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Perempuan Melayu Terakhir
Haikal is a producer who faces the loss of his Caucian wife, Linda after she gave birth to their child. He travels to East Coast Malaysia in search of his identity of being a Malay. As he arrives there, he meets with a girl named Mustika who still upholds the tradition of Malay. Although she is engaged, Haikal finds himself strongly attracted to her and determined to make a cultural Malay stage theatre.
Release : | 1999 |
Rating : | 6.3 |
Studio : | |
Crew : | Director of Photography, Director, |
Cast : | Vanida Imran Eizlan Yusof Azri Iskandar Dato' M. Nasir Tiara Jacquelina |
Genre : | Drama Romance |
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Reviews
Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The second movie by Erma has some nice photography - those beach scenes on the East Coast - and had the potential to be an engrossing but provocative drama about cultural conflict (Plot is about a Western-educated man who tries to find his native Malay identity). But there's something preachy about the way the issues are presented; the dialogue is too heavy and everyone is so solemn. The closing shot is kind of obnoxious, too. But credit to Vanida as the female lead - and even the normally wooden Eizlan is not THAT bad here.