
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Best movie of this year hands down!
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
One of the worst ways to make a cult movie is to set out to make a cult movie.
The Legend of Rita is about the lives of some young terrorists from West Germany who dreamed of making radical changes in the lives of people using violent means. It describes the tumultuous lives of these people especially their stay in East Germany by focusing on a particular person who is the film's protagonist. Although the film's pace is fast, it fails to do much justice to the topic it intended to portray. As events in the life of a terrorist are shown in a rapid succession without bothering to concentrate on one particular aspect, 'The Legend of Rita' takes the form of an entertainer as it distances itself too much from the radical stance viewed in hardcore political films. It appears that the director Volker Schlöndorff has sweetened his film to such a large extent that even East German secret service agents appear as if they were some kind of nice gentlemen with nothing but loads of goodness in their hearts. As a festival film, 'The legend of Rita' won some important prizes namely silver bear and best actress price shared by Bibiana Beglau and Nadja Uhl during Berlinale 2000. Finally, it is a nice film which can be watched with family and friends.
This is not the strongest film by Schlondorff, but it is very entertaining nonetheless. Rita is a woman of a thousand disguises: some adopted for her terrorist roles in the West, some given to her by her Stasi handler in the East, and some adopted to cope with the jarring dissonances that people experienced under Communism.The time is never right for Rita. She is told that since the DDR is about to sign a pact against terrorism, she and her comrades are excess baggage. When her boyfriend announces he's going to the USSR to work, she has to tell him she can't go with him, as she'd be unsafe there. Plane tickets to Beirut are offered to them: Rita refuses but Andreas and the others go (anything to get away from the socialist nightmare). Rita's refusal saves her life, of course.I found the moral questions that a politically engaged citizen of either of the former two Germanies had to face were brought out better in The Lost Honor of Katharina Blum, but Rita has many lovely moments.
This is the type of film that I wish were made more often. Volker Schlondorff reminds us that he's still a terrific director and really has gone back to his roots with this film. Rita is presented as a terrorist. Then seems to have left the revolution for another life and hope her past doesn't catch up. Were not suppose to feel pity or hatred towards this woman. Just watch and experience a fascinating character that is presented and not judge her morals. Hollywood would have ruined this film by making Rita sympathetic. Bibiana Beglau plays Rita and she is absolutely magnificent. Strong, smart and opinionated. But she's also vulnerable so her character is very interesting to watch. Beglau has a real presence on film and the strength of her personality shows throughout this film. I cannot wait to see her again in another film. Schlondorff's film and its portrayal of Rita is unflinching. The last scene in the film comes suddenly and leave's a haunting image in our psyche. The song that plays as the film ends I found to be very affecting and helps create an indelible aura for the film. Very strong film by a great director and acted by a great talent in Beglau.
What the director has done with this picture is make the history of the DDR (Deutche Demokratishe Republik - The German Democratic Republic)with the protagonist a stand-in for the state. Certainly she is the little orphan Annie of Marxism-Leninism, and we see the DDR though her eyes (which may explain why the sets are so clean.) In a possible defence of her radicalism, may I say that the Bundesrepublik Deutchland(West Germany)was very much a conservative, yet apolitical state for the first 20 years of it's existence. The WW II generation was silent, the (initally) radical labor unions of 1946 were tamped down with help from the CIA and the AFL-CIO. German youth was ambivalent towards America and the West because of the occupation troops and the cheasy bar culture they brought with them. You can't live in the `50's forever, and when the 1960's wafted in, people like Rita were silently raging for change. Unfortunately for her, Mao's dictum of "political power grows from the barrel of a gun" was more appealing than other forms of protest or makig a counterculture. The rest is the plot.The Stasi paper-shredding scene near the end actually happened; the BDR is still sorting the fragments. And yes, Trabants were that cheap.